[musictlk] Just curious
Ken The PionEar
kenwdowney at me.com
Fri Sep 6 17:34:32 UTC 2013
When I was in high school, my choir teacher played the part on piano for me
and sang it. That was very helpful, but I know most college level teachers
wouldn't have the time for that. :)
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and my music, and that of my band, at
www.ThePionEar.net/BlindLabyrinth.html .
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----- Original Message -----
From: "Jim Portillo" <portillo.jim at gmail.com>
To: "'Music Talk Mailing List'" <musictlk at nfbnet.org>
Sent: Friday, September 06, 2013 2:51 AM
Subject: Re: [musictlk] Just curious
> I'd thought of doing more of that kind of thing, so this might be a good
> idea. I don't read Braille music and just learn everything by ear, but it
> seems that some rhythm work is being involved at times.
>
>
> -----Original Message-----
> From: musictlk [mailto:musictlk-bounces at nfbnet.org] On Behalf Of Rob
> Kaiser
> Sent: Thursday, September 05, 2013 11:47 PM
> To: Music Talk Mailing List
> Subject: Re: [musictlk] Just curious
>
> I see where that would work very well.
>
>
>
> -----Original Message-----
> From: Kaiti Shelton
> Sent: Thursday, September 05, 2013 10:33 PM
> To: Music Talk Mailing List
> Subject: Re: [musictlk] Just curious
>
> Hi,
>
> If it was a one time thing I honestly wouldn't worry about it too much;
> but
> if you're going to do more of this kind of thing here is what I would
> recommend as a current music major taking theory 3.
>
> For rhythm sheets, assuming that the rhythms are notated not in word
> format
> you may need to get the music transcribed. It is much more complex than
> just asking the person leading the workshop if they can just email you the
> word document, as that might not be very helpful on its own. I would ask
> about a week in advance so that if the rhythms are in notation they can be
> transcribed. Then you will be free to read them on a notetaker or emboss
> them out if you prefer.
>
> This is a tried and true way of doing it, but the other way might require
> some creativity on your part. If you do get a word file and don't have
> enough time to get the music transcribed, you could have someone read off
> the note values for you and type them into a notetaker document for easy
> access. Often what I do on rhythmic dictation tests, since it's a little
> less of a hassle than dealing with Lime for something so short, is I'll
> use
> letters to notate rhythms. For example:
>
> 4-4 time: qqeeq ssssssssDEsDEs DHq.
>
> I always capitalize my dotted notes, (DH for dotted half and DQ for dotted
> quarter, etc) to separate them out from the lowercase and draw attention
> to
> them for my professor. He seems to understand it pretty well and it makes
> reading and singing along with rhythms very easy because it isn't as
> cumbersome as braille music can be. Don't get me wrong; I love braille
> music, but when you're in a pinch or are just doing a few exercises at an
> isolated or infrequent event a system like that can simplify things quite
> a
> bit.
>
> Hope this helps.
>
> On 9/5/13, Rob Kaiser <rcubfank at sbcglobal.net> wrote:
>> That songs like it would really work. Unfortunately, when I went to
>> the American Conservatory of Music in Chicago, it was 1978 when I
>> started. We didn't have the technology we have today. I took all of my
>> music theory privatlly.
>>
>> Just to let all of you know, I have a master's in vocal performace
>> from Northwestern. I received it in 1983.
>>
>>
>>
>> -----Original Message-----
>> From: Roanna Baccchus
>> Sent: Thursday, September 05, 2013 9:59 AM
>> To: Music Talk Mailing List
>> Subject: Re: [musictlk] Just curious
>>
>> Hi Jish this is Roanna Bacchus. I would ask the instructor to send me
>> the worksheets ahead of time via email. This allows me to read them
>> ahead of time on an electronic notetaker. It also allows me to work
>> on it along with my classmates. That's what I would do if I were in
>> this situation.
>>
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>
>
> --
> Kaiti
>
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