[musictlk] Accessible recording software for the blind

Poppa Bear heavens4real at gmail.com
Mon Nov 2 16:53:52 UTC 2015


Hello, I run a small project studio and use pro tools on the Mack. There is
a lot of resources available to learn, look up pro tools with speech for
tutorials and the Google PT access list for a great email list. Those two
things can get you started if you wish to go that route. As far as free
tools, then look up Reaper for the Mack, there are some lists to help you
get started and it is a free program with nice features.
HTH

-----Original Message-----
From: musictlk [mailto:musictlk-bounces at nfbnet.org] On Behalf Of
peteracosta54--- via musictlk
Sent: Monday, November 02, 2015 4:04 AM
To: musictlk at nfbnet.org
Cc: peteracosta54 at gmail.com
Subject: [musictlk] Accessible recording software for the blind

I am a musician and songwriter 
What software recording programs are accessible unusable with voiceover on
the Mac
I am new to this and realize that many of these recording programs such as
ProTools can be expensive and quite difficult to use
I have a MacBook Pro and would like to use the voice over function with the
software
Any help that can be provided by other blind musicians using software
programs would be greatly appreciated 

Thanks for your help
Peter Acosta

> On Nov 2, 2015, at 07:00, musictlk-request at nfbnet.org wrote:
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> Today's Topics:
> 
>   1. Re: electronic music workshop (Jim Jackson)
>   2. Sight Rhythms with Conducting Question (Rachael Abbott)
>   3. Re: electronic music workshop (Kenneth Downey)
>   4. Re: Sight Rhythms with Conducting Question (Sandra Gayer)
>   5. Re: Sight Rhythms with Conducting Question (Rob Kaiser)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Sat, 17 Oct 2015 14:26:29 -0700
> From: Jim Jackson <actionjimjackson at gmail.com>
> To: Nfb <musictlk at nfbnet.org>
> Subject: Re: [musictlk] electronic music workshop
> Message-ID: <4A0E7F2B-7EA0-465F-80E4-CA7A3672586C at gmail.com>
> Content-Type: text/plain; charset=us-ascii
> 
> some thoughts on the electronic music workshop.
> 1. there is a wide variation of experience with equipment, theory, and
techniques. what seems basic to one is potentially a deal breaker to others.
Sometimes when people use industry jargon my brain gets stuck on what that
word the person just said and I miss out on the rest of the sentence an
sometimes the rest of the conversation because I am trying to catch up.
specifically defining any industry terms , software, or procedures would go
a long way to keep my eyes from glossing over when learning new things I
really am interested in understanding.
>> On Oct 2, 2015, at 3:34 PM, Kenneth Downey via musictlk
<musictlk at nfbnet.org> wrote:
>> 
>> I've come a long way in the last few years in terms of knowledge of
electronic music. Three years ago, I asked all over if people knew anything
about creative sound synthesis and people said no, but there were plenty of
soft synths out there you could play. Nowadays, with the accessibility of
Reaper, we can not only play those soft synths and modify them too, but use
many of them to create our very own patches. 
>> Furthermore, as the iDevices continue to get faster and faster, more
music apps are made for them all the time, and as more and more devs become
aware of the fact that the blind can use iPhones, more and more apps become
accessible.
>> I have been thinking, then, about setting up a free electronic music
workshop which would cover these apps and programs. I don't know the best
conference call app we could use to make it happen, but we can work all that
out. If you'd like to speak or just listen in on the workshop, I'd like your
thoughts and input. 
>> Ken Downey
>> 
>> 
>> Sent from my iPhone
>> _______________________________________________
>> musictlk mailing list
>> musictlk at nfbnet.org
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>> To unsubscribe, change your list options or get your account info for
musictlk:
>>
http://nfbnet.org/mailman/options/musictlk_nfbnet.org/actionjimjackson%40gma
il.com
> 
> 
> 
> 
> ------------------------------
> 
> Message: 2
> Date: Sun, 1 Nov 2015 22:40:50 -0500
> From: Rachael Abbott <rachael.rachelle at gmail.com>
> To: "musictlk at nfbnet.org" <musictlk at nfbnet.org>
> Subject: [musictlk] Sight Rhythms with Conducting Question
> Message-ID: <C9780395-E531-4926-91B0-642584785176 at gmail.com>
> Content-Type: text/plain;    charset=us-ascii
> 
> Hello Everyone on the List, 
> I was hoping some of you might have some good advice for me.  
> 
> Right now I am completing some credits at a community college to  transfer
to a four year university.  I am hoping to major in Music Education for
Elementary students.  In my Music Theory 3 and 4 classes we had to present
sight singing and sight rhythm exercises.  Since I am only able to see one
measure at a time I have been memorizing the exercises to present.  For the
sight rhythm assignments my teacher requires that we conduct.  
> 
> I have never seen conducting and there is no class at the community
college only for conducting.  My first two music theory classes did not
require conducting for the sight rhythms.  I told my teacher that I would
like to learn conducting and I know it is a skill I need.  I explained it
will take me time to implement the skill because right now it is messing
with my memorization.  I mean that once I have it memorized I try to
implement the conducting but then I am thinking about where my had is and
the beat and I mess up the rhythm.  
> 
> My teacher does not care.  My teacher is really pushing and pressuring me
to complete my sight rhythm assignments.  If I present without conducting I
start at 80%.  So if I present perfectly I can only get an 80%.  
> 
> How have others learned conducting?  Has anyone presented sight rhythms
with conducting and how did you learn?  What is the best way to learn
conducting?  Is there any accommodations I can ask for?  Should I take this
issue to the disability support services office and ask for extended time as
an accommodation?  How should I handle this situation?  
> 
> Any feedback or insight would be most appreciated.  
> 
> Thanks everyone!!!! 
> Best, 
> Rachael 
> 
> 
> ------------------------------
> 
> Message: 3
> Date: Mon, 02 Nov 2015 01:54:47 -0700
> From: Kenneth Downey <kenwdowney at me.com>
> To: Music Talk Mailing List <musictlk at nfbnet.org>
> Subject: Re: [musictlk] electronic music workshop
> Message-ID: <4DCFB760-6E02-4D67-A5DA-519016E4EFAF at me.com>
> Content-Type: text/plain; charset=us-ascii
> 
> The key to a good confrerence, or so I am told anyway, is that it be a
small conference. That way, every question is answered, and there is time
for the participants to chat before and after. We can do podcasting of the
whole thing, and accept skype calls. 
> 
> Sent from my iPhone
> 
>> On Oct 17, 2015, at 3:26 PM, Jim Jackson via musictlk
<musictlk at nfbnet.org> wrote:
>> 
>> some thoughts on the electronic music workshop.
>> 1. there is a wide variation of experience with equipment, theory, and
techniques. what seems basic to one is potentially a deal breaker to others.
Sometimes when people use industry jargon my brain gets stuck on what that
word the person just said and I miss out on the rest of the sentence an
sometimes the rest of the conversation because I am trying to catch up.
specifically defining any industry terms , software, or procedures would go
a long way to keep my eyes from glossing over when learning new things I
really am interested in understanding.
>>> On Oct 2, 2015, at 3:34 PM, Kenneth Downey via musictlk
<musictlk at nfbnet.org> wrote:
>>> 
>>> I've come a long way in the last few years in terms of knowledge of
electronic music. Three years ago, I asked all over if people knew anything
about creative sound synthesis and people said no, but there were plenty of
soft synths out there you could play. Nowadays, with the accessibility of
Reaper, we can not only play those soft synths and modify them too, but use
many of them to create our very own patches. 
>>> Furthermore, as the iDevices continue to get faster and faster, more
music apps are made for them all the time, and as more and more devs become
aware of the fact that the blind can use iPhones, more and more apps become
accessible.
>>> I have been thinking, then, about setting up a free electronic music
workshop which would cover these apps and programs. I don't know the best
conference call app we could use to make it happen, but we can work all that
out. If you'd like to speak or just listen in on the workshop, I'd like your
thoughts and input. 
>>> Ken Downey
>>> 
>>> 
>>> Sent from my iPhone
>>> _______________________________________________
>>> musictlk mailing list
>>> musictlk at nfbnet.org
>>> http://nfbnet.org/mailman/listinfo/musictlk_nfbnet.org
>>> To unsubscribe, change your list options or get your account info for
musictlk:
>>>
http://nfbnet.org/mailman/options/musictlk_nfbnet.org/actionjimjackson%40gma
il.com
>> 
>> 
>> _______________________________________________
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> 
> 
> 
> ------------------------------
> 
> Message: 4
> Date: Mon, 2 Nov 2015 09:50:22 +0000
> From: Sandra Gayer <sandragayer7 at gmail.com>
> To: Music Talk Mailing List <musictlk at nfbnet.org>
> Subject: Re: [musictlk] Sight Rhythms with Conducting Question
> Message-ID:
>    <CAJcYH6_ONE7XwvnJeah5xsJyTqWkvVq-rT9aDFt_yBOB9i2nkQ at mail.gmail.com>
> Content-Type: text/plain; charset=UTF-8
> 
> Hello Rachael,
> There are some books devoted to this subject but, personally, I didn't
> find them much good until I had some hands-on demonstration. Then they
> reenforced what I already knew.
> 
> Do you know any conductors? Do you sing or play in a community group?
> If yes, ask he or she to spend half an hour or so with you, teaching
> you the shapes of time signatures as well as dynamics, articulations
> and technical expressions. If you're memorising anyway, you'll have
> your hands free to conduct. The only other thing you'll need to do as
> a conductor is bring people in. Do you know where everyone sits; in an
> orchestra, choir or both? Ask the conductor who will show you
> everything, the geography of both so you can bring them in with your
> hands, head, or both. Thinking as I write this, you'll only need your
> head if you're already using both hands.
> 
> I hope this is of some help.
> Very best wishes,
> Sandra.
> 
>> On 11/2/15, Rachael Abbott via musictlk <musictlk at nfbnet.org> wrote:
>> Hello Everyone on the List,
>> I was hoping some of you might have some good advice for me.
>> 
>> Right now I am completing some credits at a community college to
transfer
>> to a four year university.  I am hoping to major in Music Education for
>> Elementary students.  In my Music Theory 3 and 4 classes we had to
present
>> sight singing and sight rhythm exercises.  Since I am only able to see
one
>> measure at a time I have been memorizing the exercises to present.  For
the
>> sight rhythm assignments my teacher requires that we conduct.
>> 
>> I have never seen conducting and there is no class at the community
college
>> only for conducting.  My first two music theory classes did not require
>> conducting for the sight rhythms.  I told my teacher that I would like to
>> learn conducting and I know it is a skill I need.  I explained it will
take
>> me time to implement the skill because right now it is messing with my
>> memorization.  I mean that once I have it memorized I try to implement
the
>> conducting but then I am thinking about where my had is and the beat and
I
>> mess up the rhythm.
>> 
>> My teacher does not care.  My teacher is really pushing and pressuring me
to
>> complete my sight rhythm assignments.  If I present without conducting I
>> start at 80%.  So if I present perfectly I can only get an 80%.
>> 
>> How have others learned conducting?  Has anyone presented sight rhythms
with
>> conducting and how did you learn?  What is the best way to learn
conducting?
>> Is there any accommodations I can ask for?  Should I take this issue to
the
>> disability support services office and ask for extended time as an
>> accommodation?  How should I handle this situation?
>> 
>> Any feedback or insight would be most appreciated.
>> 
>> Thanks everyone!!!!
>> Best,
>> Rachael
>> _______________________________________________
>> musictlk mailing list
>> musictlk at nfbnet.org
>> http://nfbnet.org/mailman/listinfo/musictlk_nfbnet.org
>> To unsubscribe, change your list options or get your account info for
>> musictlk:
>>
http://nfbnet.org/mailman/options/musictlk_nfbnet.org/sandragayer7%40gmail.c
om
> 
> 
> -- 
> Soprano Singer
> www.sandragayer.com
> 
> Broadcast Presenter
> 
> www.insightradio.co.uk/music-box.html
> 
> Voiceover Artist
> 
> www.archangelvoices.co.uk/content/sandra-gayer
> 
> 
> 
> ------------------------------
> 
> Message: 5
> Date: Mon, 2 Nov 2015 02:31:11 -0800
> From: "Rob Kaiser" <rcubfank at sbcglobal.net>
> To: "'Music Talk Mailing List'" <musictlk at nfbnet.org>
> Subject: Re: [musictlk] Sight Rhythms with Conducting Question
> Message-ID: <00b101d11559$98b61f00$ca225d00$@sbcglobal.net>
> Content-Type: text/plain;    charset="us-ascii"
> 
> I have never presented sight rythems, but I did take a choral conducting
> class with the Famous William Farris in Chicago @ the American
Conservatory
> of Music. There were 5 or 6 of us in the class. It was an interesting
> experience, but I was able to get a lot out of the class & yess, I did do
> some conducting as did everyone in the class. It sounds like this teacher
> has never come across this situation before. Your teacher probabgly has
> heard of William Farris. You might want him to contact him. As far as I
> know, he still has the FARIS CHORALLE in Chicago. If your teacher does
> decide to contact Mr. Farris, please have him use my name as a reference.
> I'm sure Mr. Farris will still remember me from back in 1981. 
> 
> Good luck to you. 
> 
> This is something you should be able to do. 
> 
> -----Original Message-----
> From: musictlk [mailto:musictlk-bounces at nfbnet.org] On Behalf Of Rachael
> Abbott via musictlk
> Sent: Sunday, November 01, 2015 7:41 PM
> To: musictlk at nfbnet.org
> Cc: Rachael Abbott <rachael.rachelle at gmail.com>
> Subject: [musictlk] Sight Rhythms with Conducting Question
> 
> Hello Everyone on the List, 
> I was hoping some of you might have some good advice for me.  
> 
> Right now I am completing some credits at a community college to  transfer
> to a four year university.  I am hoping to major in Music Education for
> Elementary students.  In my Music Theory 3 and 4 classes we had to present
> sight singing and sight rhythm exercises.  Since I am only able to see one
> measure at a time I have been memorizing the exercises to present.  For
the
> sight rhythm assignments my teacher requires that we conduct.  
> 
> I have never seen conducting and there is no class at the community
college
> only for conducting.  My first two music theory classes did not require
> conducting for the sight rhythms.  I told my teacher that I would like to
> learn conducting and I know it is a skill I need.  I explained it will
take
> me time to implement the skill because right now it is messing with my
> memorization.  I mean that once I have it memorized I try to implement the
> conducting but then I am thinking about where my had is and the beat and I
> mess up the rhythm.  
> 
> My teacher does not care.  My teacher is really pushing and pressuring me
to
> complete my sight rhythm assignments.  If I present without conducting I
> start at 80%.  So if I present perfectly I can only get an 80%.  
> 
> How have others learned conducting?  Has anyone presented sight rhythms
with
> conducting and how did you learn?  What is the best way to learn
conducting?
> Is there any accommodations I can ask for?  Should I take this issue to
the
> disability support services office and ask for extended time as an
> accommodation?  How should I handle this situation?  
> 
> Any feedback or insight would be most appreciated.  
> 
> Thanks everyone!!!! 
> Best, 
> Rachael 
> _______________________________________________
> musictlk mailing list
> musictlk at nfbnet.org
> http://nfbnet.org/mailman/listinfo/musictlk_nfbnet.org
> To unsubscribe, change your list options or get your account info for
> musictlk:
>
http://nfbnet.org/mailman/options/musictlk_nfbnet.org/rcubfank%40sbcglobal.n
> et
> 
> 
> 
> 
> ------------------------------
> 
> Subject: Digest Footer
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> 
> ------------------------------
> 
> End of musictlk Digest, Vol 136, Issue 2
> ****************************************

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