[MusicTlk] Question for blind pianists
Ella Yu
ellaxyu at gmail.com
Thu Feb 14 23:20:40 UTC 2019
Mike, I'm sorry for not finishing my response. I think that to
develop this sort of muscle memory, I find slow practice helpful.
When I first learn a piece, I will always work on it slowly for
awhile and when I feel confident, I'll speed it up.
----- Original Message -----
From: Mike Jolls via MusicTlk <musictlk at nfbnet.org
To: Music Talk Mailing List for Blind Musicians
<musictlk at nfbnet.org
Date sent: Thu, 14 Feb 2019 22:47:38 +0000
Subject: Re: [MusicTlk] Question for blind pianists
Ella and Karen
Hereâs a follow up question. Ok I get the muscle memory thing.
How do you get the muscle memory? A lot of repetition, try and
fail until you finally get it? If thatâs the answer I can see
I have a lot of work ahead of me.
Sent from my iPhone
On Feb 14, 2019, at 2:47 PM, Karen McDonald via MusicTlk
<musictlk at nfbnet.org> wrote:
Mike, I play a lot of Joplin pieces and some Gershwin pieces as
well. I also play William Bolcom's Graceful Ghost Rag. My hands
are small so these pieces are often a challenge for me. However,
muscle memory works for me every time. I love Joplin and I hope
you will find as much pleasure in playing his music as I do.
Peace
Karen
On Feb 14, 2019 3:19 PM, Mike Jolls via MusicTlk
<musictlk at nfbnet.org> wrote:
Linda Mentink (and others), hereâs a piano question.
Iâm working on some Scott Joplin â The Entertainer in
particular. Of course this piece is using Stride Bass where the
left hand has to jump around a lot. There are, at certain parts
of the music, jumps for the left hand that are two octaves. One
jump in particular is from Bb right below middle C to a D natural
two octaves below middle C ⦠quite a big jump. Iâm trying to
learn how to do this jump by feel, in other words not look at my
hands. Invariably I miss the jump. This is very frustrating.
Iâm hoping someone can give me some tips.
Let me just say before I go on that I already know, from other
pieces Iâve played, that playing by feel is entirely possible.
Thank goodness I already know that. Where the jump isnât too
far, I can usually do that by feel.
My question, however, is about making BIG jumps. Do blind
pianists eventually (after hours and hours and thousands of
attempts when doing these large jumps) eventually get to the
point where their brain just knows how far to go? They know what
they have to do and they have just learned (or rather their brain
has learned), through repetition, how to do it. Or maybe they
take time in their daily practice routine and do an exercise
where they practice making jumps so that they give their brain
practice in doing this. That way, when it comes to playing a
piece of actual music, they already know how to do this. This is
all an assumption on my part, and Iâm asking the question to
confirm it. In some parts of the music Iâm playing where an
octave jump is in order, I can usually do that. My hands are
large enough that I can feel the octave jump. But with these big
jumps, Iâm trying to read the music and not look at my hands
(ultimately I will memorize the music). My problem is that as
soon as my hand leaves the keyboard and I try to make the big
jump, I lose context as to where I am and I am uncertain as to
whether I can accurately hit what I need to hit. Sometimes I hit
it, sometimes not.
Any thoughts or suggestions would be welcome.
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