[Ohio-talk] FW: [Nfbnet-master-list] FW: H-Dis: Turner Classic Movies showing disability films
J.W. Smith
jwsmithnfb at frontier.com
Thu Jul 26 20:10:00 UTC 2012
Dr. J. Webster Smith
President, National Federation of the Blind of Ohio
PO Box 458 Athens, OH 45701
740-592-6326
"Changing what it means to be blind"
For more information go to nfbohio.org
-----Original Message-----
From: nfbnet-master-list-bounces at nfbnet.org
[mailto:nfbnet-master-list-bounces at nfbnet.org] On Behalf Of David Andrews
Sent: Wednesday, July 25, 2012 9:22 PM
To: nfbnet-master-list at nfbnet.org
Subject: [Nfbnet-master-list] FW: H-Dis: Turner Classic Movies showing
disability films
>
>TCM to Examine Hollywood's Depiction of People with Disabilities in The
>Projected Image: A History of Disability in Film in October
>
>Lawrence Carter-Long Joins TCM's Robert Osborne for Historic Month-Long
>Film Exploration, Presented in Collaboration with Inclusion in the Arts
>
>Turner Classic Movies (TCM) will dedicate the month of October to
>exploring the ways people with disabilities have been portrayed in
>film. On behalf of Inclusion in the Arts, Lawrence Carter-Long will
>join TCM host Robert Osborne for The Projected Image: A History of
>Disability in Film. The special month-long exploration will air
>Tuesdays in October, beginning Oct. 2 at 8 p.m. (ET).
>
> TCM makes today's announcement to coincide with the 22nd anniversary
> of the signing of the Americans with Disability Act
> (ADA) on July 26. And in a first for TCM, all films will be presented
> with both closed captioning and audio description (via secondary
> audio) for audience members with auditory and visual disabilities.
>
> The Projected Image: A History of Disability in Film features more
> than 20 films ranging from the 1920s to the 1980s. Each night's
> collection will explore particular aspects, themes, or types of
> disability, such as blindness, deafness and psychiatric or
> intellectual disabilities. In addition, one evening of programming
> will focus on newly disabled veterans returning home from war.
>
> TCM's exploration of disability in cinema includes many
> Oscar(r)-winning and nominated films, such as An Affair to Remember
> (1957), in which Deborah Kerr's romantic rendezvous with Cary Grant is
> nearly derailed by a paralyzing accident; A Patch of Blue (1965), with
> Elizabeth Hartman as a blind white girl who falls in love with a black
> man, played by Sidney Poitier; Butterflies Are Free (1972), starring
> Edward Albert as a blind man attempting to break free from his
> over-protective mother; and Gaby: A True Story (1987), the powerful
> tale of a girl with cerebral palsy trying to gain independence as an
> artist; Johnny Belinda(1948), starring Jane Wyman as a "deaf-mute"
> forced to defy expectations; The Miracle Worker (1962), starring Anne
> Bancroft as Annie Sullivan and Patty Duke as Helen Keller; One Flew
> Over the Cuckoo's Nest (1975), with Jack Nicholson as a patient in a
> mental institution and Louise Fletcher as the infamous Nurse Ratched;
> The Best Years of Our Lives (1946), the post-War drama starring
> Fredric March, Myrna Loy and real-life disabled veteran Harold
> Russell; and Charly (1968), with Cliff Robertson as an intellectually
> disabled man who questions the limits of science after being turned
> into a genius.
>
> The Projected Image: A History of Disability in Film also features
> several lesser-known classics ripe for rediscovery, including the
> atmospheric Val Lewton chiller Bedlam (1946), the intriguing
> blind-detective mystery Eyes in the Night (1942); A Child is Waiting
> (1963), with Burt Lancaster and Judy Garland; the British family drama
> Mandy (1953); and a bravura performance by wheelchair user Susan
> Peters in Sign of the Ram (1948). A complete schedule is included.
>
> Each year since 2006, TCM has dedicated one month toward examining
> how different cultural and ethnic groups have been portrayed in the
> movies. Several of the programming events have centered on Race and
> Hollywood, with explorations on how the movies have portrayed
> African-Americans in 2005, Asians in 2008, Latinos in 2009, Native
> Americans in 2010 and Arabs in 2011. TCM looked at Hollywood's
> depiction of gay and lesbian characters, issues and themes in 2007.
>
> "The Projected Image: A History of Disability in Film is a valuable
> opportunity to take a deeper look at the movies we all know and love,
> to see them from a different perspective and to learn what they have
> to say about us as a society," said Osborne.
> "We are very proud to be working with Inclusion in the Arts on this
> important exploration. And we are especially glad to have Lawrence
> Carter-Long of the National Council on Disability with us to provide
> fascinating, historical background and thought-provoking insight on
> how cinematic portrayals of disability have evolved over time."
>
> "From returning veterans learning to renegotiate both the
> assumptions and environments once taken for granted to the rise of
> independent living, Hollywood depictions of disability have
> alternately echoed and influenced life outside the movie theater,"
> said Carter-Long, who curated the series. "Twenty-two years after the
> passage of the ADA and over a century since Thomas Edison filmed 'The
> Fake Beggar,' TCM and Inclusion in the Arts provide an unprecedented
> overview of how cinematic projections of isolation and inspiration
> have played out on the silver screen - and in our lives. When screened
> together, everything from The Miracle Worker to One Flew Over the
> Cuckoo's Nest reveals another layer where what you think you know is
> only the beginning."
>
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