[Perform-talk] Physical aspects of performing?
Rob Kaiser
rcubfank at sbcglobal.net
Sat May 16 23:36:15 UTC 2015
I, when I'm singing in a choir, I make sure that the person next to me makes
sure I'm facing the conductor.
Rob Kaiser
email;
rcubfank at sbcglobal.net
-----Original Message-----
From: Marissa Tejeda via Perform-talk
Sent: Saturday, May 16, 2015 4:31 PM
To: Performing Arts Division list
Cc: Marissa Tejeda
Subject: Re: [Perform-talk] Physical aspects of performing?
Hi,
I go to the California School for the Blind. When I sing in Glee
Club, and on stage, as I did on Wednesday and Thursday in a
Spring concert, I stand straight with my hands at my sides. I
face the audience and sing. Occationally, I may sway slightly,
if I'm feeling the music.
----- Original Message -----
From: Masha Sten-Clanton via Perform-talk
<perform-talk at nfbnet.org
To: Performing Arts Division list <perform-talk at nfbnet.org
Date sent: Sat, 16 May 2015 18:54:17 -0400
Subject: [Perform-talk] Physical aspects of performing?
Here in New England there's a weekly show, Community Auditions,
which is
a televised singing competition. The contestants are usually
accompanied
by a band while they sing. After each performance, three judges
give the
contestant feedback, along with a rating from 1 to 10.
Since I'd like to audition for the show, I've been paying
particular
attention to the judges' comments. A lot of them have to do with
how the
contestants come across visually. Besides their vocal technique,
contestants are praised or criticized on their enthusiasm, how
they
move, and how they interact with the band.
As a totally blind person, I was constantly warned to be careful
of
untoward movements. I'd like to know from blind singers: How did
you
learn to look, and feel, comfortable with your body onstage? How
do you
stand in a position that looks natural? What do you do with your
hands
(if you're not playing an instrument)? How do you build movement
into
your performance? (In high school I wwas criticized for not
incorporating hand gestures into a song.) And how do you interact
with a
band while performing? (I'm presuming that the only way would be
to
rehearse with them, and establish rapport, beforehand, so that
hopefully
that rapport will be apparent to the audience.)
I think there was a panel at the national convention about this
topic
last year, but I was unable to attend the convention. Is there a
recording of it somewhere?
Any advice would be greatly appreciated -- I'd really like to try
out
for this show!
Thanks,
Masha
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