[Perform-Talk] Need Some Advice
Shelly Kane
shellykane323 at gmail.com
Fri Jul 23 20:40:23 UTC 2021
Thank you so much for your advice. Yes, it does get discouraging but I
will keep trying. I just need to email these companies to see if they
are looking for a teacher and go from there. i don't even know if they
are looking but my trainer told me to put myself out there. Do you
think I should tell them I'm blind right away when I contact them or
would you wait? The last time I applied for this kind of job was many
years ago and I didn't tell them I was blind and when I went for the
interview, they acted like we didn't have anything scheduled and I
definitely don't want to go through that again. Thanks in advance.
Shelly
On 7/23/2021 5:03 AM, Sandra Gayer via Perform-Talk wrote:
> Hello Shelly,
> I'm a Soprano Singer, Braille Music Teacher, Radio Broadcast Presenter
> and Actor. Rejection is, unfortunately, an integral part of a career
> in the performing arts. Lots of able bodied people struggle with
> rejection as well. Persevere and you'll succeed! My strategy with
> auditions is to do them and move on as quickly as possible. I know
> it's easier said than done. If you do a lot of them in a short space
> of time, it gets easier. Getting jobs helps forget the negative
> results of silence after an audition or a rejection letter. There will
> be companies out there who will want to take you on. The more you put
> yourself out there, not just auditions but performing and releasing
> videos on the Internet, charities will want performers especially as
> industry opens more. You don't know who is watching these things.
>
> Hopefully some of this is helpful to you.
>
> Very best wishes,
> Sandra.
>
> www.sandragayer.com
>
> On 7/22/21, Leslie Hamric via Perform-Talk <perform-talk at nfbnet.org> wrote:
>> Hi Shelly. I suggest apply wherever you can. keep trying until you get
>> someone who is receptive enough to at least give you a try. Whatever you do,
>> don't give up. I can speak from personal experience because I tried to
>> audition for two different orchestras before I found a third one that would
>> take me. What I did When I auditions for the Elmhurst Sympwhen I audition
>> for the Elmhurst Symphony was wa play my cello first, and then, i
>> answered questions from the conductor. I don't remember all of them but the
>> two main questions I remember our: how do you know when to come in? How will
>> you keep up with the orchestra? With the other two orchestras, the first
>> conductor was not willing to even try and with the second orchestra, I got
>> as far as the principal cellist who claimed this was just not going to work.
>> All you can do is the best you can in an interview or audition and whatever
>> happens after that is out of your hands. That's true for anyone, blind or
>> cited. It always feels like we are blind performers have double the amount
>> of pressure because not only do we have to know our stuff, but we also have
>> to convince the person auditioning us that our blindness isn't going to get
>> in the way. i'm sure others on here can relate. Feel free to email me
>> privately if you would like to chat more. Good luck and remember, do not
>> give up.
>> Leslie
>>
>>
>> Leslie Hamric
>> Cello and Braille Music Teacher
>> Board member of National Federation of the Blind Performing Arts Division
>> Graduate Council Member of Guiding Eyes for the Blind
>>
>>> On Jul 22, 2021, at 2:15 AM, Shelly Kane via Perform-Talk
>>> <perform-talk at nfbnet.org> wrote:
>>>
>>> Hi Group:
>>>
>>>
>>> I don't post much here but I joined because I wanted to be in contact with
>>> other blind performers. I have been a dancer for many years. At the
>>> present time, my trainer and I talked about me possibly becoming a
>>> teacher. It would be more of a pop dance class so I wouldn't be
>>> performing. I would be teaching a dance workout with choreography to each
>>> song. I love my class and would love even more to teach. My question is
>>> how would I go about this? Many years ago, I did apply to be a teacher
>>> assistant at a dance studio and it was a nightmare. When I went for the
>>> interview, they acted like I wasn't even scheduled to come in. It was a
>>> very humiliating experience and I definitely don't want to do that again.
>>> We have 2 dance studios for the disabled and I thought of starting there
>>> but how would you go about it? My trainer told me to reach out to other
>>> studios as well and she even thought community education through the
>>> school would be a good thing. I just don't want to get the door slammed
>>> in my face again. I was wondering what you thought? If this isn't the
>>> right place to post this, I apologize in advance.
>>>
>>> Shelly
>>>
>>>
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