[Perform-Talk] Tip from Performer Fact Sheet

[Dezman Jackson]

Greetings all,

Did you know that the Performing Arts division maintains on our website a performer fact sheet? This can be a useful resource for blind performers, directors of blind performers, etc., as we go forth and pursue our respective crafts. Each month, we will be sharing a selected tip from this fact sheet. The full contents of the document can be found at https://nfb.org/about-us/divisions-committees-and-groups/divisions/pad-blind-performer-fact-sheet.

This month’s tip, taken from our fact sheet, focuses on effective approaches for moving around stages and sets. 

Blind performers can act on complicated stage sets with many levels and platforms meant for climbing. Before and after rehearsals, the performer may choose to review the set to feel more comfortable. 
In situations where a person needs to meet marks or move around a set, the blind performer should be allowed a reasonable amount of time to orient to the performance space prior to auditions and shows. The amount of time varies based on the complexity of the set's design and layout, but should be agreed upon by the performer, director and stage manager or an appointee. The performer may choose to walk-through with a cane, guide dog, human guide, or other means. 
Stage markers (that do not conflict with the set design) may be arranged between the performer and director or set crew. These markers assist in orientation during performances and rehearsals (e.g. color contrasts for low-vision performers, floor markings such as large bumps, thick tape, sand paper, taped-down wires or rope, strategically placed rugs or furniture, walls, and other objects.) These markers will not distract the audience, and can serve as a guide for entrances, exits, and stage position. They can also note site lines.


Regards,
Dezman Jackson