[stylist] Point of View Provoker

[Aziza C]

uninvolved omniscient observer/commenter perspective?
I think it's when you write like a narrator, but a narrator separated
from the story, that is uneffected by the turn out of events, who
simply tells the story, and sort of has its own personality although
not really a person in the story.
But then again, I'm just guessing.


On 3/24/09, Angela fowler <fowlers at syix.com> wrote:
> What the devil is the uninvolved omniscient observer/commenter perspective?
> Someone please enlighten me!
>
> -----Original Message-----
> From: stylist-bounces at nfbnet.org [mailto:stylist-bounces at nfbnet.org] On
> Behalf Of James Canaday M.A. N6YR
> Sent: Tuesday, March 24, 2009 10:16 PM
> To: NFBnet Writer's Division Mailing List
> Subject: Re: [stylist] Point of View Provoker
>
> I like to write in the uninvolved omniscient observer/commenter perspective.
> I need to try writing in first person for the practice.
> jc
>
> Jim Canaday M.A.
> Lawrence, KS
>
> At 08:03 AM 3/24/2009, you wrote:
>>I like the first person point of view, but in that case, I can only
>>reveal what the character sees, knows and thinks, so action taken "ofstage"
>>so to speak
>>is unknown at the time.
>>Lori
>>
>>In a message dated 3/24/09 12:33:39 AM, astrochem119 at gmail.com writes:
>>
>>
>> >
>> > What point of view do you take when telling a particular narrative?
>> > We all know the commons like first person and the two third-person
>> > views (limited and omniscient), but how does perspective affect your
>> > story, opening or limiting it? Does your character tell you how the
>> > story should be written? Words for contemplation.
>> >
>>
>>
>>
>>
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