[stylist] Point of View Provoker

[James Canaday M.A. N6YR]

that's telling the story from narrator as an observer, and one who 
can tell things mere mortals wouldn't know, like thoughts, actions 
outside the scene, etc.
jc

Jim Canaday M.A.
Lawrence, KS

At 10:19 PM 3/24/2009, you wrote:
>What the devil is the uninvolved omniscient observer/commenter perspective?
>Someone please enlighten me!
>
>-----Original Message-----
>From: stylist-bounces at nfbnet.org [mailto:stylist-bounces at nfbnet.org] On
>Behalf Of James Canaday M.A. N6YR
>Sent: Tuesday, March 24, 2009 10:16 PM
>To: NFBnet Writer's Division Mailing List
>Subject: Re: [stylist] Point of View Provoker
>
>I like to write in the uninvolved omniscient observer/commenter perspective.
>I need to try writing in first person for the practice.
>jc
>
>Jim Canaday M.A.
>Lawrence, KS
>
>At 08:03 AM 3/24/2009, you wrote:
> >I like the first person point of view, but in that case, I can only
> >reveal what the character sees, knows and thinks, so action taken "ofstage"
> >so to speak
> >is unknown at the time.
> >Lori
> >
> >In a message dated 3/24/09 12:33:39 AM, astrochem119 at gmail.com writes:
> >
> >
> > >
> > > What point of view do you take when telling a particular narrative?
> > > We all know the commons like first person and the two third-person
> > > views (limited and omniscient), but how does perspective affect your
> > > story, opening or limiting it? Does your character tell you how the
> > > story should be written? Words for contemplation.
> > >
> >
> >
> >
> >
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