[stylist] Point of View Provoker

[James Canaday M.A. N6YR]

yes,
or the narrator  may not be a character, you just read the story in 
the narrator's own voice as you read.
jc

Jim Canaday M.A.
Lawrence, KS

At 11:32 PM 3/24/2009, you wrote:
>Oh, like the narrator in Great Gadspey?
>
>-----Original Message-----
>From: stylist-bounces at nfbnet.org [mailto:stylist-bounces at nfbnet.org] On
>Behalf Of Aziza C
>Sent: Tuesday, March 24, 2009 10:20 PM
>To: NFBnet Writer's Division Mailing List
>Subject: Re: [stylist] Point of View Provoker
>
>uninvolved omniscient observer/commenter perspective?
>I think it's when you write like a narrator, but a narrator separated from
>the story, that is uneffected by the turn out of events, who simply tells
>the story, and sort of has its own personality although not really a person
>in the story.
>But then again, I'm just guessing.
>
>
>On 3/24/09, Angela fowler <fowlers at syix.com> wrote:
> > What the devil is the uninvolved omniscient observer/commenter
>perspective?
> > Someone please enlighten me!
> >
> > -----Original Message-----
> > From: stylist-bounces at nfbnet.org [mailto:stylist-bounces at nfbnet.org]
> > On Behalf Of James Canaday M.A. N6YR
> > Sent: Tuesday, March 24, 2009 10:16 PM
> > To: NFBnet Writer's Division Mailing List
> > Subject: Re: [stylist] Point of View Provoker
> >
> > I like to write in the uninvolved omniscient observer/commenter
>perspective.
> > I need to try writing in first person for the practice.
> > jc
> >
> > Jim Canaday M.A.
> > Lawrence, KS
> >
> > At 08:03 AM 3/24/2009, you wrote:
> >>I like the first person point of view, but in that case, I can only
> >>reveal what the character sees, knows and thinks, so action taken
>"ofstage"
> >>so to speak
> >>is unknown at the time.
> >>Lori
> >>
> >>In a message dated 3/24/09 12:33:39 AM, astrochem119 at gmail.com writes:
> >>
> >>
> >> >
> >> > What point of view do you take when telling a particular narrative?
> >> > We all know the commons like first person and the two third-person
> >> > views (limited and omniscient), but how does perspective affect
> >> > your story, opening or limiting it? Does your character tell you
> >> > how the story should be written? Words for contemplation.
> >> >
> >>
> >>
> >>
> >>
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