[stylist] House of Cards

Lynda Lambert llambert at zoominternet.net
Wed Apr 11 19:31:04 UTC 2012


Yes, that is exactly how it reads to me - viewed from the distance, a 
description of observations, as I said, the "God's Eye Vantage Point." This 
is a good example of that.


Lynda Lambert
104 River Road
Ellwood City, PA 16117

724 758 4979

My Blog:  http://www.walkingbyinnervision.blogspot.com
My Website:  http://lyndalambert.com






----- Original Message ----- 
From: <KajunCutie926 at aol.com>
To: <stylist at nfbnet.org>
Sent: Wednesday, April 11, 2012 11:43 AM
Subject: Re: [stylist] House of Cards


> Thank you Lynda.. the poem was inspired by the life of  a friend and was
> written simply from observations of what she had gone through  and is 
> still
> going through... I appreciate the kind words..  Myrna
>
>
> In a message dated 4/11/2012 9:53:25 A.M. Central Daylight Time,
> llambert at zoominternet.net writes:
>
> Finally,  I am trying to go back to your poem and see what is there. Here
> is where I am  at with it.
>
>
> Begins in third person - someone is telling the story  about "she" who was
> sheltered  and innocent, or in denial of her  situation -  living in a
> dangerous place that was about to collapse her  entire world.
>
> In the third stanza she is described as alone -  yet, soon we see that we
> are made aware that there are "others" who are there,  and others who know
> dark secrets. They are called "evil" and have overtaken  innocence, and
> brought destruction or an end to earlier times when she felt  safe and 
> happy - but
> she was deceived and never truly was safe or happy. All  appearances of
> domestic order are collapsing at this point.
>
> The journey  continues with "she" trying to recapture things from the past
> - yet they are  illusive. She "picks" at things, rooting about in the
> destruction - laughter  is usually a joyful idea, but not here. Here, 
> laughter is
> really a kind of  mocking feeling that we get. Something that is buried 
> deep
> down inside, yet  being revealed.
>
> And, then we get to a change towards the end.   Questions are asked, not
> particularly to the reader, but questions one might  ask oneself when 
> being
> introspective. The questions bring us deeper inside her  thoughts as she 
> is
> turning over the questions, and she seems to be turning  around slowly, 
> away
> from the destruction we have been viewing.
>
> Finally,  we have the passage of time, when "time" is descrived as a being
> - with  "muscles."  Time seems to be flesh and blood, and brings with "it"
> some  distance.  While time has human qualities, it is still neutral, and
> genderless. It is an "it."
>
> In the concluding tercet, we are still in  the past tense, as we have been
> throughout the telling of the story. But there  is a new awareness and a
> knowing here, that leads the reader to have a glimmer  of hope in a 
> situation
> that seems to have been on-going for a very long  time.  There is no real
> changes that we can tell in the outward  situations, yet, we do have a 
> gentle
> moving towards awareness that did not  exist when the poem began.
>
> I hope this is helpful to you! I enjoyed  this poem very much and it is
> really successful. You have given it a flow and  an elegance that is hard 
> to do
> with this form often times. There is nothing  forced here, and the parts
> all contribute to the whole of this poem. Because  the poem is written in 
> past
> tense and third person, there is a distance that  we have. We have a God's
> eye view of the person we are reading about. We view  her from the 
> distance
> as we read her story.
>
> Well done!   Lynda
>
>
>
>
>
>
>
> Once upon another time she lived
> In a  fragile house of cards.  She  knew
> Only that she was sheltered,  never heard
> The winds of change that  silently
> Blew against the  coated-paper walls
> Of her blissful existence,  until it  crumpled.
>
> She remained quiet, not discussing her situation with anyone  - what would
> happen if she had shared the secrets she was hiding inside the  structure 
> of
> false appearances?
>
>
>
> She found herself alone amid  the crumpled
> Ruins of the life she had  known, no longer  lived
> Behind the sanctity of sacred walls
> Which kept its   secrets.   Innocence knew
> It would die in shame,  silently
> Lying in  the ruins of her being. Unheard.
>
> The Knave  had claimed he heard
> No denial or admonition and she   crumpled,
> Allowing the lifeless cards to fall silently
> One by  one.   In darkness lived
> The Kings and Queens.  Only  Innocence knew
> Evil  had shattered the paper walls.
>
> She picked  through discarded walls
> Searching for treasured Innocence but   heard
> Only silence.  Laughter, she knew,
> Lay buried in the life now  crumpled
> And yet she survived.  She  lived
> To carry the  secrets within her silently.
>
> And time, in its fashion, ticked  silently
> Within her soul.  She  woke one day to find walls
> Of  Faith where debris once lived.
> Was that the  whisper of promise  heard
> From beneath the dreams crumpled?
> Could she  regain the life  she once knew?
>
> Again, time flexed its knowing muscle for it  knew
> That some things must  be borne silently
> And without  reprieve.  The life lost in the  crumpled
> Ruins would not return  to thrive within the walls
> Of yesterday.  Truth's hammer clearly  heard
> As it rang through dreams not  lived.
>
> And in her soul she  knew, that no longer would walls
> Stand by silently,  ignoring the  whispers heard
> While the house crumpled, burying what once   lived.
>
>
> C March 2004
>
> Lynda Lambert
> 104 River  Road
> Ellwood City, PA 16117
>
> 724 758 4979
>
> My Blog:   http://www.walkingbyinnervision.blogspot.com
> My Website:   http://lyndalambert.com
>
>
>
>
>
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