[stylist] FW: Blind or Visually Impaired Authors

Bridgit Pollpeter bpollpeter at hotmail.com
Tue Feb 18 19:29:15 UTC 2014


Had to read Milton in a lit class, and I must confess, while I
appreciate its literary value, I didn't find it all that interesting. I
read a lot of older works, some I enjoy, others not so much, and
Milton's poem was not a fav of mine. But again, worth reading at least
once if nothing more than to admire his skill.

Bridgit

-----Original Message-----
From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of Cheryl
Orgas & William Meeker
Sent: Tuesday, February 18, 2014 12:37 PM
To: 'Writer's Division Mailing List'
Subject: [stylist] FW: Blind or Visually Impaired Authors


Not sure if this got through the first time.

Bill Meeker

-----Original Message-----
From: Cheryl Orgas & William Meeker [mailto:meekerorgas at ameritech.net] 
Sent: Monday, February 17, 2014 1:34 PM
To: 'Applebutter Hill'
Subject: RE: [stylist] Blind or Visually Impaired Authors;RE: New Book,
blindness on TV

Donna,

Thank you so much for your work unearthing these illuminating articles
about the authors I mentioned.  I am enjoying them a lot.

Thurber was one of my favorite writers since I was a teenager.  When I
read print I read and reread the "Thurber Carnival."  In addition to
"The Secret Life of Walter Mitty," "The Night the Bed Fell" makes me
laugh every time I read it.

James Joyce is one of my favorite authors too.  I agree with the article
statement that he is best read out loud. I highly recommend Alexander
Scourby's superb reading of Ulysses, DB19994.  I don't know an other man
who can read a female part as convincingly as Scourby reads Molly Bloom.
And Leopold Bloom's encounter with The Blind Stripling captures
perfectly a sighted man's interior dialogue around meeting a blind
person at a street corner.  The description of The Blind Stripling
responding to the encounter I think captures the dignity in the blind
man's demeanor and hints at what he may be feeling.  Every year I look
forward to attending an annual Bloom's Day event in Madison, Wisconsin
and hearing different people read excerpts from Ulysses.

While I can't yet get my brain around Finnegan's Wake, Patrick Horgan
reads it, DB21424, adeptly. 


And I haven't read Milton, but Paradise Lost is downloaded and waiting
to be read.


Thanks again for increasing my understanding of these authors and giving
me enjoyment at the same time.


Bill Meeker







-----Original Message-----
From: Applebutter Hill [mailto:applebutterhill at gmail.com]
Sent: Sunday, February 16, 2014 3:21 PM
To: meekerorgas at ameritech.net; 'Writer's Division Mailing List'
Subject: RE: [stylist] Blind or Visually Impaired Authors;RE: New Book,
blindness on TV

Bill,
Donna Hill here. I don't know about Homer, and neither does anyone else.
His blindness and even his existence as the one writer of the works
attributed to him is a matter of some controversy in the academic world.
For proof of his blindness, lines from his poetry are used, which isn't
quite enough for me. Homer as a blind poet is more important to me as a
cultural myth.

Milton, though he wrote his best work without sight,  was well-educated
and well-known prior to blindness. The most remembered line he wrote
about blindness doesn't say much for adapting -- approx "those serve too
who only stand and wait." I found a great bio of him on poets.org, which
I will place at the end of this message.

Thurber lost sight in one eye in an accident in childhood which
apparently led to losing sight in the other later in life. He had enough
sight to enlist in the military and function as a cartoonist for the
NewYorker. Here is something from an article from Slate.com about him
(after a collection of his letters was released) that discusses the
effect of his blindness on his work. Block quote The tragedy of James
Thurber.

James Thurber's tragedy.
By
Wilfrid Sheed

SEPT. 18 2003 3:33 PM

At the age of 15 or so, I picked up The Thurber Carnival and realized
that I'd found my Pied Piper; I wanted to be James Thurber. I would
follow those sentences anywhere. But Thurber, The New Yorker writer and
cartoonist (author, famously, of "The Secret Life of Walter Mitty"), had
just passed his peak and was already descending into the total blindness
that would embitter him and impair his writing. So, The Thurber Carnival
was the perfect place to start, and it still is: It contains Thurber's
essence and the best work he did in his pre-blind years—his cartoons and
fables and those deadly little "casuals" from The New Yorker in which
husbands and wives drove each other absolutely, unconditionally crazy,
while huge silent dogs looked on like Buddhas, patiently waiting for the
human race to come to its senses, or not, as the case may be.

Now we have The Thurber Letters, collected by Harrison Kinney and
Rosemary Thurber, to give us a fuller picture of the man. Most people
would, I suppose, if faced with the grim choice, prefer to take their
chances as blind writers rather than as deaf composers. Homer, the
Cyclops of literature, did OK. And Milton got a great poem out of
blindness. But Thurber's letters seem to me inexpressibly sad, perhaps
because one can perceive the blindness setting in slowly—and, having
seen the back of his biography, one also knows that there will be no
great poems, so to speak, deriving from it.

...

Thurber, like many enlisted men, had seen "Paree," and it had given all
his pieces a lick of sophistication new to American humor. In effect, he
and his whole generation had used Paris as a species of finishing school
where country boys like Cole Porter and Ernest Hemingway could major in
sophistication before bringing some home with them. There was never any
question of anyone going back to the farm, of course, and so in the
mid-'20s a bunch of these boys decided to start a magazine right
there—and not just any old magazine, but the most sophisticated damn
magazine in the whole
world: "Not for the old lady in Dubuque," as its first issue trumpeted
sophomorically. The New Yorker did turn out to be the most sophisticated
magazine in the world, and the British in particular went nuts trying to
imitate it.

http://www.slate.com/articles/arts/books/2003/09/blind_wit.html
Block quote end

Joyce had problems with his vision (iritis & glaucoma) starting in
childhood when he needed thick glasses to read. He had numerous
operations for it; he died during an operation, but I'm not sure if it
was another one on his eyes.  In one letter he describes himself as
having been "incapacitated" for a week from the iritis, but I don't know
if he meant by the pain of the condition or because he wasn't adapted to
living nonvisually. I haven't found any references to his using any
adaptations such as Milton did when he dictated his later poetry.

Here are some snippits from an old Atlantic Monthly article on Joyce's
literary contribution in which his vision is mentioned and appropriately
enough the influence it had on his writing. I included the first quote
to show how much he was passing as sighted, or how little his visual
problems were holding him back in his early years. The URL's at the end.

Block quote
The Atlantic Monthly

James Joyce
By Harry Levin
December, 1946
... At University College he had specialized in Romance Languages, and
had shown such proficiency that there had been talk of a professorship.
During his hardest years on the Continent, before a benefactor endowed
his literary work, he worked as a commercial translator and as a teacher
in a Berlitz school.

...
It is a striking fact about English literature in the twentieth century
that its most notable practitioners have seldom been Englishmen. The
fact that they have so often been Irishmen supports, Synge's belief in
the reinvigorating suggestiveness of Irish popular speech. That English
was not Joyce's native language, in the strictest sense, he was keenly
aware; and it helps to explain his unparalleled virtuosity. But a more
concrete explanation is to be discerned among his physical traits, one
of which we normally classify as a serious handicap. Joyce lived much of
his life in varying states of semi-blindness. To preserve what eyesight
he had, he underwent repeated operations and countermeasures. A
schoolboy humiliation, when he broke his glasses and failed to do his
lessons, is painfully recollected in the Portrait and again in Ulysses.
His writing tends more and more toward low visibility; his imagination
is auditory rather than visual. If the artist is a man for whom the
visible world exists, remarked George Moore, then Joyce is essentially a
metaphysician; for he is less concerned with the seeing eye than with
the thinking mind.

We may add that he is most directly concerned with the hearing ear.
Doubtless the sonorities of Homer and Milton are intimately connected
with their blindness. It is scarcely coincidental that Joyce, almost
unique among modern prose writers in this respect, must be read aloud to
be fully appreciated. In addition to his linguistic aptitude, and in
compensation for his defective vision, he was gifted with an especially
fine tenor voice. Professional singing was one of the possible careers
he had contemplated. His singer's taste inclined toward Opera and bel
canto, romantic ballads and Elizabethan
airs: not music but song, he liked to say. His poems except for a few
excursions into Swiftian satire, are songs; lyrics which, without their
musical settings look strangely fragile. Yeats, upon first reading them,
praised Joyce's delicate talent, and shrewdly wondered whether his
ultimate form would be verse or prose. Operating within the broader area
of fiction, he was to retain the cadenced precision of the poet. Above
all he remained an accomplished listener, whose pages are continually
animated by the accurate recording of overheard conversation.

...

His pangs of composition have recently been described by Philippe
Soupault as "a sort of daily damnation: the creation of the Joycean
world. The perverse ingenuity of these later experiments has been
deplored more frequently than deciphered. A long series of
misunderstandings with the public inevitably reinforced those early vows
of silence, exile, and cunning. Inhibited from writing naturally of
natural instincts, Joyce ended by inventing an artificial language of
innuendo and mockery. In Finnegans Wake he drew upon his linguistic
skills and learned hobbies to contrive an Optophone--an instrument
which, for the benefit of the blind, converts images into sounds. Out of
it come, not merely echoes of the past, but warnings of the future. Mr.
Earwicker's worldly misfortunes are climaxed by a lethal explosion: "the
abnihilisation of the etym." Pessimists may interpret this enigma as the
annihilation of all meaning, a chain reaction set off by the destruction
of the atom. Optimists will stress the creation of matter ex nihilo--and
trust in the Word to create another world.

http://www.theatlantic.com/past/docs/issues/95sep/links/levi.htm
Block quote end

Now for the Milton bio
Block quote
John Milton

John Milton was born in London on December 9, 1608, into a middle-class
family. He was educated at St. Paul's School, then at Christ's College,
Cambridge, where he began to write poetry in Latin, Italian, and
English, and prepared to enter the clergy.

After university, however, he abandoned his plans to join the priesthood
and spent the next six years in his father's country home in
Buckinghamshire following a rigorous course of independent study to
prepare for a career as a poet. His extensive reading included both
classical and modern works of religion, science, philosophy, history,
politics, and literature. In addition, Milton was proficient in Latin,
Greek, Hebrew, French, Spanish, and Italian, and obtained a familiarity
with Old English and Dutch as well.

During his period of private study, Milton composed a number of poems,
including "On the Morning of Christ's Nativity," "On Shakespeare,"
"L'Allegro," "Il Penseroso," and the pastoral elegy "Lycidas." In May of
1638, Milton began a 13-month tour of France and Italy, during which he
met many important intellectuals and influential people, including the
astronomer Galileo, who appears in Milton's tract against censorship,
"Areopagitica."

In 1642, Milton returned from a trip into the countryside with a
16-year-old bride, Mary Powell. Even though they were estranged for most
of their marriage, she bore him three daughters and a son before her
death in 1652. Milton later married twice more: Katherine Woodcock in
1656, who died giving birth in 1658, and Elizabeth Minshull in 1662.

During the English Civil War, Milton championed the cause of the
Puritans and Oliver Cromwell, and wrote a series of pamphlets advocating
radical political topics including the morality of divorce, the freedom
of the press, populism, and sanctioned regicide. Milton served as
secretary for foreign languages in Cromwell's government, composing
official statements defending the Commonwealth. During this time, Milton
steadily lost his eyesight, and was completely blind by 1651. He
continued his duties, however, with the aid of Andrew Marvell and other
assistants.

After the Restoration of Charles II to the throne in 1660, Milton was
arrested as a defender of the Commonwealth, fined, and soon released. He
lived the rest of his life in seclusion in the country, completing the
blank-verse epic poem Paradise Lost in 1667, as well as its sequel
Paradise Regained and the tragedy Samson Agonistes both in 1671. Milton
oversaw the printing of a second edition of Paradise Lost in 1674, which
included an explanation of "why the poem rhymes not," clarifying his use
of blank verse, along with introductory notes by Marvell. He died
shortly afterwards, on November 8, 1674, in Buckinghamshire, England.



http://www.poets.org/poet.php/prmPID/707
Block quote end

-----Original Message-----
From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of Cheryl
Orgas & William Meeker
Sent: Sunday, February 16, 2014 9:59 AM
To: 'Writer's Division Mailing List'
Subject: Re: [stylist] Blind or Visually Impaired Authors;RE: New Book,
blindness on TV

Linda,

Blind or visually impaired authors Homer, John Milton, James Joyce, and
James Thurber come to mind first.  That they were known for their works
rather than their blindness is to me a measure of their success.

Several authors have written novels without using common vowels, such as
the letter "E."  So how about a novel or short story depicting a blind
character without using the word "blind?"  That is, describing them and
their actions including alternative techniques and letting the reader
figure out that they are blind.

Or how about a novel or short story written without  visual
descriptions. That is, using only descriptions of sounds, textures,
tastes, and feelings?

I can think up these ideas, but I lack the skill, drive, and
self-disclipline to execute them.  So have fun.


Bill Meeker







-----Original Message-----
From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of Lynda
Lambert
Sent: Saturday, February 15, 2014 6:59 AM
To: newmanrl at cox.net; Writer's Division Mailing List
Subject: Re: [stylist] Low expectations of the blind; RE: New Book,
blindness on TV

This conversation is making me begin to think about some authors I
taught in the past in Humanities and English courses.  Now that I am
"aware" of blindness, which I was NOT at all in the past, I am wondering
how I would interpret the literature of a blind author. I taught Bourges
and I never
knew he was blind!   I am thinking that now, if I go back to read his
work,
I will interpret many things in a different way.  I taught the "Book of
Sand" every semester!  Hmmmm.  Now it makes even more sense as an exampe
lof of Postmodernism which was the focus it had for me at the time.
WOW, this is beginning to be a revelation to me.  I know that many of
the artists I taught were blind or visually impaired, but their work was
not generally explored through that lens. I am going to begin looking
much deeper into this for my own research - if anyone has any more
information on artists and writers who are/were blind I would love to
hear from you as I begin my own little research project on this matter.

I am re-learning how to do Power Point presentations now. Normally, this
is how I lectured but until now, I could not have done it again. I know
now, that I can do it, it's just going to take awhile for me to teach
myself again.  I am scheduled to do two presentation at Slippery Rock
University of PA in March - I'll use my milestone to give me verbal
"cues" as I am speaking, for these presentations. But, I want to begin
to develop some presentations using power point and I am sure I can do
it again - I just need to have the time and put in the work to
accomplish it.  I have always loved doing lectures and presentations and
I want to do them again - so I am gonna work on it!

Lynda
----- Original Message -----
From: "Robert Leslie Newman" <newmanrl at cox.net>
To: "'Writer's Division Mailing List'" <stylist at nfbnet.org>
Sent: Friday, February 14, 2014 11:22 PM
Subject: [stylist] Low expectations of the blind;RE: New Book, blindness
on TV


> Hi you all, this has been an interesting conversation:
>
> Here is another generalization that many around the world have
> developed over the eons: Blindness is the most God awful, feared 
> physical condition that mankind can experience.
>
> I had read and heard this forever, from the mouths of people on the
> street, to what I've learned in a variety of college classes..though, 
> over the past couple of decades blindness has been pushed down to 
> third place. Guess what has eclipsed being blind as the most feared?
> Aids and cancer. And hey, I can believe that these two physical 
> conditions are far worse...after all, either one of these two monster 
> conditions can kill you!!! (Though, there are some who feel that 
> blindness is a living death. And yeah, if you allow it to rule! And 
> this is where the NFB has done the world a great service...as in we 
> have developed a philosophy, built a framework of alternative 
> techniques, and influenced the making of a wide variety of tools that 
> in combination...will allow most of us to reduce the effects of 
> blindness, down to  a level whereby most of us can say with an honesty

> level of 100%, 100%, that the loss of sight is not a major impediment 
> to living a successful and happy life. No...the true problem we face 
> is more the ignorance and the lack of information about the human 
> potential to successfully live with blindness is the toughest 
> impediment to being blind. MMM, go figure? [Being blind isn't the 
> problem, living in a world of ignorance is.]
>
> -----Original Message-----
> From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of
> Applebutter Hill
> Sent: Friday, February 14, 2014 9:10 PM
> To: 'Writer's Division Mailing List'
> Subject: Re: [stylist] New Book, blindness on TV
>
> Lynda,
> At 70, I should certainly hope you (or anyone) would have developed a
> healthy level of skepticism. *grin*
>
> I know that black people face prejudice and low expectations, but I
> think the fact that white people enslaved them to actually do 
> something, makes that low level quite a bit higher than for blind 
> people. We aren't deemed capable of planting a field, keeping up a 
> household or even caring for children -- as the incident in the 
> Midwest a few years ago shoed, when a child was removed shortly after
birth from its blind parents.
>
> Our traditional purpose is to give the average person something they
> can look at and say, "Well, I may have problems, but at least I'm not
blind."
> We
> also have traditionally provided them with opportunities to do good 
> deeds. Expecting us to no longer be helpless fundamentally changes how

> they see themselves.
>
> Your post reminds me of a story I heard from a blind woman who was
> accepted to grad school. Her aunt was furious that she had stolen the 
> position from someone who could really benefit from it. The belief was

> that anything that a blind person accomplished was just another 
> example of the kindness of strangers in elevating a pitiful person and

> helping them feel better about themselves. BTW, she has a doctorate in

> law. I heard many similar stories when I was writing about Braille 
> literacy -- they weren't on topic at the time, and I had hoped to 
> gather some of the things people told me into articles about some of 
> these more subtle things that are going on to this day, but it never 
> happened.
> Donna
>
> -----Original Message-----
> From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of Lynda
> Lambert
> Sent: Friday, February 14, 2014 6:31 PM
> To: Writer's Division Mailing List
> Subject: Re: [stylist] New Book, blindness on TV
>
> Donna, yes, the expectations for blind people are very low.  I believe
> that is why blind people as a group are the highest educated of all 
> people with disabilities, yet, they are the lowest employed people of 
> all the groups.
> This says it all - we are not expected to be smart, able, or willing 
> to succeed at anything more than very low levels.
> This is my own thoughts on it and I recognize I am quite skeptical 
> about it
> - but heck, I am 70 years old now, so I guess I can blame it on my
age.
> I think we have to work so far beyond what other people have to do to 
> find success at so many things. And, this is also true of black 
> people.  I do not know this from a distance, or from reading books on 
> the subject which of course I do all the time. I know it personally, 
> because my son is black and his family is black - they are very highly

> educated professionals - she a physician, he a psychologist.  At every

> level, black people still face very low expectations and racism - and 
> I think blind people are very close to the same in the general view of

> the ST"STUPID public. I agree with you. They are ver STUPID, but we 
> won't tell them that, just yet. lol
>
> Lynda
> ----- Original Message -----
> From: "Applebutter Hill" <applebutterhill at gmail.com>
> To: "'Writer's Division Mailing List'" <stylist at nfbnet.org>
> Sent: Friday, February 14, 2014 3:34 PM
> Subject: Re: [stylist] New Book, blindness on TV
>
>
>> Lynda,
>> Like you've noticed with your sister and the key, sighted people will
>> not accept anything we do as anything other than a fluke or a
miracle.
>> Even faced with a clear description of the usefulness of other 
>> senses, they somehow still have to brush anything aside that 
>> conflicts with what they kno ... Blindness is essentially 
>> insurmountable. I think of it as being similar to the days when a few

>> nutheads were trying to explain to the human race that the world is 
>> not
flat.
>>
>> Coincidentally, I just got an e-mail from a rehab counsellor in PA,
>> who I reached out to on Linked In -- I offer them a free e-book 
>> version of my novel and explain why I think it has value for them and

>> their clients. I mention the issue of dealing with low expectations.
>> This man said that, as
>
>> a
>> person who used to work with BVI and now works with other
>> disabilities, he believes that the issue of low expectations is much 
>> worse for those with vision loss. I have always felt that way, but I 
>> don't have the credentials to say so. It meant a lot to me to hear 
>> that
> from someone.
>>
>> You hit on the reason behind my removing all references to blindness
>> from my online book descriptions; it's a taboo. Just imagine someone 
>> getting my book and not knowing that the heroine is blind and has a 
>> guide dog. They will have to read through at least a page before it 
>> becomes clear to them. Some will be angry with me, because I didn't 
>> warn them. Some, I hope, will have gotten hooked by something else in

>> the story and read it anyway. It's fiction, so they don't have to 
>> change their stupid belief systems, but I hope they will have a bit 
>> of an adjustment  in spite of themselves.
>> Donna
>> -----Original Message-----
>> From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of Lynda 
>> Lambert
>> Sent: Friday, February 14, 2014 9:18 AM
>> To: Writer's Division Mailing List
>> Subject: Re: [stylist] New Book, blindness on TV
>>
>> It's a Friday morning snow storm here - a beautiful day outside. Time
>> to get some coffee and begin my day, but first I wanted to drop a not

>> on your discussion which is so interesting to me.
>>
>> I think Bridgit really hit it - unless a sighted person has had a lot
>> of time together with a blind person, they are really clueless and 
>> they could care less about knowing positive things.  They still live 
>> with the mentality of the question they have asked themselves and 
>> each other for years, "Would you rather lose your sight, or your
hearing?".
>> To sighted people losing sight or hearing is the worst case scenario
>> they can think of and they are not about to look any closer into 
>> either of the two life-challenges.  And, as Henrietta, experienced, 
>> even close family members really don't understand how we do things.
>> Not really.  They watch us, but we are a mystery to them even though 
>> they have been around us many times over the years.
>> Occasionally there is some little revelation that they grasp, but I 
>> think it is very rare.
>>
>> A couple years ago I went on a short 5 hour trip with my sister. When

>> we arrived at our cousin's home, we had instructions to locate her 
>> house key and let ourselves in because they were away on vacation and

>> we would have their home to stay in.  My sister retrieved the key, as

>> instructed.  She began to try to open the door.  She fiddled around 
>> for quite awhile with the key and the lock in the door - yet, she 
>> could not get it open. She tried turning the key around, tried going 
>> faster, slower, but no luck.  Finally,
>
>> I
>> quietly said to her, "Give me the key and let me see what I can do." 
>> She snickered and said "Oh, sure, you are going to open the door that

>> you can't even see!"  I took the key from her, felt the key, and 
>> inserted it into the door's lock slowly. Then, I put my left had on 
>> the door, just above the lock, so I could FEEL any movement the lock 
>> would make.  And, I leaned very close to the lock, and I listened. 
>> Very quickly, as I slowly turned the key, I felt the vibration of it 
>> moving, and I heard the click as it was disengaged.  I smiled, and 
>> handed over the key to her, and said, "The door is open."  She loudly

>> proclaimed, "I cannot believe it! A blind person could open the door 
>> and I couldn't."
>>
>> I smiled at her and said, "You could not open the door because you
>> were using only your eyes. I opened it because I could feel it and 
>> hear it moving."  To her it was something very weird that I had 
>> actually opened up the door that she had struggled with and could not

>> get the job done.  I think in her mind it was a lucky accident even 
>> though I explained why it happened.  Most sighted people do not think

>> we can do much of anything, no matter what we achieve - honestly, 
>> that is what I think. So, for most sighted people to read about a 
>> blind hero in a fictional account, I say, "Dream on!"  I think the 
>> interest level for a sighted person to even read a book through is 
>> really a stretch unless that person is really on a mission to learn 
>> more about blindness and diversity and inclusion. Maybe in a 
>> literature course, where it would be included in the required 
>> reading, but on their own, I think the chances are quite slim.  But, 
>> then, as I write this I am optimistic enough to think I see a "movie"
>> that could be made that would be exciting to them. Who knows? I sure 
>> don't.  Why is it that we are constantly told we are "amazing" when 
>> we do things that are high level achievements for anyone at all?  Why

>> is it that some people droll all over us about how inspiring we are 
>> and how tragic it is that we
> lost our sight?
>> I just smile at them and say, "NO, not really! It is just who I am
>> and who
>
>> I
>> have always been."  That usually leaves them speechless and the
>> conversation ends.  Write on! Lynda
>>
>> ----- Original Message -----
>> From: "Applebutter Hill" <applebutterhill at gmail.com>
>> To: "'Writer's Division Mailing List'" <stylist at nfbnet.org>
>> Sent: Thursday, February 13, 2014 9:07 PM
>> Subject: Re: [stylist] New Book, blindness on TV
>>
>>
>>> Great story!
>>> Donna
>>>
>>> -----Original Message-----
>>> From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of
>>> Henrietta Brewer
>>> Sent: Thursday, February 13, 2014 7:32 PM
>>> To: Writer's Division Mailing List
>>> Subject: Re: [stylist] New Book, blindness on TV
>>>
>>> You guys make me laugh. You're right, Sighted people can't imagine
>>> the blind being the hero. At Christmas, when the power was out in 
>>> our town, I had twenty five or thirty people here most days. We had 
>>> a generator so we had a few lights but not in more then half the
house.
>>>
>>> I didn't think much of it while everyone was here. Though I was
>>> tired of doing all the fetching because no one could find anything 
>>> in the dark.
>>> When
>>> everyone left and I was cleaning house, I saw how difficult it was 
>>> for our guests. They had only a flashlight in the bathroom and their

>>> bedroom and nothing was where it should be.
>>>
>>> they all mention now, that they will call me in any black out. But
>>> it took reality to get even family to realize that a blind person 
>>> can be helpful in a black out. lol Henrietta On Feb 13, 2014, at
>>> 12:10 AM, Bridgit Pollpeter
>>> wrote:
>>>
>>>> When I wrote a short mystery story for a detective fiction class I
>>>> took at university, I made my main character blind, which is the 
>>>> first time I did this. Anyway, at one point, the house the two main

>>>> characters are sleeping in goes up in flames, and the blind 
>>>> character navigates them out of the house. Using his other senses, 
>>>> he makes it out the front door. I did do some research before 
>>>> writing the scene, but mostly based it off my own knowledge of what

>>>> a blind person might do in that particular situation. When 
>>>> critiqueing our stories, a classmate said, to my face, it wasn't 
>>>> believeable that a blind person could do that and I should change 
>>>> that scene. Another classmate, to my surprise, said who better than

>>>> a blind person to navigate through a situation where sight wouldn't

>>>> be much help because of the smoke, and that by smell and feeling 
>>>> heat, surely a blind person would be able to navigate just as well,

>>>> if not better, than a sighted person. After considering this point,

>>>> the first person half-heartedly agreed. My point being that I agree

>>>> with Chris that even though these stories are being written by 
>>>> blind people, most of the sighted world can't, or won't, buy a 
>>>> blind person doing the things we make them do, living as 
>>>> independent, active,
> vital people.
>>>>
>>>> Bridgit
>>>>
>>>> -----Original Message-----
>>>> From: stylist [mailto:stylist-bounces at nfbnet.org] On Behalf Of
>>>> Chris Kuell
>>>> Sent: Wednesday, February 12, 2014 7:47 AM
>>>> To: Writer's Division Mailing List
>>>> Subject: Re: [stylist] New Book, blindness on TV
>>>>
>>>>
>>>> Donna,
>>>>
>>>> I'm generally skeptical by nature, but I really hope they do a good
>>>> job with this show. It's exactly what we've been talking about 
>>>> here--an opportunity to crush the stupid stereotypes and let the 
>>>> public see a guy who is interesting, and just happens to be blind.
>>>> If it does a good job, and if the public enjoys it, it could open 
>>>> the door to more blind characters in the
>>>>
>>>> arts. Personally, I feel certain that the reason books like yours
>>>> and mine aren't getting read by agents and traditional publishers 
>>>> is because we have blind protagonists. An agent, or more likely, an

>>>> agent's assistant reads my query and thinks--a blind protagonist?
>>>> Nobody is going to buy that. It's too outside mainstream
experience.
>>>>
>>>> Hopefully, the times, they are a changing.
>>>>
>>>> chris
>>>>
>>>>
>>>> _______________________________________________
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>>>>
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