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</o:shapelayout></xml><![endif]--></head><body lang=EN-US link="#0563C1" vlink="#954F72" style='word-wrap:break-word'><div class=WordSection1><p class=MsoNormal>Hey Annie,<o:p></o:p></p><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal>Thanks for taking the time to read, cut, paste, and share this article with us. While I’m a big fan of multiple points of view, I’d caution writers to make sure they clearly break up whose POV we the reader are in at any given time. I just read a 130 page novella where the writer was head-hopping right and left within the same chapter, which I told them will slow down the reader while they transition from one POV to another.<o:p></o:p></p><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal>I’ll also mention that I’m currently reading ‘Anxious People’ by Frederick Backman—which was the second highest rated fiction book on goodreads for 2021—and it’s written from an omniscient perspective. And in this case, the authorial intrusion really works.<o:p></o:p></p><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal>Chris<o:p></o:p></p><p class=MsoNormal> <o:p></o:p></p></div></body></html>