[Perform-Talk] Fwd: [NABS-L] NABS Blog Post for September

Amy Sabo amieelsabo at gmail.com
Wed Sep 19 02:35:12 UTC 2018


---------- Forwarded message ----------
From: Matthew Gip via NABS-L <nabs-l at nfbnet.org>
Date: Sat, 15 Sep 2018 11:27:53 -0700
Subject: [NABS-L] NABS Blog Post for September
To: nabs-l at nfbnet.org
Cc: Matthew Gip <matthewhgip at gmail.com>

Dear Students,

As our weekend has begun to kick off into a busy time filled with
excitement, please spare a moment out of your day and read this
month’s blog post. This month, the outreach committee is focusing on
careers as a blind individual and how we handle and deal with the
obstacles and barriers put before us and how we must overcome them.
Thanks to our good friend, Angie Castro, for taking the time and
writing a blog on her career as an audio engineer. Happy reading!

Note: There will be a link which will take you to nabslink.org, where
you can find the blog there and the blog has been copied and pasted
beneath the link for your convenience.

http://nabslink.org/content/working-audio-engineer-when-you-are-blind
Working as an Audio Engineer when You Are Blind
>From the Editor
Angie Castro is a resident of Wisconsin; and an active member of the
Wisconsin affiliate. Angie’s passion for music, sound, and audio
editing proves true through her eagerness to get her foot in the door,
regardless of what it takes. If you know Angie, you immediately think
of her kind heart, loving personality, and loyal soul, but many don’t
know about her hidden talent. Please join us in reading more about
Angie’s unique skill set; and how she is making it happen through her
successes.

I have been in the Audio Production Field for about a year now. But,
first let me introduce myself. My name is Angie Castro and I am
currently living in Madison, Wisconsin. I am an aspiring Audio
Engineer who happens to be Blind. I say aspiring because, I don’t have
a whole lot of experience in the field yet, to really call myself an
audio engineer. Well at least, those are my thoughts. I will be
sharing some of my experiences I’ve had while getting my feet wet in
the field.

I have been told that I have a great advantage to work in this field
because my hearing must be great. While yes, I do have an advantage
with working in this field because I use my hearing more than my
vision, there are challenges that also come with it. Whether you are
producing audio or mixing audio, you rely on your ears. But, for some
things it can be a challenge because sometimes vision is needed, in
the practical sense. Fortunately, I learned to adapt and adjust as
needed. I have worked in the live sound aspect of audio engineering.
While it is a great and ideal place for people to get their feet, wet
and get started in this field, it can be hectic and stressful at
times.

One of my professional experiences was when I worked as a stage hand
at the theatre at a university in Madison. Prior to my start date, I
spoke to my boss about my blindness, what I was able to do, and what I
maybe was less likely to be successful doing. One adjustment I made
was memorizing the faders and knobs on the board. I would also have a
session set up a certain way so it was easiest for me to access the
channels where the microphones were set up. I helped my coworkers with
setting up and striking down afterwards. Some of my roles included:
setting up microphones and cables, putting microphones away, and
wrapping cables when we were done with shows. Powering off the board
and the amps were really intriguing to me, letting me get more
hands-on exposure to audio engineering. There were times where I would
have to have someone help me when I had difficulty with something. My
coworkers were always mindful of telling me if there was something on
the ground such as a cable or chair or what have you.

Audio engineering is not just about producing or making music. It’s
more than that. it’s making sure a song or a performance sounds great.
It’s about ensuring the levels are not clipping or distorting and it
all sounds clean. Another thing that you need to have is patience and
communication skills to talk and work with an artist or performer. Ask
them what they need and if they need help in any way. That is a big
thing about this field. Whether you are working at a studio or a
venue, you must be able to work with several different types of
personalities. While I still have a lot to learn and more to
experience, I can truly say, I love this field! It may have its
challenges at times, but I don’t let blindness stop me from doing what
I love.

Respectfully,
Matthew Gip
President | California Association of Blind Students
A proud division of the National Federation of the Blind of California
Co-chair | National Association of Blind Students Outreach Committee
Phone: (559) 375-2068
Email: matthewhgip at gmail.com
Live The Life You Want!
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hello all,
i'm forwarding to you all a blog post which was posted to the nabs
list this past week and, it is in regards to a career in the
performing arts which is audioengering. I hope that you all enjoy it!




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