[stylist] JAWS and Our Craft
William L Houts
lukaeon at gmail.com
Fri Mar 14 01:16:58 UTC 2014
Glancing over some recent messages concerning screen readers and
writing, I thought I'd pony up some experience of my own. In general,
my experience with Jaws as I carry on with my second novel has been
spectacular, especially when considering that blindness itself is, to
put it mildly, somewhat sub-optimal. I wrote my first novel using JAWS
with the Eloquence synthesizer (I'm one of that screen reader's older
customers --my serial number is only five figures long). And as I
prepare to plunge into the last third of my current book, I'm seeing
that my writing has actually improved. And I think that might be
because writing with a screen reader forces the writer to pay attention
to each and every word in a sentence, and make editorial decisions based
on rock solid standards about things like run-on sentences and the use
of ten dollar words where two dollars would serve the purpose just as
admirably. Also, nowadays I have no patience for adverbs which clutter
up my prose line. Noun, verb phrase period, that's the way many of my
sentences go. Well, no, actually that's a bit of a lie. I write a
comparatively poetic prose line, but it's rooted, I think, in elementary
grammar, the exception being when I think a semicolon and dependent
clause might be called for.
Anyway, I'd like to know how other folks look at their writing from a
technical perspective, and whether they feel that writing with a screen
reader has helped or harmed their craft. Any takers?
--Bill
--
"Let's drink a toast now to who we really are."
--Jane Siberry
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