[Artists-making-art] Artists-making-art Digest, Vol 16, Issue 6
Lynda Lambert
llambert at zoominternet.net
Mon Feb 10 14:14:37 UTC 2014
Patty, your mother was one fantastic teacher!
OH, NO, what will you once you can no longer attend the private art
showings? Such a loss! l o l
Lynda
----- Original Message -----
From: "Patricia C. Estes" <pece03 at gmail.com>
To: "An exploration of art by and for blind persons"
<artists-making-art at nfbnet.org>
Sent: Sunday, February 09, 2014 8:14 PM
Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16, Issue 6
> Linda-this was a fun spin you put on my experience...and when you
> mentioned "weight", I heard Mom's words,"OK, you have shown me the
> shape...but objects take up space and have weight! I don't see that
> it-anchor it!"
> Patty
> PS A few weeks ago I was told that my dentist sold his practice. I've been
> seeing him for twenty years and my reaction was relief!!
> ----- Original Message -----
> From: "Lynda Lambert" <llambert at zoominternet.net>
> To: "An exploration of art by and for blind persons"
> <artists-making-art at nfbnet.org>
> Sent: Saturday, February 08, 2014 9:26 PM
> Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16, Issue
> 6
>
>
>> Patty, this was so funny! There you are, a captive audience for a one
>> person art show - right there in your dentist's office! This could be a
>> comic skit on SNL. But, I do understand what you are saying, seriously.
>> If the artist would just spend some time getting to know those objects in
>> a personal way, it would make a difference. She could just sit and hold
>> them, feel their weight, explore the surfaces and how they move in space,
>> and things like this. The way you describe them makes it seem to me as
>> though they don't have a sense of "touch" to them and as a viewer you
>> cannot get that feeling from the paintings, so something is amiss. The
>> scary part is that this is really how she sees them herself.
>>
>> Lynda
>> ----- Original Message -----
>> From: "Patricia C. Estes" <pece03 at gmail.com>
>> To: "An exploration of art by and for blind persons"
>> <artists-making-art at nfbnet.org>
>> Sent: Saturday, February 08, 2014 7:55 PM
>> Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16,
>> Issue 6
>>
>>
>>> Linda, what you just expressed about understanding the object, whatever,
>>> one is painting totally explains something to me. We have a local artist
>>> who has many, many still life paintings and the subjects are interesting
>>> and the colors dramatic and she is truly hailed around these parts. But
>>> I have such trouble with her work-after the color, the subject and the
>>> presentation. (and here it is, my personal perspective presented as
>>> fact!) In my opinion, all of her objects seem to be floating-no sense of
>>> dimension. Which goes back to the time spent learning to draw (her
>>> shadowing is confusing and these are not abstracts) and, she may not
>>> "understand" her subjects and relies on vision alone to define it...just
>>> thinking out loud.
>>> Evry time I go to my dentist's for cleanings, the paintings around the
>>> place are all different...oh, this artist is married to my dentist. So,
>>> I am confronted with these large canvases and I just stare at one
>>> painting at a time to try to "see" what she is doing and why it is that
>>> it bothers me-grapes and wine bottles just don't float! OK...back to the
>>> no rules thing, I love that, but...hmmm...I think I'll rethink
>>> this.Maybe these do float... Maybe I don't need a reason to be
>>> distracted by her lack of grounding things, in my view. Maybe I just
>>> don't like her work!
>>>
>>> Yes, the energy here is nice-the clearer we can be about what we are
>>> doing, want to do, etc...that clarity is quite fresh. But this applies
>>> in all endeavors, of course. That is until one comes to the point that
>>> there just aren't the words for what we think/feel. the space and
>>> energy around creating from the self are nebulous-like trying to tack
>>> jello to a tree. But we just love trying, don't we? -loving the subjects
>>> here has been very energizing.
>>> Patty
>>> ----- Original Message -----
>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>> To: "An exploration of art by and for blind persons"
>>> <artists-making-art at nfbnet.org>
>>> Sent: Saturday, February 08, 2014 7:03 PM
>>> Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16,
>>> Issue 6
>>>
>>>
>>>> As a drawing teacher, I understood that if my sighted students did not
>>>> understand the object they were drawing by using all their senses, then
>>>> they did not understand that thing at all. Because the sense of sight
>>>> is so powerful and takes over all the other senses, a sighted person
>>>> just takes a very quick glance at things and THINKS she understands it
>>>> and she does not at all. The drawing will be merely superficial and
>>>> will not show the nuances of it, as it is in space, it's weight, etc.
>>>> When blindfolded, the student begins to understand the object on deeper
>>>> levels of understanding. What happens is that by relying only on sight,
>>>> the student cannot really SEE a thing at all - but they think they can.
>>>> So blindfolding the student had nothing to do with how a blind person
>>>> experiences the thing, it had to do with really SEEING the thing.
>>>> Seeing is something that is experienced over a very long period of
>>>> time - it required that the person slow way down, and focus on the
>>>> moment in time as they touch the object - and they are at the same
>>>> time, learning how it really looks. Sight alone cannot do this for us.
>>>> This is very intersting to me because I had never been around a blind
>>>> person in my life, with the exception of two different people whom I
>>>> had only very limited time with. I would not have made the connection
>>>> between sight loss and the drawing experience at that time at all.
>>>> Only in hind sight, after my own sight loss, can I truly understand how
>>>> important these lessons were.
>>>>
>>>> Lynda
>>>> ----- Original Message -----
>>>> From: "Laurie Porter" <free.spirit1 at live.com>
>>>> To: <artists-making-art at nfbnet.org>
>>>> Sent: Saturday, February 08, 2014 6:40 PM
>>>> Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16,
>>>> Issue 6
>>>>
>>>>
>>>>> The idea that all children blind or sighted can draw pictures
>>>>> fascinates me. I was legally blind all my life until 2003 when I lost
>>>>> all my sight. both of my parents were blind, and I recall them never
>>>>> knowing how to draw anything However, fundimentally all children,
>>>>> blind or sighted learn basics like drawing a circle or square then
>>>>> later other shapes. I might have been a better drawer if I had access
>>>>> to tactual shapes. I was encouraged to use my vision to do everything
>>>>> but my parents lacked the ability to teach me how to process things
>>>>> visually which comes to all children at a very early age. this is a
>>>>> very interesting t, -----Original Message-----
>>>>> From: artists-making-art-request at nfbnet.org
>>>>> Sent: Saturday, February 08, 2014 2:03 PM
>>>>> To: artists-making-art at nfbnet.org
>>>>> Subject: Artists-making-art Digest, Vol 16, Issue 6
>>>>>
>>>>> Send Artists-making-art mailing list submissions to
>>>>> artists-making-art at nfbnet.org
>>>>>
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>>>>> When replying, please edit your Subject line so it is more specific
>>>>> than "Re: Contents of Artists-making-art digest..."
>>>>>
>>>>>
>>>>> Today's Topics:
>>>>>
>>>>> 1. Re: drawing the internal dialogue (Lynda Lambert)
>>>>> 2. Re: drawing the internal dialogue (Sahar's Beaded Creations)
>>>>> 3. Re: drawing the internal dialogue (Patricia C. Estes)
>>>>> 4. Re: Artists-making-art Digest, Vol 16, Issue 5 (Laurie Porter)
>>>>>
>>>>>
>>>>> ----------------------------------------------------------------------
>>>>>
>>>>> Message: 1
>>>>> Date: Sat, 8 Feb 2014 08:56:25 -0500
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] drawing the internal dialogue
>>>>> Message-ID: <2E945A7FA30F4110A726835349F4841D at Lambert>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Patricia, you bring up the most fascinating things. This is another
>>>>> one of those things that is so enjoyable to think about. Drawing! We
>>>>> do not need sight to draw, I am absolutely sure of that. In fact, in
>>>>> many of my drawing courses, I had students draw blindfolded. They had
>>>>> to feel the objects, then return to the easel to do their drawings.
>>>>> They could walk over to feel it as often as they liked during the
>>>>> process, but they were not permitted to have a physical "look" at it
>>>>> with the eyes. The drawings they made were astounding - so full of
>>>>> livingness and so magical. You are making me remember those things
>>>>> that I had not thought of for a very long time - and this is great for
>>>>> me because I am going to be a speaker at a conference on disabilities
>>>>> and inclusion in March, and this is exactly what I needed to be
>>>>> thinking about as I prep for that lecture.
>>>>>
>>>>> If anyone else has some examples of experiences for me, that I could
>>>>> share with the audience, please let me know. I want to really make my
>>>>> audience understand that blind people have the same passions for art
>>>>> and art making as anyone else. We just have to learn adaptive ways of
>>>>> working, but we can do it, and we love to do it and it brings us great
>>>>> joy.
>>>>>
>>>>> yes, I used Drawing From the Right Side of the Brain as a textbook for
>>>>> Drawing courses at the college! I also used "The Natural Way to Draw"
>>>>> by Nicolaides. I have worked my way through both of these books for
>>>>> years on end. Drawing is the core of everything we do as artists and
>>>>> without a good foundation in drawing, it's difficult to move on - it
>>>>> is the structure on which we build everything else no matter the
>>>>> medium we work with. Drawing puts us in touch with the internal
>>>>> dialogue and we become more aware and connected with the object we are
>>>>> drawing.
>>>>>
>>>>> The interesting thing about drawing, to me, has always been that all
>>>>> children seem to know how to draw by instinct. How does that "fit" in
>>>>> your experience, Patricia? I have never encountered a child who did
>>>>> not know how to draw and make pictures - I have always thought we are
>>>>> born with these abilities. I think a child born blind would have this
>>>>> same inclination, if provided with the tools and opportunities early
>>>>> on, but that is a guess on my part. I would love to know more about
>>>>> this by someone who has had the experience as a very small child
>>>>> without sight. Drawing is more, far more, than the thing that is left
>>>>> on the page after the person has made it. It is a whole body
>>>>> experience - physical and spiritual experience, in my experiences.
>>>>> So, it seems to me that no sight is needed to make drawings. I like to
>>>>> say, about my own work, that the "thing that is on display on the
>>>>> gallery wall is the residue left behind as I was making art." It is
>>>>> not the art itself, it is the tracks that show I was there. The art
>>>>> was what transpired within me as I worked on it and the piece in the
>>>>> gallery is the evidence that I was there.
>>>>>
>>>>> I have to say that without my extensive drawing background, I would
>>>>> not be who I am today as a blind person. I have a small amount of
>>>>> peripheral vision that is enough that I can detect movement. Those
>>>>> movements are "gestures" and it is through the gestures around me that
>>>>> I navigate the world and that I identify people and things. It is the
>>>>> essence of everything - gesture. When I am making my art these days,
>>>>> it is because I am accustomed to using gesture and can continue to do
>>>>> that without sight. Touch is gesture, and that is how I understand
>>>>> what I touch. I feel it's internal and external gesture.
>>>>>
>>>>> OH, that is so funny about your 5 year old's comment about using his
>>>>> "girl brain." This is what I found so fascinating when I was reading
>>>>> this book, that the entire structure of the brain is very different in
>>>>> males and females. Each individual part of the brain is different
>>>>> between the sexes - so it is a physical as well as psychological
>>>>> difference. She explored many different nuances that really helped me
>>>>> as a blind person as well, as I was reading. It gave me new insight
>>>>> into different aspects we encounter due to sight loss. I would highly
>>>>> recommend it to anyone who has interest in learning more about how the
>>>>> brain functions, and it is explored in a way that a non-science person
>>>>> like me coulnd understand and enjoy.
>>>>>
>>>>> This is all certainly another aspect of the discussion on difference
>>>>> between art and crafts thought process and ways of "seeing." Lynda
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 8:54 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Linda, the brain is so fascinating-or is it the mind?? My first real
>>>>> understanding of it (before I studied holistic psychology and energy
>>>>> medicine) was when our youngest was caught doing something or other
>>>>> that five year olds do, and he burst into tears and managed to blurt
>>>>> out emphatically, "My girl brain made me do it!"
>>>>> Yes, Luke, I know what you mean! But he didn't go to school, yet, and
>>>>> we didn't have a TV...I think he just *knew*.
>>>>> Dr. Christian Northrop teaches about the female brain, too. Her
>>>>> example is that she and her, then, husband were flying somewhere and
>>>>> she noticed that she was reading "Enriching the Mother/Daughter
>>>>> Relationship" and he was reading "How to get the most out of your Band
>>>>> Saw."
>>>>> To bring art into this, I am sure you are familiar with the
>>>>> book,"Drawing on the Right side of the Brain." Pretty fascinating, if
>>>>> one has time to complicate one's life by experimenting with drawing
>>>>> things upside down.
>>>>> Energetically, if you want to engage both hemispheres, Brain Gym says
>>>>> to "think of an X." And to relax the mind, think of two parallel
>>>>> lines.
>>>>>
>>>>> OK, I'm taking my parallel lines and heading to bed,
>>>>> Patty
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:48 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Patricia, I just finished reading the book "The Female Brain" by
>>>>> Luann Brizendine, and OH, HOw I wish I had this wonderful information
>>>>> a long time ago. Raising my brood of children would have been so much
>>>>> easier if I had known these things about the differences between male
>>>>> and female brains. And, my goodness, I would have been a much better
>>>>> teacher, too. I would have a better understanding of my fellow human
>>>>> beings - but at least I do understand a lot more about it now since
>>>>> reading this book. It was so enlightening to me and I was telling my
>>>>> husband all about it as we would ride along in the truck. One day he
>>>>> said to me, "I guess it is like this conversation we are having right
>>>>> now in this truck." This was his insight as I was rapidly sharing so
>>>>> much information as he sat quietly listening...lol I said, "Yes, now
>>>>> I understand this conversation here in this truck so much better." We
>>>>> laughed.
>>>>>
>>>>> Of course we are both crafters and artists - one feeds into the
>>>>> other. We all begin somewhere - and for me, it begins with my mother
>>>>> taking an afternoon to teach me how to do some embroidery stitches and
>>>>> to creat a picture on a linen tea towel - I was probably 8 years old.
>>>>> Then, it continues on with my precious neighbor taking an hour each
>>>>> morning, one summer, to teach me how to read a pattern and how to sew
>>>>> a blouse, skirt, and then an entire outfit - I was about 10. We learn
>>>>> from those around us, and how lucky we were to have them in our life.
>>>>> What I do today, is an homage to those women in my life so long ago. I
>>>>> celebrate them with every stitch I make in my art these days. And, I
>>>>> say "thank you" to them for giving me the beginnings of who I am
>>>>> today, and who I am becoming with each new day and each new idea I
>>>>> work with.
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400&sr=1-1
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:26 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time to
>>>>> articulate these distinctions.
>>>>> I absolutely agree and have been an artist and crafter
>>>>> simultaneously. I am back to my art and love the discovery of it-but I
>>>>> will admit, my left brain does like rules and instructions-but my Girl
>>>>> Brain is winning! (no put down to Boy Brains, just a family joke).
>>>>>
>>>>> Right on! Right on, Linda!
>>>>> pece out
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I
>>>>> better get back to the studio before I cause a riot, but this should
>>>>> be a good place for a discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line
>>>>> between the two, it is very clear and distinct. And artist or a
>>>>> crafter can take the exact same materials, but the mind that works
>>>>> with them is quite different and the results are quite different. It's
>>>>> really about "ideas" and "concepts" and what we are thinking about as
>>>>> we work, and where we go with the materials in our process of working.
>>>>> In Pittsburgh, PA there is a very fine museum/gallery called the
>>>>> Society of Contemporary Crafts - now, what is done there, and shown
>>>>> there is high art. So there is crafts and there is CRAFT, too. There
>>>>> is the "crafter" and there is the "Craftsman." very distinct
>>>>> differences between them - and as a sculptor you would be very aware
>>>>> of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College, in western PA) where I was free to teach across disciplines,
>>>>> as I have my MFA in painting/printmaking, and my MA in English
>>>>> Literature. Because of this background, I was very marketable for a
>>>>> good position. I was able to create multi-discipline courses - alway
>>>>> a combination of literature and art, as well as studio courses in
>>>>> painting, fiber arts, printmaking, drawing. It was a dream of a job,
>>>>> working in interdisciplinary studies and doing so many projects with
>>>>> profs in other disciplines. I was very active in conferences on
>>>>> interdisciplinary studies. I created an European experience for art
>>>>> and literature students and we lived in Austria every summer and then
>>>>> traveled to other countries. I even had an art exhibition in Austria
>>>>> for my students every summer. They worked so hard in the studio and
>>>>> out on location every day, and at the end of the month they had a
>>>>> show - so much fun. I also did this with Puerto Rico, and students
>>>>> came to PR with me each spring as part of their course in Puerto Rico
>>>>> Culture - which I have continued to visit every March even though I am
>>>>> now retired. It bacame how we spent our spring time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a
>>>>> piece done today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is
>>>>> reading this is still torn I wouldn't be surprised though since there
>>>>> are all sorts of shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off
>>>>> on a tangent tangling all sorts of events together rather randomly.
>>>>> They started laughing and saying something akin to how do you make it
>>>>> from day to day. And I said you guys are pilots and for you to be a
>>>>> good pilot you know and follow rules. That is what they pay you for. I
>>>>> am an artist and I am paid to break the rules. No one wants to hear
>>>>> from me if it has already been done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group
>>>>> though, I am like you, I just came on to ask a question about
>>>>> something I needed to know and was so glad to meet Ann who helped me
>>>>> with my question. I am furiously working right now (oops, split that
>>>>> infinitive!) getting work done for the opening of a two-person
>>>>> exhibition at a museum - the show is called _Vision and Revision: Two
>>>>> artists with limited sight, not limited vision_ It is my pottery and
>>>>> mixed-media fiber works, and a legally blind painter. It opens one
>>>>> month from today, and if I stop to think about what else has to be
>>>>> done yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on the details. The show will appear at two locations this
>>>>> year and will have a video that plays in the gallery with the art
>>>>> works, Braille labeling, and artist's talks. I will even be teaching
>>>>> in the gallery one afternoon, for the Women in the Arts course at
>>>>> Geneva College. That is where I taught when I was a professor of fine
>>>>> arts and humanities, before I retired. I'll be lecturing on the
>>>>> historical context of my work and where the ideas have come from when
>>>>> creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to
>>>>> speak at a conference at Slippery Rock University of PA for two
>>>>> sessions, the day before we hang our show. So, I have those
>>>>> presentations to be working on every day now, too. I officially
>>>>> retired from teaching 5 1/2 years ago, but I am still very much
>>>>> involved in everything but being in the classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap
>>>>> between an artist and a crafter is like crossing the ocean, it is that
>>>>> wide. Some basic things may be similar between the two, but most
>>>>> things are very far apart philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the
>>>>> hands and most have done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning
>>>>> something and knowing where the end will be, the artist begins with no
>>>>> notion of where the end will be or even if it will be. the crafter
>>>>> has a clearly defined path to the finished product. The artist has
>>>>> only some inklings of possible outcomes, but has to find them as she
>>>>> works.
>>>>>
>>>>> The other very big thing I see as a difference between them
>>>>> is that the crafter has 'rules" to follow and seldom will ever deviate
>>>>> from those rules, as they are set in stone in her mind. On the other
>>>>> hand, the mature artist has learned that there are no rules at all.
>>>>> They may begin in the early stages by learning techniques, but
>>>>> eventually with the years of working, the light comes on in her brain
>>>>> when she discovers one day - she is free of all rules when making art.
>>>>> Everything can be challenged, everything can be changed, and
>>>>> everything is fair game, for the artist. Is there any other profession
>>>>> in this world where there are no rules? It's the most exhilerating
>>>>> feeling to know that there are absolutely no rules whatsoever for me.
>>>>> Wow, makes me take a deep breath just to say it. Free, free, free, at
>>>>> last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is
>>>>> where the person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is
>>>>> usually content to learn something then duplicate it endlessly, then
>>>>> moves on to learn something else and does that again with it. The
>>>>> artist can take crafts materials (which is what you and I both do) and
>>>>> techniques, and then take them far beyond because they will combine
>>>>> their techniques and materials with the imagination. If you can teach
>>>>> it, it is usually a craft. If you cannot teach it, it is normally art.
>>>>> Art can begin by learning some techniques, or using craft materials,
>>>>> but then the person begins to ask the "what if" questions, and takes
>>>>> lots of risks, failures, and bends in the road on the way to it
>>>>> becoming a work of art. It is a "mind set" that is never satisfied
>>>>> with just the learning of something new, but one that constantly
>>>>> questions, experiments, and never knows where the "end" will be, or
>>>>> even if it will be. A "crafter" will never understand what I have
>>>>> just said and will most likely be huffing and puffing and angry with
>>>>> it. An "artist" is standing and applauding what I have said. It is
>>>>> that simple, and that complex. The artist thrives on change and
>>>>> making new discoveries and each work leads to other querstions and
>>>>> more change and more new discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types
>>>>> of environments. One will be setting at a craft show with a table
>>>>> full of things that are basically all the same while the other will
>>>>> have work on display in a gallery or museum. Each has decided where
>>>>> they "fit" and each is very happy with where they are. They are
>>>>> different animals, with different ideas, and different end results and
>>>>> outcomes. Each one has decided their own path and each one is
>>>>> comfortable with the decision she has made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from
>>>>> wisconsin who is a fledgling and budding beginner artist. my medium is
>>>>> beadwork. I make pictures and tapestries out of tiny little seed beads
>>>>> sewn together with thread. but most of my work is in making jewlry,
>>>>> but I have always looked upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference
>>>>> between an art and a craft? I do believe that all crafts are forms of
>>>>> art but are all arts considered crafts? Thanks linda and all of you
>>>>> for getting this list going as it is something I?ve always dreamed of
>>>>> seeing in our efforts to bring blind people together who love to both
>>>>> create and appreciate the visual arts.
>>>>>
>>>>> ------------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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>>>>>
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>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 2
>>>>> Date: Sat, 8 Feb 2014 09:41:10 -0600
>>>>> From: "Sahar's Beaded Creations" <sahar at inebraska.com>
>>>>> To: "'An exploration of art by and for blind persons'"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] drawing the internal dialogue
>>>>> Message-ID: <024c01cf24e4$31086190$931924b0$@inebraska.com>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Hello, Lynda,
>>>>>
>>>>>
>>>>>
>>>>> I remember drawing as a small child, and I really think I would have
>>>>> been able to develop the skill had that skill been cultivated. I
>>>>> think that the teachers figured blind people couldn?t draw, so I don?t
>>>>> remember them involving us in that after Kindergarten. However,
>>>>> that?s not why I wrote. I wrote because I wondered if you?d ever heard
>>>>> of the totally blind Turkish painter, Asraf. Apparently, who can
>>>>> paint in vivid detail. I find that truly fascinating. He might be
>>>>> someone you might want to look up. Take care.
>>>>>
>>>>>
>>>>>
>>>>> Warm regards,
>>>>>
>>>>> Sahar Husseini
>>>>>
>>>>> For hand-crafted, one-of-a-kind jewelry, please visit my Website at
>>>>> <http://www.saharscreations.com> www.saharscreations.com Find me on
>>>>> Facebook at <http://www.facebook.com/saharscreations>
>>>>> www.facebook.com/saharscreations And remember, "Obstacles don't have
>>>>> to stop you.
>>>>>
>>>>> If you run into a wall, don't turn around and give up.
>>>>>
>>>>> Figure out how to climb it, go through it, or work around it."
>>>>>
>>>>> Michael Jordan
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> From: Artists-making-art
>>>>> [mailto:artists-making-art-bounces at nfbnet.org] On Behalf Of Lynda
>>>>> Lambert
>>>>> Sent: Saturday, February 8, 2014 7:56 AM
>>>>> To: An exploration of art by and for blind persons
>>>>> Subject: Re: [Artists-making-art] drawing the internal dialogue
>>>>>
>>>>>
>>>>>
>>>>> Patricia, you bring up the most fascinating things. This is another
>>>>> one of those things that is so enjoyable to think about. Drawing! We
>>>>> do not need sight to draw, I am absolutely sure of that. In fact, in
>>>>> many of my drawing courses, I had students draw blindfolded. They had
>>>>> to feel the objects, then return to the easel to do their drawings.
>>>>> They could walk over to feel it as often as they liked during the
>>>>> process, but they were not permitted to have a physical "look" at it
>>>>> with the eyes. The drawings they made were astounding - so full of
>>>>> livingness and so magical. You are making me remember those things
>>>>> that I had not thought of for a very long time - and this is great for
>>>>> me because I am going to be a speaker at a conference on disabilities
>>>>> and inclusion in March, and this is exactly what I needed to be
>>>>> thinking about as I prep for that lecture.
>>>>>
>>>>>
>>>>>
>>>>> If anyone else has some examples of experiences for me, that I could
>>>>> share with the audience, please let me know. I want to really make my
>>>>> audience understand that blind people have the same passions for art
>>>>> and art making as anyone else. We just have to learn adaptive ways of
>>>>> working, but we can do it, and we love to do it and it brings us great
>>>>> joy.
>>>>>
>>>>>
>>>>>
>>>>> yes, I used Drawing From the Right Side of the Brain as a textbook for
>>>>> Drawing courses at the college! I also used "The Natural Way to Draw"
>>>>> by Nicolaides. I have worked my way through both of these books for
>>>>> years on end. Drawing is the core of everything we do as artists and
>>>>> without a good foundation in drawing, it's difficult to move on - it
>>>>> is the structure on which we build everything else no matter the
>>>>> medium we work with. Drawing puts us in touch with the internal
>>>>> dialogue and we become more aware and connected with the object we are
>>>>> drawing.
>>>>>
>>>>>
>>>>>
>>>>> The interesting thing about drawing, to me, has always been that all
>>>>> children seem to know how to draw by instinct. How does that "fit" in
>>>>> your experience, Patricia? I have never encountered a child who did
>>>>> not know how to draw and make pictures - I have always thought we are
>>>>> born with these abilities. I think a child born blind would have this
>>>>> same inclination, if provided with the tools and opportunities early
>>>>> on, but that is a guess on my part. I would love to know more about
>>>>> this by someone who has had the experience as a very small child
>>>>> without sight. Drawing is more, far more, than the thing that is left
>>>>> on the page after the person has made it. It is a whole body
>>>>> experience - physical and spiritual experience, in my experiences.
>>>>> So, it seems to me that no sight is needed to make drawings. I like to
>>>>> say, about my own work, that the "thing that is on display on the
>>>>> gallery wall is the residue left behind as I was making art." It is
>>>>> not the art itself, it is the tracks that show I was there. The art
>>>>> was what transpired within me as I worked on it and the piece in the
>>>>> gallery is the evidence that I was there.
>>>>>
>>>>>
>>>>>
>>>>> I have to say that without my extensive drawing background, I would
>>>>> not be who I am today as a blind person. I have a small amount of
>>>>> peripheral vision that is enough that I can detect movement. Those
>>>>> movements are "gestures" and it is through the gestures around me that
>>>>> I navigate the world and that I identify people and things. It is the
>>>>> essence of everything - gesture. When I am making my art these days,
>>>>> it is because I am accustomed to using gesture and can continue to do
>>>>> that without sight. Touch is gesture, and that is how I understand
>>>>> what I touch. I feel it's internal and external gesture.
>>>>>
>>>>>
>>>>>
>>>>> OH, that is so funny about your 5 year old's comment about using his
>>>>> "girl brain." This is what I found so fascinating when I was reading
>>>>> this book, that the entire structure of the brain is very different in
>>>>> males and females. Each individual part of the brain is different
>>>>> between the sexes - so it is a physical as well as psychological
>>>>> difference. She explored many different nuances that really helped me
>>>>> as a blind person as well, as I was reading. It gave me new insight
>>>>> into different aspects we encounter due to sight loss. I would highly
>>>>> recommend it to anyone who has interest in learning more about how the
>>>>> brain functions, and it is explored in a way that a non-science person
>>>>> like me coulnd understand and enjoy.
>>>>>
>>>>>
>>>>>
>>>>> This is all certainly another aspect of the discussion on difference
>>>>> between art and crafts thought process and ways of "seeing." Lynda
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Patricia C. Estes <mailto:pece03 at gmail.com>
>>>>>
>>>>> To: An exploration of art by and for blind persons
>>>>> <mailto:artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Friday, February 07, 2014 8:54 PM
>>>>>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Linda, the brain is so fascinating-or is it the mind?? My first real
>>>>> understanding of it (before I studied holistic psychology and energy
>>>>> medicine) was when our youngest was caught doing something or other
>>>>> that five year olds do, and he burst into tears and managed to blurt
>>>>> out emphatically, "My girl brain made me do it!"
>>>>>
>>>>> Yes, Luke, I know what you mean! But he didn't go to school, yet, and
>>>>> we didn't have a TV...I think he just *knew*.
>>>>>
>>>>> Dr. Christian Northrop teaches about the female brain, too. Her
>>>>> example is that she and her, then, husband were flying somewhere and
>>>>> she noticed that she was reading "Enriching the Mother/Daughter
>>>>> Relationship" and he was reading "How to get the most out of your Band
>>>>> Saw."
>>>>>
>>>>> To bring art into this, I am sure you are familiar with the
>>>>> book,"Drawing on the Right side of the Brain." Pretty fascinating, if
>>>>> one has time to complicate one's life by experimenting with drawing
>>>>> things upside down.
>>>>>
>>>>> Energetically, if you want to engage both hemispheres, Brain Gym says
>>>>> to "think of an X." And to relax the mind, think of two parallel
>>>>> lines.
>>>>>
>>>>>
>>>>>
>>>>> OK, I'm taking my parallel lines and heading to bed,
>>>>>
>>>>> Patty
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Lynda Lambert <mailto:llambert at zoominternet.net>
>>>>>
>>>>> To: An exploration of art by and for blind persons
>>>>> <mailto:artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Friday, February 07, 2014 1:48 PM
>>>>>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Patricia, I just finished reading the book "The Female Brain" by Luann
>>>>> Brizendine, and OH, HOw I wish I had this wonderful information a long
>>>>> time ago. Raising my brood of children would have been so much easier
>>>>> if I had known these things about the differences between male and
>>>>> female brains. And, my goodness, I would have been a much better
>>>>> teacher, too. I would have a better understanding of my fellow human
>>>>> beings - but at least I do understand a lot more about it now since
>>>>> reading this book. It was so enlightening to me and I was telling my
>>>>> husband all about it as we would ride along in the truck. One day he
>>>>> said to me, "I guess it is like this conversation we are having right
>>>>> now in this truck." This was his insight as I was rapidly sharing so
>>>>> much information as he sat quietly listening...lol I said, "Yes, now
>>>>> I understand this conversation here in this truck so much better." We
>>>>> laughed.
>>>>>
>>>>>
>>>>>
>>>>> Of course we are both crafters and artists - one feeds into the other.
>>>>> We all begin somewhere - and for me, it begins with my mother taking
>>>>> an afternoon to teach me how to do some embroidery stitches and to
>>>>> creat a picture on a linen tea towel - I was probably 8 years old.
>>>>> Then, it continues on with my precious neighbor taking an hour each
>>>>> morning, one summer, to teach me how to read a pattern and how to sew
>>>>> a blouse, skirt, and then an entire outfit - I was about 10. We learn
>>>>> from those around us, and how lucky we were to have them in our life.
>>>>> What I do today, is an homage to those women in my life so long ago. I
>>>>> celebrate them with every stitch I make in my art these days. And, I
>>>>> say "thank you" to them for giving me the beginnings of who I am
>>>>> today, and who I am becoming with each new day and each new idea I
>>>>> work with.
>>>>>
>>>>>
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>>
>>>>> http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400
>>>>> <http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400&sr=1-1>
>>>>> &sr=1-1
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Patricia C. Estes <mailto:pece03 at gmail.com>
>>>>>
>>>>> To: An exploration of art by and for blind persons
>>>>> <mailto:artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Friday, February 07, 2014 1:26 PM
>>>>>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time to
>>>>> articulate these distinctions.
>>>>>
>>>>> I absolutely agree and have been an artist and crafter simultaneously.
>>>>> I am back to my art and love the discovery of it-but I will admit, my
>>>>> left brain does like rules and instructions-but my Girl Brain is
>>>>> winning! (no put down to Boy Brains, just a family joke).
>>>>>
>>>>>
>>>>>
>>>>> Right on! Right on, Linda!
>>>>>
>>>>> pece out
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Lynda Lambert <mailto:llambert at zoominternet.net>
>>>>>
>>>>> To: An exploration of art by and for blind persons
>>>>> <mailto:artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I better get
>>>>> back to the studio before I cause a riot, but this should be a good
>>>>> place for a discussion like this.
>>>>>
>>>>>
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line between
>>>>> the two, it is very clear and distinct. And artist or a crafter can
>>>>> take the exact same materials, but the mind that works with them is
>>>>> quite different and the results are quite different. It's really about
>>>>> "ideas" and "concepts" and what we are thinking about as we work, and
>>>>> where we go with the materials in our process of working. In
>>>>> Pittsburgh, PA there is a very fine museum/gallery called the Society
>>>>> of Contemporary Crafts - now, what is done there, and shown there is
>>>>> high art. So there is crafts and there is CRAFT, too. There is the
>>>>> "crafter" and there is the "Craftsman." very distinct differences
>>>>> between them - and as a sculptor you would be very aware of this, too.
>>>>>
>>>>>
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College, in western PA) where I was free to teach across disciplines,
>>>>> as I have my MFA in painting/printmaking, and my MA in English
>>>>> Literature. Because of this background, I was very marketable for a
>>>>> good position. I was able to create multi-discipline courses - alway a
>>>>> combination of literature and art, as well as studio courses in
>>>>> painting, fiber arts, printmaking, drawing. It was a dream of a job,
>>>>> working in interdisciplinary studies and doing so many projects with
>>>>> profs in other disciplines. I was very active in conferences on
>>>>> interdisciplinary studies. I created an European experience for art
>>>>> and literature students and we lived in Austria every summer and then
>>>>> traveled to other countries. I even had an art exhibition in Austria
>>>>> for my students every summer. They worked so hard in the studio and
>>>>> out on location every day, and at the end of the month they had a
>>>>> show - so much fun. I also did this with Puerto Rico, and students
>>>>> came to PR with me each spring as part of their course in Puerto Rico
>>>>> Culture - which I have continued to visit every March even though I am
>>>>> now retired. It bacame how we spent our spring time.
>>>>>
>>>>>
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a piece
>>>>> done today!
>>>>>
>>>>> Lynda
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Ann at acunningham.com <mailto:Ann at acunningham.com>
>>>>>
>>>>> To: An exploration of art by and for blind persons
>>>>> <mailto:artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is reading this is
>>>>> still torn I wouldn't be surprised though since there are all sorts of
>>>>> shades in the continuum.
>>>>>
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off on a
>>>>> tangent tangling all sorts of events together rather randomly. They
>>>>> started laughing and saying something akin to how do you make it from
>>>>> day to day. And I said you guys are pilots and for you to be a good
>>>>> pilot you know and follow rules. That is what they pay you for. I am
>>>>> an artist and I am paid to break the rules. No one wants to hear from
>>>>> me if it has already been done.
>>>>>
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>>
>>>>> Tactile Art - a creative way to see the world!
>>>>>
>>>>> 303 238 4760
>>>>>
>>>>> ann at acunningham.com <mailto:ann at acunningham.com>
>>>>>
>>>>> http://www.acunningham.com
>>>>>
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net
>>>>> <mailto:llambert at zoominternet.net> >
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org <mailto:artists-making-art at nfbnet.org>
>>>>> >
>>>>>
>>>>> ?
>>>>>
>>>>> Hi Laurie,
>>>>>
>>>>> So nice to see you here. I did not start this group though, I am like
>>>>> you, I just came on to ask a question about something I needed to know
>>>>> and was so glad to meet Ann who helped me with my question. I am
>>>>> furiously working right now (oops, split that infinitive!) getting
>>>>> work done for the opening of a two-person exhibition at a museum - the
>>>>> show is called _Vision and Revision: Two artists with limited sight,
>>>>> not limited vision_ It is my pottery and mixed-media fiber works, and
>>>>> a legally blind painter. It opens one month from today, and if I stop
>>>>> to think about what else has to be done yet, I'll get nervous. So, I
>>>>> won't do that, but just will keep on working on the details. The show
>>>>> will appear at two locations this year and will have a video that
>>>>> plays in the gallery with the art works, Braille labeling, and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for the Women in the Arts course at Geneva College. That is where I
>>>>> taught when I was a professor of fine arts and humanities, before I
>>>>> retired. I'll be lecturing on the historical context of my work and
>>>>> where the ideas have come from when creating it.
>>>>>
>>>>>
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>> conference at Slippery Rock University of PA for two sessions, the day
>>>>> before we hang our show. So, I have those presentations to be working
>>>>> on every day now, too. I officially retired from teaching 5 1/2 years
>>>>> ago, but I am still very much involved in everything but being in the
>>>>> classroom.
>>>>>
>>>>>
>>>>>
>>>>> Here is my response to the question you have asked. The gap between an
>>>>> artist and a crafter is like crossing the ocean, it is that wide. Some
>>>>> basic things may be similar between the two, but most things are very
>>>>> far apart philisophically.
>>>>>
>>>>>
>>>>>
>>>>> Both work with the hands, and both love working with the hands and
>>>>> most have done it all their life.
>>>>>
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of the finished product that comes out of it.
>>>>>
>>>>>
>>>>>
>>>>> While the crafter will usually be satisfied with beginning something
>>>>> and knowing where the end will be, the artist begins with no notion of
>>>>> where the end will be or even if it will be. the crafter has a
>>>>> clearly defined path to the finished product. The artist has only some
>>>>> inklings of possible outcomes, but has to find them as she works.
>>>>>
>>>>>
>>>>>
>>>>> The other very big thing I see as a difference between them is that
>>>>> the crafter has 'rules" to follow and seldom will ever deviate from
>>>>> those rules, as they are set in stone in her mind. On the other hand,
>>>>> the mature artist has learned that there are no rules at all. They
>>>>> may begin in the early stages by learning techniques, but eventually
>>>>> with the years of working, the light comes on in her brain when she
>>>>> discovers one day - she is free of all rules when making art.
>>>>> Everything can be challenged, everything can be changed, and
>>>>> everything is fair game, for the artist. Is there any other profession
>>>>> in this world where there are no rules? It's the most exhilerating
>>>>> feeling to know that there are absolutely no rules whatsoever for me.
>>>>> Wow, makes me take a deep breath just to say it. Free, free, free, at
>>>>> last!
>>>>>
>>>>>
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is where the
>>>>> person eventually takes the techniques, I think.
>>>>>
>>>>>
>>>>>
>>>>> A crafter seldom takes things to a different level but is usually
>>>>> content to learn something then duplicate it endlessly, then moves on
>>>>> to learn something else and does that again with it. The artist can
>>>>> take crafts materials (which is what you and I both do) and
>>>>> techniques, and then take them far beyond because they will combine
>>>>> their techniques and materials with the imagination. If you can teach
>>>>> it, it is usually a craft. If you cannot teach it, it is normally art.
>>>>> Art can begin by learning some techniques, or using craft materials,
>>>>> but then the person begins to ask the "what if" questions, and takes
>>>>> lots of risks, failures, and bends in the road on the way to it
>>>>> becoming a work of art. It is a "mind set" that is never satisfied
>>>>> with just the learning of something new, but one that constantly
>>>>> questions, experiments, and never knows where the "end" will be, or
>>>>> even if it will be. A "crafter" will never understand what I have
>>>>> just said and will most likely be huffing and puffing and angry with
>>>>> it. An "artist" is standing and applauding what I have said. It is
>>>>> that simple, and that complex. The artist thrives on change and
>>>>> making new discoveries and each work leads to other querstions and
>>>>> more change and more new discoveries.
>>>>>
>>>>>
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments. One will be setting at a craft show with a table full of
>>>>> things that are basically all the same while the other will have work
>>>>> on display in a gallery or museum. Each has decided where they "fit"
>>>>> and each is very happy with where they are. They are different
>>>>> animals, with different ideas, and different end results and outcomes.
>>>>> Each one has decided their own path and each one is comfortable with
>>>>> the decision she has made.
>>>>>
>>>>>
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>>
>>>>> From: Laurie Porter <mailto:free.spirit1 at live.com>
>>>>>
>>>>> To: Artists-making-art at nfbnet.org
>>>>> <mailto:Artists-making-art at nfbnet.org>
>>>>>
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>>
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>>
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from wisconsin who is
>>>>> a fledgling and budding beginner artist. my medium is beadwork. I make
>>>>> pictures and tapestries out of tiny little seed beads sewn together
>>>>> with thread. but most of my work is in making jewlry, but I have
>>>>> always looked upon my beadwork as an art form.
>>>>>
>>>>>
>>>>>
>>>>> so, I have a basic question. What is the difference between an art and
>>>>> a craft? I do believe that all crafts are forms of art but are all
>>>>> arts considered crafts? Thanks linda and all of you for getting this
>>>>> list going as it is something I?ve always dreamed of seeing in our
>>>>> efforts to bring blind people together who love to both create and
>>>>> appreciate the visual arts.
>>>>>
>>>>>
>>>>> _____
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org <mailto:Artists-making-art at nfbnet.org>
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
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>>>>> Artists-making-art:
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>>>>> ------------------------------
>>>>>
>>>>> Message: 3
>>>>> Date: Sat, 8 Feb 2014 11:28:45 -0500
>>>>> From: "Patricia C. Estes" <pece03 at gmail.com>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] drawing the internal dialogue
>>>>> Message-ID: <FBEE8CE951524EB0A97347CAF39B9E92 at Wellness>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Good morning,
>>>>> Linda, I am glad to be of some "help" in your preparation!! I guess I
>>>>> needed a Job!
>>>>> The discussions have been intriguing...in the sense that I am being
>>>>> reminded of things I already know. Everyone's input has been fun!
>>>>> About drawing: APH has a tactile board for raised line drawings/math
>>>>> assignments, etc. This is what I would put in the hands of a blind
>>>>> child-the stylus can be used for lines and a type of "shading." And of
>>>>> course, it would also be useful for a blind child to do the same thing
>>>>> as a sighted child, as you mentioned: feel the object and draw it.
>>>>> (OK, get ready, I digress a bit: This reminds me of the work I have
>>>>> done as an Infant Massage Instructor-there are certain, simple strokes
>>>>> that we teach the parents and the result is calming, of course
>>>>> ...well, unless said baby being massaged is done!... but one of the
>>>>> many objectives of this massage stroke is "to help the infant to
>>>>> organize his/her world." In this case:"These things are part of
>>>>> me...legs, arms...and this is me here and that is someone else over
>>>>> there." At which point the baby realizes that they are getting some
>>>>> undivided attention and they get all excited! And with a blind child,
>>>>> especially, or the newly blinded, this art exercise in observing one's
>>>>> world would be really helpful in sorting out, organizing and
>>>>> internalizing. But it would be helpful for *anyone* to do, and for the
>>>>> same reasons!)
>>>>> I like that your intent is not to try to get students to experience
>>>>> what life is like as a blind person!! It is just an art play!
>>>>>
>>>>> OK...about drawing/sketching, I think that is as essential as learning
>>>>> the basics of music before playing in an orchestra. As much as we'd
>>>>> love to skip right over the practice sessions, that just is no other
>>>>> way. And I do think that there are "work arounds" for blind artists of
>>>>> any age who have never seen, to learn perspective and to share it.
>>>>> (Ann would know lots about this). Because of my background in
>>>>> classical sketching with my mom, I could branch out to design and
>>>>> suggest/gesture the images...like fashion design and even like
>>>>> impressionistic painting. Reducing the "story" to the most interesting
>>>>> lines/colors. (which will be different for each artist and viewer).
>>>>>
>>>>> Best wishes-
>>>>> Patty
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Saturday, February 08, 2014 8:56 AM
>>>>> Subject: Re: [Artists-making-art] drawing the internal dialogue
>>>>>
>>>>>
>>>>> Patricia, you bring up the most fascinating things. This is another
>>>>> one of those things that is so enjoyable to think about. Drawing! We
>>>>> do not need sight to draw, I am absolutely sure of that. In fact, in
>>>>> many of my drawing courses, I had students draw blindfolded. They had
>>>>> to feel the objects, then return to the easel to do their drawings.
>>>>> They could walk over to feel it as often as they liked during the
>>>>> process, but they were not permitted to have a physical "look" at it
>>>>> with the eyes. The drawings they made were astounding - so full of
>>>>> livingness and so magical. You are making me remember those things
>>>>> that I had not thought of for a very long time - and this is great for
>>>>> me because I am going to be a speaker at a conference on disabilities
>>>>> and inclusion in March, and this is exactly what I needed to be
>>>>> thinking about as I prep for that lecture.
>>>>>
>>>>> If anyone else has some examples of experiences for me, that I could
>>>>> share with the audience, please let me know. I want to really make my
>>>>> audience understand that blind people have the same passions for art
>>>>> and art making as anyone else. We just have to learn adaptive ways of
>>>>> working, but we can do it, and we love to do it and it brings us great
>>>>> joy.
>>>>>
>>>>> yes, I used Drawing From the Right Side of the Brain as a textbook
>>>>> for Drawing courses at the college! I also used "The Natural Way to
>>>>> Draw" by Nicolaides. I have worked my way through both of these books
>>>>> for years on end. Drawing is the core of everything we do as artists
>>>>> and without a good foundation in drawing, it's difficult to move on -
>>>>> it is the structure on which we build everything else no matter the
>>>>> medium we work with. Drawing puts us in touch with the internal
>>>>> dialogue and we become more aware and connected with the object we are
>>>>> drawing.
>>>>>
>>>>> The interesting thing about drawing, to me, has always been that all
>>>>> children seem to know how to draw by instinct. How does that "fit" in
>>>>> your experience, Patricia? I have never encountered a child who did
>>>>> not know how to draw and make pictures - I have always thought we are
>>>>> born with these abilities. I think a child born blind would have this
>>>>> same inclination, if provided with the tools and opportunities early
>>>>> on, but that is a guess on my part. I would love to know more about
>>>>> this by someone who has had the experience as a very small child
>>>>> without sight. Drawing is more, far more, than the thing that is left
>>>>> on the page after the person has made it. It is a whole body
>>>>> experience - physical and spiritual experience, in my experiences.
>>>>> So, it seems to me that no sight is needed to make drawings. I like to
>>>>> say, about my own work, that the "thing that is on display on the
>>>>> gallery wall is the residue left behind as I was making art." It is
>>>>> not the art itself, it is the tracks that show I was there. The art
>>>>> was what transpired within me as I worked on it and the piece in the
>>>>> gallery is the evidence that I was there.
>>>>>
>>>>> I have to say that without my extensive drawing background, I would
>>>>> not be who I am today as a blind person. I have a small amount of
>>>>> peripheral vision that is enough that I can detect movement. Those
>>>>> movements are "gestures" and it is through the gestures around me that
>>>>> I navigate the world and that I identify people and things. It is the
>>>>> essence of everything - gesture. When I am making my art these days,
>>>>> it is because I am accustomed to using gesture and can continue to do
>>>>> that without sight. Touch is gesture, and that is how I understand
>>>>> what I touch. I feel it's internal and external gesture.
>>>>>
>>>>> OH, that is so funny about your 5 year old's comment about using his
>>>>> "girl brain." This is what I found so fascinating when I was reading
>>>>> this book, that the entire structure of the brain is very different in
>>>>> males and females. Each individual part of the brain is different
>>>>> between the sexes - so it is a physical as well as psychological
>>>>> difference. She explored many different nuances that really helped me
>>>>> as a blind person as well, as I was reading. It gave me new insight
>>>>> into different aspects we encounter due to sight loss. I would highly
>>>>> recommend it to anyone who has interest in learning more about how the
>>>>> brain functions, and it is explored in a way that a non-science person
>>>>> like me coulnd understand and enjoy.
>>>>>
>>>>> This is all certainly another aspect of the discussion on difference
>>>>> between art and crafts thought process and ways of "seeing." Lynda
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 8:54 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Linda, the brain is so fascinating-or is it the mind?? My first
>>>>> real understanding of it (before I studied holistic psychology and
>>>>> energy medicine) was when our youngest was caught doing something or
>>>>> other that five year olds do, and he burst into tears and managed to
>>>>> blurt out emphatically, "My girl brain made me do it!"
>>>>> Yes, Luke, I know what you mean! But he didn't go to school, yet,
>>>>> and we didn't have a TV...I think he just *knew*.
>>>>> Dr. Christian Northrop teaches about the female brain, too. Her
>>>>> example is that she and her, then, husband were flying somewhere and
>>>>> she noticed that she was reading "Enriching the Mother/Daughter
>>>>> Relationship" and he was reading "How to get the most out of your Band
>>>>> Saw."
>>>>> To bring art into this, I am sure you are familiar with the
>>>>> book,"Drawing on the Right side of the Brain." Pretty fascinating, if
>>>>> one has time to complicate one's life by experimenting with drawing
>>>>> things upside down.
>>>>> Energetically, if you want to engage both hemispheres, Brain Gym
>>>>> says to "think of an X." And to relax the mind, think of two parallel
>>>>> lines.
>>>>>
>>>>> OK, I'm taking my parallel lines and heading to bed,
>>>>> Patty
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:48 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Patricia, I just finished reading the book "The Female Brain" by
>>>>> Luann Brizendine, and OH, HOw I wish I had this wonderful information
>>>>> a long time ago. Raising my brood of children would have been so much
>>>>> easier if I had known these things about the differences between male
>>>>> and female brains. And, my goodness, I would have been a much better
>>>>> teacher, too. I would have a better understanding of my fellow human
>>>>> beings - but at least I do understand a lot more about it now since
>>>>> reading this book. It was so enlightening to me and I was telling my
>>>>> husband all about it as we would ride along in the truck. One day he
>>>>> said to me, "I guess it is like this conversation we are having right
>>>>> now in this truck." This was his insight as I was rapidly sharing so
>>>>> much information as he sat quietly listening...lol I said, "Yes, now
>>>>> I understand this conversation here in this truck so much better." We
>>>>> laughed.
>>>>>
>>>>> Of course we are both crafters and artists - one feeds into the
>>>>> other. We all begin somewhere - and for me, it begins with my mother
>>>>> taking an afternoon to teach me how to do some embroidery stitches and
>>>>> to creat a picture on a linen tea towel - I was probably 8 years old.
>>>>> Then, it continues on with my precious neighbor taking an hour each
>>>>> morning, one summer, to teach me how to read a pattern and how to sew
>>>>> a blouse, skirt, and then an entire outfit - I was about 10. We learn
>>>>> from those around us, and how lucky we were to have them in our life.
>>>>> What I do today, is an homage to those women in my life so long ago. I
>>>>> celebrate them with every stitch I make in my art these days. And, I
>>>>> say "thank you" to them for giving me the beginnings of who I am
>>>>> today, and who I am becoming with each new day and each new idea I
>>>>> work with.
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400&sr=1-1
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:26 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time
>>>>> to articulate these distinctions.
>>>>> I absolutely agree and have been an artist and crafter
>>>>> simultaneously. I am back to my art and love the discovery of it-but I
>>>>> will admit, my left brain does like rules and instructions-but my Girl
>>>>> Brain is winning! (no put down to Boy Brains, just a family joke).
>>>>>
>>>>> Right on! Right on, Linda!
>>>>> pece out
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I
>>>>> better get back to the studio before I cause a riot, but this should
>>>>> be a good place for a discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line
>>>>> between the two, it is very clear and distinct. And artist or a
>>>>> crafter can take the exact same materials, but the mind that works
>>>>> with them is quite different and the results are quite different. It's
>>>>> really about "ideas" and "concepts" and what we are thinking about as
>>>>> we work, and where we go with the materials in our process of working.
>>>>> In Pittsburgh, PA there is a very fine museum/gallery called the
>>>>> Society of Contemporary Crafts - now, what is done there, and shown
>>>>> there is high art. So there is crafts and there is CRAFT, too. There
>>>>> is the "crafter" and there is the "Craftsman." very distinct
>>>>> differences between them - and as a sculptor you would be very aware
>>>>> of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college
>>>>> (Geneva College, in western PA) where I was free to teach across
>>>>> disciplines, as I have my MFA in painting/printmaking, and my MA in
>>>>> English Literature. Because of this background, I was very marketable
>>>>> for a good position. I was able to create multi-discipline courses -
>>>>> alway a combination of literature and art, as well as studio courses
>>>>> in painting, fiber arts, printmaking, drawing. It was a dream of a
>>>>> job, working in interdisciplinary studies and doing so many projects
>>>>> with profs in other disciplines. I was very active in conferences on
>>>>> interdisciplinary studies. I created an European experience for art
>>>>> and literature students and we lived in Austria every summer and then
>>>>> traveled to other countries. I even had an art exhibition in Austria
>>>>> for my students every summer. They worked so hard in the studio and
>>>>> out on location every day, and at the end of the month they had a
>>>>> show - so much fun. I also did this with Puerto Rico, and students
>>>>> came to PR with me each spring as part of their course in Puerto Rico
>>>>> Culture - which I have continued to visit every March even though I am
>>>>> now retired. It bacame how we spent our spring time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a
>>>>> piece done today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is
>>>>> reading this is still torn I wouldn't be surprised though since there
>>>>> are all sorts of shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went
>>>>> off on a tangent tangling all sorts of events together rather
>>>>> randomly. They started laughing and saying something akin to how do
>>>>> you make it from day to day. And I said you guys are pilots and for
>>>>> you to be a good pilot you know and follow rules. That is what they
>>>>> pay you for. I am an artist and I am paid to break the rules. No one
>>>>> wants to hear from me if it has already been done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new
>>>>> member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group
>>>>> though, I am like you, I just came on to ask a question about
>>>>> something I needed to know and was so glad to meet Ann who helped me
>>>>> with my question. I am furiously working right now (oops, split that
>>>>> infinitive!) getting work done for the opening of a two-person
>>>>> exhibition at a museum - the show is called _Vision and Revision: Two
>>>>> artists with limited sight, not limited vision_ It is my pottery and
>>>>> mixed-media fiber works, and a legally blind painter. It opens one
>>>>> month from today, and if I stop to think about what else has to be
>>>>> done yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on the details. The show will appear at two locations this
>>>>> year and will have a video that plays in the gallery with the art
>>>>> works, Braille labeling, and artist's talks. I will even be teaching
>>>>> in the gallery one afternoon, for the Women in the Arts course at
>>>>> Geneva College. That is where I taught when I was a professor of fine
>>>>> arts and humanities, before I retired. I'll be lecturing on the
>>>>> historical context of my work and where the ideas have come from when
>>>>> creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to
>>>>> speak at a conference at Slippery Rock University of PA for two
>>>>> sessions, the day before we hang our show. So, I have those
>>>>> presentations to be working on every day now, too. I officially
>>>>> retired from teaching 5 1/2 years ago, but I am still very much
>>>>> involved in everything but being in the classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The
>>>>> gap between an artist and a crafter is like crossing the ocean, it is
>>>>> that wide. Some basic things may be similar between the two, but most
>>>>> things are very far apart philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the
>>>>> hands and most have done it all their life.
>>>>> Both love the materials, and the handling of them, and
>>>>> the satisfaction of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with
>>>>> beginning something and knowing where the end will be, the artist
>>>>> begins with no notion of where the end will be or even if it will be.
>>>>> the crafter has a clearly defined path to the finished product. The
>>>>> artist has only some inklings of possible outcomes, but has to find
>>>>> them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between
>>>>> them is that the crafter has 'rules" to follow and seldom will ever
>>>>> deviate from those rules, as they are set in stone in her mind. On the
>>>>> other hand, the mature artist has learned that there are no rules at
>>>>> all. They may begin in the early stages by learning techniques, but
>>>>> eventually with the years of working, the light comes on in her brain
>>>>> when she discovers one day - she is free of all rules when making art.
>>>>> Everything can be challenged, everything can be changed, and
>>>>> everything is fair game, for the artist. Is there any other profession
>>>>> in this world where there are no rules? It's the most exhilerating
>>>>> feeling to know that there are absolutely no rules whatsoever for me.
>>>>> Wow, makes me take a deep breath just to say it. Free, free, free, at
>>>>> last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is
>>>>> where the person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is
>>>>> usually content to learn something then duplicate it endlessly, then
>>>>> moves on to learn something else and does that again with it. The
>>>>> artist can take crafts materials (which is what you and I both do) and
>>>>> techniques, and then take them far beyond because they will combine
>>>>> their techniques and materials with the imagination. If you can teach
>>>>> it, it is usually a craft. If you cannot teach it, it is normally art.
>>>>> Art can begin by learning some techniques, or using craft materials,
>>>>> but then the person begins to ask the "what if" questions, and takes
>>>>> lots of risks, failures, and bends in the road on the way to it
>>>>> becoming a work of art. It is a "mind set" that is never satisfied
>>>>> with just the learning of something new, but one that constantly
>>>>> questions, experiments, and never knows where the "end" will be, or
>>>>> even if it will be. A "crafter" will never understand what I have
>>>>> just said and will most likely be huffing and puffing and angry with
>>>>> it. An "artist" is standing and applauding what I have said. It is
>>>>> that simple, and that complex. The artist thrives on change and
>>>>> making new discoveries and each work leads to other querstions and
>>>>> more change and more new discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types
>>>>> of environments. One will be setting at a craft show with a table
>>>>> full of things that are basically all the same while the other will
>>>>> have work on display in a gallery or museum. Each has decided where
>>>>> they "fit" and each is very happy with where they are. They are
>>>>> different animals, with different ideas, and different end results and
>>>>> outcomes. Each one has decided their own path and each one is
>>>>> comfortable with the decision she has made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from
>>>>> wisconsin who is a fledgling and budding beginner artist. my medium is
>>>>> beadwork. I make pictures and tapestries out of tiny little seed beads
>>>>> sewn together with thread. but most of my work is in making jewlry,
>>>>> but I have always looked upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference
>>>>> between an art and a craft? I do believe that all crafts are forms of
>>>>> art but are all arts considered crafts? Thanks linda and all of you
>>>>> for getting this list going as it is something I?ve always dreamed of
>>>>> seeing in our efforts to bring blind people together who love to both
>>>>> create and appreciate the visual arts.
>>>>>
>>>>> ----------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>>
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
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>>>>> account info for Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>> ------------------------------------------------------------------
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>>>>>
>>>>>
>>>>> --------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
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>>>>>
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>>>>>
>>>>>
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>>>>>
>>>>>
>>>>> _______________________________________________
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>>>>>
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>>>>>
>>>>>
>>>>> ------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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>>>>>
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>>>>> To unsubscribe, change your list options or get your account
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>>>>>
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>>>>> --------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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>>>>>
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>>>>> ----------------------------------------------------------------------------
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>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info for
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>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 4
>>>>> Date: Sat, 8 Feb 2014 14:03:46 -0600
>>>>> From: Laurie Porter <free.spirit1 at live.com>
>>>>> To: <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] Artists-making-art Digest, Vol 16,
>>>>> Issue 5
>>>>> Message-ID: <BLU177-DS22E118870BD6FD8E1EEB3AD960 at phx.gbl>
>>>>> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
>>>>> reply-type=original
>>>>>
>>>>> Linda:
>>>>>
>>>>> thanks so much for this definition of the difference between art and
>>>>> craft.
>>>>> I think I am now truly where I belong, and given this explanation, I
>>>>> know
>>>>> now why I have never been satisfied with just finishing a crafting
>>>>> project.
>>>>> I've always found it to be decidedly limiting in imagination,
>>>>> creativity and
>>>>> origionality. .
>>>>>
>>>>> I have been so impressed with the messages I've read on this list so
>>>>> far.
>>>>> It sounds like there is some wonderful energy on this listand am
>>>>> looking
>>>>> forward read ing more.
>>>>>
>>>>>
>>>>> -----Original Message-----
>>>>> From: artists-making-art-request at nfbnet.org
>>>>> Sent: Saturday, February 08, 2014 6:00 AM
>>>>> To: artists-making-art at nfbnet.org
>>>>> Subject: Artists-making-art Digest, Vol 16, Issue 5
>>>>>
>>>>> Send Artists-making-art mailing list submissions to
>>>>> artists-making-art at nfbnet.org
>>>>>
>>>>> To subscribe or unsubscribe via the World Wide Web, visit
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> or, via email, send a message with subject or body 'help' to
>>>>> artists-making-art-request at nfbnet.org
>>>>>
>>>>> You can reach the person managing the list at
>>>>> artists-making-art-owner at nfbnet.org
>>>>>
>>>>> When replying, please edit your Subject line so it is more specific
>>>>> than "Re: Contents of Artists-making-art digest..."
>>>>>
>>>>>
>>>>> Today's Topics:
>>>>>
>>>>> 1. Re: arts or crafts new member (Lynda Lambert)
>>>>> 2. Re: arts or crafts new member (Ann at acunningham.com)
>>>>> 3. Re: arts or crafts new member (Jewel)
>>>>> 4. Re: arts or crafts new member (Lynda Lambert)
>>>>> 5. Re: arts or crafts new member (Lynda Lambert)
>>>>> 6. Re: arts or crafts new member (Patricia C. Estes)
>>>>> 7. Re: arts or crafts new member (Lynda Lambert)
>>>>> 8. Re: arts or crafts new member (Patricia C. Estes)
>>>>>
>>>>>
>>>>> ----------------------------------------------------------------------
>>>>>
>>>>> Message: 1
>>>>> Date: Fri, 7 Feb 2014 08:03:18 -0500
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <6FA5C73038C44B4D9FE3E40F647EF6C7 at Lambert>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group though, I am like
>>>>> you,
>>>>> I just came on to ask a question about something I needed to know and
>>>>> was so
>>>>> glad to meet Ann who helped me with my question. I am furiously
>>>>> working
>>>>> right now (oops, split that infinitive!) getting work done for the
>>>>> opening
>>>>> of a two-person exhibition at a museum - the show is called _Vision
>>>>> and
>>>>> Revision: Two artists with limited sight, not limited vision_ It is
>>>>> my
>>>>> pottery and mixed-media fiber works, and a legally blind painter. It
>>>>> opens
>>>>> one month from today, and if I stop to think about what else has to be
>>>>> done
>>>>> yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on
>>>>> the details. The show will appear at two locations this year and will
>>>>> have a
>>>>> video that plays in the gallery with the art works, Braille labeling,
>>>>> and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for
>>>>> the Women in the Arts course at Geneva College. That is where I taught
>>>>> when
>>>>> I was a professor of fine arts and humanities, before I retired. I'll
>>>>> be
>>>>> lecturing on the historical context of my work and where the ideas
>>>>> have come
>>>>> from when creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>> conference
>>>>> at Slippery Rock University of PA for two sessions, the day before we
>>>>> hang
>>>>> our show. So, I have those presentations to be working on every day
>>>>> now,
>>>>> too. I officially retired from teaching 5 1/2 years ago, but I am
>>>>> still
>>>>> very much involved in everything but being in the classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap between an
>>>>> artist and a crafter is like crossing the ocean, it is that wide. Some
>>>>> basic
>>>>> things may be similar between the two, but most things are very far
>>>>> apart
>>>>> philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the hands and
>>>>> most have
>>>>> done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of
>>>>> the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning something
>>>>> and
>>>>> knowing where the end will be, the artist begins with no notion of
>>>>> where the
>>>>> end will be or even if it will be. the crafter has a clearly defined
>>>>> path
>>>>> to the finished product. The artist has only some inklings of possible
>>>>> outcomes, but has to find them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between them is that
>>>>> the
>>>>> crafter has 'rules" to follow and seldom will ever deviate from those
>>>>> rules,
>>>>> as they are set in stone in her mind. On the other hand, the mature
>>>>> artist
>>>>> has learned that there are no rules at all. They may begin in the
>>>>> early
>>>>> stages by learning techniques, but eventually with the years of
>>>>> working, the
>>>>> light comes on in her brain when she discovers one day - she is free
>>>>> of all
>>>>> rules when making art. Everything can be challenged, everything can be
>>>>> changed, and everything is fair game, for the artist. Is there any
>>>>> other
>>>>> profession in this world where there are no rules? It's the most
>>>>> exhilerating feeling to know that there are absolutely no rules
>>>>> whatsoever
>>>>> for me. Wow, makes me take a deep breath just to say it. Free, free,
>>>>> free,
>>>>> at last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is where the
>>>>> person
>>>>> eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is usually
>>>>> content to
>>>>> learn something then duplicate it endlessly, then moves on to learn
>>>>> something else and does that again with it. The artist can take crafts
>>>>> materials (which is what you and I both do) and techniques, and then
>>>>> take
>>>>> them far beyond because they will combine their techniques and
>>>>> materials
>>>>> with the imagination. If you can teach it, it is usually a craft. If
>>>>> you
>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>> techniques, or using craft materials, but then the person begins to
>>>>> ask the
>>>>> "what if" questions, and takes lots of risks, failures, and bends in
>>>>> the
>>>>> road on the way to it becoming a work of art. It is a "mind set" that
>>>>> is
>>>>> never satisfied with just the learning of something new, but one that
>>>>> constantly questions, experiments, and never knows where the "end"
>>>>> will be,
>>>>> or even if it will be. A "crafter" will never understand what I have
>>>>> just
>>>>> said and will most likely be huffing and puffing and angry with it.
>>>>> An
>>>>> "artist" is standing and applauding what I have said. It is that
>>>>> simple, and
>>>>> that complex. The artist thrives on change and making new discoveries
>>>>> and
>>>>> each work leads to other querstions and more change and more new
>>>>> discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments.
>>>>> One will be setting at a craft show with a table full of things that
>>>>> are
>>>>> basically all the same while the other will have work on display in a
>>>>> gallery or museum. Each has decided where they "fit" and each is very
>>>>> happy
>>>>> with where they are. They are different animals, with different ideas,
>>>>> and
>>>>> different end results and outcomes. Each one has decided their own
>>>>> path and
>>>>> each one is comfortable with the decision she has made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from wisconsin who
>>>>> is a
>>>>> fledgling and budding beginner artist. my medium is beadwork. I make
>>>>> pictures and tapestries out of tiny little seed beads sewn together
>>>>> with
>>>>> thread. but most of my work is in making jewlry, but I have always
>>>>> looked
>>>>> upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference between an art
>>>>> and a
>>>>> craft? I do believe that all crafts are forms of art but are all arts
>>>>> considered crafts? Thanks linda and all of you for getting this list
>>>>> going
>>>>> as it is something I?ve always dreamed of seeing in our efforts to
>>>>> bring
>>>>> blind people together who love to both create and appreciate the
>>>>> visual
>>>>> arts.
>>>>>
>>>>>
>>>>> ------------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>> -------------- next part --------------
>>>>> An HTML attachment was scrubbed...
>>>>> URL:
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>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 2
>>>>> Date: Fri, 07 Feb 2014 07:08:33 -0700
>>>>> From: <Ann at acunningham.com>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID:
>>>>> <20140207070833.c623b2ae39646abf92d04cdf9b47d475.1411573672.wbe at email06.secureserver.net>
>>>>>
>>>>> Content-Type: text/plain; charset="us-ascii"
>>>>>
>>>>> An HTML attachment was scrubbed...
>>>>> URL:
>>>>> <http://nfbnet.org/pipermail/artists-making-art_nfbnet.org/attachments/20140207/8ed00789/attachment-0001.html>
>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 3
>>>>> Date: Fri, 7 Feb 2014 11:23:35 -0500
>>>>> From: Jewel <herekittykat2 at gmail.com>
>>>>> To: An exploration of art by and for blind persons
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID:
>>>>> <CABORmNtm3Wu6C=MnMC68NHdt1eSgDN2T1hyq7dvCWkbROEPn8A at mail.gmail.com>
>>>>> Content-Type: text/plain; charset=ISO-8859-1
>>>>>
>>>>> I absolutely loved this explanation of arts versus crafts. I was also
>>>>> wondering the difference, so this really makes it clear to me. I do
>>>>> polymer clay. While I start with an expectation that it will be some
>>>>> sort of elephant or a horse or whatever, who knows what twists and
>>>>> turns will happen along the way. By the way, I'm currently working on
>>>>> a Harry Potter style house elf holding a tray that can hold business
>>>>> ccards. The house elf is done, but the tray still needs to be
>>>>> finished.
>>>>> Jewel
>>>>>
>>>>> On 2/7/14, Ann at acunningham.com <Ann at acunningham.com> wrote:
>>>>>> Lynda, Nice answer to craft and art. If someone who is reading this
>>>>>> is
>>>>>> still
>>>>>> torn I wouldn't be surprised though since there are all sorts of
>>>>>> shades in
>>>>>> the continuum.
>>>>>>
>>>>>> I was talking to my daughter and a friend one day. I went off on a
>>>>>> tangent
>>>>>> tangling all sorts of events together rather randomly. They started
>>>>>> laughing
>>>>>> and saying something akin to how do you make it from day to day. And
>>>>>> I
>>>>>> said
>>>>>> you guys are pilots and for you to be a good pilot you know and
>>>>>> follow
>>>>>> rules. That is what they pay you for. I am an artist and I am paid to
>>>>>> break
>>>>>> the rules. No one wants to hear from me if it has already been done.
>>>>>>
>>>>>> What did you teach before you retired? Ann
>>>>>>
>>>>>> Ann Cunningham
>>>>>> Tactile Art - a creative way to see the world!
>>>>>> 303 238 4760
>>>>>> ann at acunningham.com
>>>>>> http://www.acunningham.com
>>>>>> http://www.sensationalbooks.com
>>>>>>
>>>>>>
>>>>>>> -------- Original Message --------
>>>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>>>> To: "An exploration of art by and for blind persons"
>>>>>>> <artists-making-art at nfbnet.org>
>>>>>>>
>>>>>>>
>>>>>>> Hi Laurie,
>>>>>>> So nice to see you here. I did not start this group though, I am
>>>>>>> like
>>>>>>> you, I just came on to ask a question about something I needed to
>>>>>>> know
>>>>>>> and
>>>>>>> was so glad to meet Ann who helped me with my question. I am
>>>>>>> furiously
>>>>>>> working right now (oops, split that infinitive!) getting work done
>>>>>>> for
>>>>>>> the
>>>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>>>> _Vision and Revision: Two artists with limited sight, not limited
>>>>>>> vision_ It is my pottery and mixed-media fiber works, and a legally
>>>>>>> blind
>>>>>>> painter. It opens one month from today, and if I stop to think about
>>>>>>> what
>>>>>>> else has to be done yet, I'll get nervous. So, I won't do that, but
>>>>>>> just
>>>>>>> will keep on working on the details. The show will appear at two
>>>>>>> locations
>>>>>>> this year and will have a video that plays in the gallery with the
>>>>>>> art
>>>>>>> works, Braille labeling, and artist's talks. I will even be teaching
>>>>>>> in
>>>>>>> the gallery one afternoon, for the Women in the Arts course at
>>>>>>> Geneva
>>>>>>> College. That is where I taught when I was a professor of fine arts
>>>>>>> and
>>>>>>> humanities, before I retired. I'll be lecturing on the historical
>>>>>>> context
>>>>>>> of my work and where the ideas have come from when creating it.
>>>>>>>
>>>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>>>> conference at Slippery Rock University of PA for two sessions, the
>>>>>>> day
>>>>>>> before we hang our show. So, I have those presentations to be
>>>>>>> working on
>>>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>>>> ago,
>>>>>>> but I am still very much involved in everything but being in the
>>>>>>> classroom.
>>>>>>>
>>>>>>> Here is my response to the question you have asked. The gap between
>>>>>>> an
>>>>>>> artist and a crafter is like crossing the ocean, it is that wide.
>>>>>>> Some
>>>>>>> basic things may be similar between the two, but most things are
>>>>>>> very far
>>>>>>> apart philisophically.
>>>>>>>
>>>>>>> Both work with the hands, and both love working with the hands and
>>>>>>> most
>>>>>>> have done it all their life.
>>>>>>> Both love the materials, and the handling of them, and the
>>>>>>> satisfaction
>>>>>>> of
>>>>>>> the finished product that comes out of it.
>>>>>>>
>>>>>>> While the crafter will usually be satisfied with beginning something
>>>>>>> and
>>>>>>> knowing where the end will be, the artist begins with no notion of
>>>>>>> where
>>>>>>> the end will be or even if it will be. the crafter has a clearly
>>>>>>> defined
>>>>>>> path to the finished product. The artist has only some inklings of
>>>>>>> possible outcomes, but has to find them as she works.
>>>>>>>
>>>>>>> The other very big thing I see as a difference between them is that
>>>>>>> the
>>>>>>> crafter has 'rules" to follow and seldom will ever deviate from
>>>>>>> those
>>>>>>> rules, as they are set in stone in her mind. On the other hand, the
>>>>>>> mature
>>>>>>> artist has learned that there are no rules at all. They may begin
>>>>>>> in the
>>>>>>> early stages by learning techniques, but eventually with the years
>>>>>>> of
>>>>>>> working, the light comes on in her brain when she discovers one day
>>>>>>> - she is free of all rules when making art. Everything can be
>>>>>>> challenged,
>>>>>>> everything can be changed, and everything is fair game, for the
>>>>>>> artist.
>>>>>>> Is
>>>>>>> there any other profession in this world where there are no rules?
>>>>>>> It's
>>>>>>> the most exhilerating feeling to know that there are absolutely no
>>>>>>> rules
>>>>>>> whatsoever for me. Wow, makes me take a deep breath just to say it.
>>>>>>> Free,
>>>>>>> free, free, at last!
>>>>>>>
>>>>>>> Laurie, the biggest difference between art and a craft is where the
>>>>>>> person
>>>>>>> eventually takes the techniques, I think.
>>>>>>>
>>>>>>> A crafter seldom takes things to a different level but is usually
>>>>>>> content
>>>>>>> to learn something then duplicate it endlessly, then moves on to
>>>>>>> learn
>>>>>>> something else and does that again with it. The artist can take
>>>>>>> crafts
>>>>>>> materials (which is what you and I both do) and techniques, and then
>>>>>>> take
>>>>>>> them far beyond because they will combine their techniques and
>>>>>>> materials
>>>>>>> with the imagination. If you can teach it, it is usually a craft.
>>>>>>> If you
>>>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>>>> techniques, or using craft materials, but then the person begins to
>>>>>>> ask
>>>>>>> the "what if" questions, and takes lots of risks, failures, and
>>>>>>> bends in
>>>>>>> the road on the way to it becoming a work of art. It is a "mind set"
>>>>>>> that
>>>>>>> is never satisfied with just the learning of something new, but one
>>>>>>> that
>>>>>>> constantly questions, experiments, and never knows where the "end"
>>>>>>> will
>>>>>>> be, or even if it will be. A "crafter" will never understand what I
>>>>>>> have
>>>>>>> just said and will most likely be huffing and puffing and angry with
>>>>>>> it.
>>>>>>> An "artist" is standing and applauding what I have said. It is that
>>>>>>> simple, and that complex. The artist thrives on change and making
>>>>>>> new
>>>>>>> discoveries and each work leads to other querstions and more change
>>>>>>> and
>>>>>>> more new discoveries.
>>>>>>>
>>>>>>> One can see the difference when you look at work in types of
>>>>>>> environments. One will be setting at a craft show with a table full
>>>>>>> of
>>>>>>> things that are basically all the same while the other will have
>>>>>>> work on
>>>>>>> display in a gallery or museum. Each has decided where they "fit"
>>>>>>> and
>>>>>>> each is very happy with where they are. They are different animals,
>>>>>>> with
>>>>>>> different ideas, and different end results and outcomes. Each one
>>>>>>> has
>>>>>>> decided their own path and each one is comfortable with the decision
>>>>>>> she
>>>>>>> has made.
>>>>>>>
>>>>>>> Lynda
>>>>>>>
>>>>>>> Lynda
>>>>>>>
>>>>>>>
>>>>>>>>
>>>>>>>> ----- Original Message -----
>>>>>>>> From: Laurie Porter
>>>>>>>> To: Artists-making-art at nfbnet.org
>>>>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>>>>
>>>>>>>> Hi Folks:
>>>>>>>>
>>>>>>>> I'd like to introduce myself. I'm a blind person from wisconsin who
>>>>>>>> is a
>>>>>>>> fledgling and budding beginner artist. my medium is beadwork. I
>>>>>>>> make
>>>>>>>> pictures and tapestries out of tiny little seed beads sewn
>>>>>>>> together
>>>>>>>> with
>>>>>>>> thread. but most of my work is in making jewlry, but I have always
>>>>>>>> looked
>>>>>>>> upon my beadwork as an art form.
>>>>>>>>
>>>>>>>> so, I have a basic question. What is the difference between an art
>>>>>>>> and a
>>>>>>>> craft? I do believe that all crafts are forms of art but are all
>>>>>>>> arts
>>>>>>>> considered crafts? Thanks linda and all of you for getting this
>>>>>>>> list
>>>>>>>> going as it is something I've always dreamed of seeing in our
>>>>>>>> efforts to
>>>>>>>> bring blind people together who love to both create and appreciate
>>>>>>>> the
>>>>>>>> visual arts.
>>>>>>>> ________________________________
>>>>>>>> _______________________________________________
>>>>>>>> Artists-making-art mailing list
>>>>>>>> Artists-making-art at nfbnet.org
>>>>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>>>>> To unsubscribe, change your list options or get your account info
>>>>>>>> for
>>>>>>>> Artists-making-art:
>>>>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>>>
>>>>>>> ________________________________
>>>>>>> _______________________________________________
>>>>>>> Artists-making-art mailing list
>>>>>>> Artists-making-art at nfbnet.org
>>>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>>>> To unsubscribe, change your list options or get your account info
>>>>>>> for
>>>>>>> Artists-making-art:
>>>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/ann%40acunningham.com
>>>>>
>>>>>
>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 4
>>>>> Date: Fri, 7 Feb 2014 11:44:39 -0500
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <00EE5DF7276148B7B8D3EE072C8258A0 at Lambert>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I better get
>>>>> back to
>>>>> the studio before I cause a riot, but this should be a good place for
>>>>> a
>>>>> discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line between
>>>>> the
>>>>> two, it is very clear and distinct. And artist or a crafter can take
>>>>> the
>>>>> exact same materials, but the mind that works with them is quite
>>>>> different
>>>>> and the results are quite different. It's really about "ideas" and
>>>>> "concepts" and what we are thinking about as we work, and where we go
>>>>> with
>>>>> the materials in our process of working. In Pittsburgh, PA there is a
>>>>> very
>>>>> fine museum/gallery called the Society of Contemporary Crafts - now,
>>>>> what is
>>>>> done there, and shown there is high art. So there is crafts and there
>>>>> is
>>>>> CRAFT, too. There is the "crafter" and there is the "Craftsman."
>>>>> very
>>>>> distinct differences between them - and as a sculptor you would be
>>>>> very
>>>>> aware of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College, in
>>>>> western PA) where I was free to teach across disciplines, as I have
>>>>> my MFA
>>>>> in painting/printmaking, and my MA in English Literature. Because of
>>>>> this
>>>>> background, I was very marketable for a good position. I was able to
>>>>> create
>>>>> multi-discipline courses - alway a combination of literature and art,
>>>>> as
>>>>> well as studio courses in painting, fiber arts, printmaking, drawing.
>>>>> It was
>>>>> a dream of a job, working in interdisciplinary studies and doing so
>>>>> many
>>>>> projects with profs in other disciplines. I was very active in
>>>>> conferences
>>>>> on interdisciplinary studies. I created an European experience for
>>>>> art and
>>>>> literature students and we lived in Austria every summer and then
>>>>> traveled
>>>>> to other countries. I even had an art exhibition in Austria for my
>>>>> students
>>>>> every summer. They worked so hard in the studio and out on location
>>>>> every
>>>>> day, and at the end of the month they had a show - so much fun. I
>>>>> also did
>>>>> this with Puerto Rico, and students came to PR with me each spring as
>>>>> part
>>>>> of their course in Puerto Rico Culture - which I have continued to
>>>>> visit
>>>>> every March even though I am now retired. It bacame how we spent our
>>>>> spring
>>>>> time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a piece
>>>>> done
>>>>> today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is reading this
>>>>> is
>>>>> still torn I wouldn't be surprised though since there are all sorts of
>>>>> shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off on a
>>>>> tangent
>>>>> tangling all sorts of events together rather randomly. They started
>>>>> laughing
>>>>> and saying something akin to how do you make it from day to day. And I
>>>>> said
>>>>> you guys are pilots and for you to be a good pilot you know and follow
>>>>> rules. That is what they pay you for. I am an artist and I am paid to
>>>>> break
>>>>> the rules. No one wants to hear from me if it has already been done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group though, I am
>>>>> like
>>>>> you, I just came on to ask a question about something I needed to know
>>>>> and
>>>>> was so glad to meet Ann who helped me with my question. I am
>>>>> furiously
>>>>> working right now (oops, split that infinitive!) getting work done for
>>>>> the
>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>> _Vision
>>>>> and Revision: Two artists with limited sight, not limited vision_ It
>>>>> is my
>>>>> pottery and mixed-media fiber works, and a legally blind painter. It
>>>>> opens
>>>>> one month from today, and if I stop to think about what else has to be
>>>>> done
>>>>> yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on
>>>>> the details. The show will appear at two locations this year and will
>>>>> have a
>>>>> video that plays in the gallery with the art works, Braille labeling,
>>>>> and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for
>>>>> the Women in the Arts course at Geneva College. That is where I taught
>>>>> when
>>>>> I was a professor of fine arts and humanities, before I retired. I'll
>>>>> be
>>>>> lecturing on the historical context of my work and where the ideas
>>>>> have come
>>>>> from when creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>> conference at Slippery Rock University of PA for two sessions, the day
>>>>> before we hang our show. So, I have those presentations to be working
>>>>> on
>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>> ago, but
>>>>> I am still very much involved in everything but being in the
>>>>> classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap between
>>>>> an
>>>>> artist and a crafter is like crossing the ocean, it is that wide. Some
>>>>> basic
>>>>> things may be similar between the two, but most things are very far
>>>>> apart
>>>>> philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the hands and
>>>>> most
>>>>> have done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction
>>>>> of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning
>>>>> something and
>>>>> knowing where the end will be, the artist begins with no notion of
>>>>> where the
>>>>> end will be or even if it will be. the crafter has a clearly defined
>>>>> path
>>>>> to the finished product. The artist has only some inklings of possible
>>>>> outcomes, but has to find them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between them is that
>>>>> the
>>>>> crafter has 'rules" to follow and seldom will ever deviate from those
>>>>> rules,
>>>>> as they are set in stone in her mind. On the other hand, the mature
>>>>> artist
>>>>> has learned that there are no rules at all. They may begin in the
>>>>> early
>>>>> stages by learning techniques, but eventually with the years of
>>>>> working, the
>>>>> light comes on in her brain when she discovers one day - she is free
>>>>> of all
>>>>> rules when making art. Everything can be challenged, everything can be
>>>>> changed, and everything is fair game, for the artist. Is there any
>>>>> other
>>>>> profession in this world where there are no rules? It's the most
>>>>> exhilerating feeling to know that there are absolutely no rules
>>>>> whatsoever
>>>>> for me. Wow, makes me take a deep breath just to say it. Free, free,
>>>>> free,
>>>>> at last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is where the
>>>>> person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is usually
>>>>> content to learn something then duplicate it endlessly, then moves on
>>>>> to
>>>>> learn something else and does that again with it. The artist can take
>>>>> crafts
>>>>> materials (which is what you and I both do) and techniques, and then
>>>>> take
>>>>> them far beyond because they will combine their techniques and
>>>>> materials
>>>>> with the imagination. If you can teach it, it is usually a craft. If
>>>>> you
>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>> techniques, or using craft materials, but then the person begins to
>>>>> ask the
>>>>> "what if" questions, and takes lots of risks, failures, and bends in
>>>>> the
>>>>> road on the way to it becoming a work of art. It is a "mind set" that
>>>>> is
>>>>> never satisfied with just the learning of something new, but one that
>>>>> constantly questions, experiments, and never knows where the "end"
>>>>> will be,
>>>>> or even if it will be. A "crafter" will never understand what I have
>>>>> just
>>>>> said and will most likely be huffing and puffing and angry with it.
>>>>> An
>>>>> "artist" is standing and applauding what I have said. It is that
>>>>> simple, and
>>>>> that complex. The artist thrives on change and making new discoveries
>>>>> and
>>>>> each work leads to other querstions and more change and more new
>>>>> discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments. One will be setting at a craft show with a table full
>>>>> of
>>>>> things that are basically all the same while the other will have work
>>>>> on
>>>>> display in a gallery or museum. Each has decided where they "fit" and
>>>>> each
>>>>> is very happy with where they are. They are different animals, with
>>>>> different ideas, and different end results and outcomes. Each one has
>>>>> decided their own path and each one is comfortable with the decision
>>>>> she has
>>>>> made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from wisconsin
>>>>> who is
>>>>> a fledgling and budding beginner artist. my medium is beadwork. I make
>>>>> pictures and tapestries out of tiny little seed beads sewn together
>>>>> with
>>>>> thread. but most of my work is in making jewlry, but I have always
>>>>> looked
>>>>> upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference between an
>>>>> art and
>>>>> a craft? I do believe that all crafts are forms of art but are all
>>>>> arts
>>>>> considered crafts? Thanks linda and all of you for getting this list
>>>>> going
>>>>> as it is something I?ve always dreamed of seeing in our efforts to
>>>>> bring
>>>>> blind people together who love to both create and appreciate the
>>>>> visual
>>>>> arts.
>>>>>
>>>>> --------------------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>> ----------------------------------------------------------------------------
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/ann%40acunningham.com
>>>>>
>>>>>
>>>>> ------------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>> -------------- next part --------------
>>>>> An HTML attachment was scrubbed...
>>>>> URL:
>>>>> <http://nfbnet.org/pipermail/artists-making-art_nfbnet.org/attachments/20140207/4e3190f0/attachment-0001.html>
>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 5
>>>>> Date: Fri, 7 Feb 2014 11:47:54 -0500
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <687BD2626016484AB96E97E715BA11BD at Lambert>
>>>>> Content-Type: text/plain; format=flowed; charset="iso-8859-1";
>>>>> reply-type=original
>>>>>
>>>>> Yes, Jewell, the material does not matter - we can go any way we want
>>>>> to
>>>>> with it. It is the ideas we work with that determine what will happen
>>>>> along
>>>>> the way, plus allowing the medium to lead us - finding that "life of
>>>>> it's
>>>>> own" that is there for us - a surprise or two along the way. Your
>>>>> project
>>>>> sounds wonderful. Lynda
>>>>> ----- Original Message -----
>>>>> From: "Jewel" <herekittykat2 at gmail.com>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Sent: Friday, February 07, 2014 11:23 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>>>I absolutely loved this explanation of arts versus crafts. I was also
>>>>>> wondering the difference, so this really makes it clear to me. I do
>>>>>> polymer clay. While I start with an expectation that it will be some
>>>>>> sort of elephant or a horse or whatever, who knows what twists and
>>>>>> turns will happen along the way. By the way, I'm currently working on
>>>>>> a Harry Potter style house elf holding a tray that can hold business
>>>>>> ccards. The house elf is done, but the tray still needs to be
>>>>>> finished.
>>>>>> Jewel
>>>>>>
>>>>>> On 2/7/14, Ann at acunningham.com <Ann at acunningham.com> wrote:
>>>>>>> Lynda, Nice answer to craft and art. If someone who is reading this
>>>>>>> is
>>>>>>> still
>>>>>>> torn I wouldn't be surprised though since there are all sorts of
>>>>>>> shades
>>>>>>> in
>>>>>>> the continuum.
>>>>>>>
>>>>>>> I was talking to my daughter and a friend one day. I went off on a
>>>>>>> tangent
>>>>>>> tangling all sorts of events together rather randomly. They started
>>>>>>> laughing
>>>>>>> and saying something akin to how do you make it from day to day. And
>>>>>>> I
>>>>>>> said
>>>>>>> you guys are pilots and for you to be a good pilot you know and
>>>>>>> follow
>>>>>>> rules. That is what they pay you for. I am an artist and I am paid
>>>>>>> to
>>>>>>> break
>>>>>>> the rules. No one wants to hear from me if it has already been done.
>>>>>>>
>>>>>>> What did you teach before you retired? Ann
>>>>>>>
>>>>>>> Ann Cunningham
>>>>>>> Tactile Art - a creative way to see the world!
>>>>>>> 303 238 4760
>>>>>>> ann at acunningham.com
>>>>>>> http://www.acunningham.com
>>>>>>> http://www.sensationalbooks.com
>>>>>>>
>>>>>>>
>>>>>>>> -------- Original Message --------
>>>>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>>>>> To: "An exploration of art by and for blind persons"
>>>>>>>> <artists-making-art at nfbnet.org>
>>>>>>>>
>>>>>>>>
>>>>>>>> Hi Laurie,
>>>>>>>> So nice to see you here. I did not start this group though, I am
>>>>>>>> like
>>>>>>>> you, I just came on to ask a question about something I needed to
>>>>>>>> know
>>>>>>>> and
>>>>>>>> was so glad to meet Ann who helped me with my question. I am
>>>>>>>> furiously
>>>>>>>> working right now (oops, split that infinitive!) getting work done
>>>>>>>> for
>>>>>>>> the
>>>>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>>>>> _Vision and Revision: Two artists with limited sight, not limited
>>>>>>>> vision_ It is my pottery and mixed-media fiber works, and a
>>>>>>>> legally
>>>>>>>> blind
>>>>>>>> painter. It opens one month from today, and if I stop to think
>>>>>>>> about
>>>>>>>> what
>>>>>>>> else has to be done yet, I'll get nervous. So, I won't do that, but
>>>>>>>> just
>>>>>>>> will keep on working on the details. The show will appear at two
>>>>>>>> locations
>>>>>>>> this year and will have a video that plays in the gallery with the
>>>>>>>> art
>>>>>>>> works, Braille labeling, and artist's talks. I will even be
>>>>>>>> teaching in
>>>>>>>> the gallery one afternoon, for the Women in the Arts course at
>>>>>>>> Geneva
>>>>>>>> College. That is where I taught when I was a professor of fine arts
>>>>>>>> and
>>>>>>>> humanities, before I retired. I'll be lecturing on the historical
>>>>>>>> context
>>>>>>>> of my work and where the ideas have come from when creating it.
>>>>>>>>
>>>>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>>>>> conference at Slippery Rock University of PA for two sessions, the
>>>>>>>> day
>>>>>>>> before we hang our show. So, I have those presentations to be
>>>>>>>> working on
>>>>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>>>>> ago,
>>>>>>>> but I am still very much involved in everything but being in the
>>>>>>>> classroom.
>>>>>>>>
>>>>>>>> Here is my response to the question you have asked. The gap between
>>>>>>>> an
>>>>>>>> artist and a crafter is like crossing the ocean, it is that wide.
>>>>>>>> Some
>>>>>>>> basic things may be similar between the two, but most things are
>>>>>>>> very
>>>>>>>> far
>>>>>>>> apart philisophically.
>>>>>>>>
>>>>>>>> Both work with the hands, and both love working with the hands and
>>>>>>>> most
>>>>>>>> have done it all their life.
>>>>>>>> Both love the materials, and the handling of them, and the
>>>>>>>> satisfaction
>>>>>>>> of
>>>>>>>> the finished product that comes out of it.
>>>>>>>>
>>>>>>>> While the crafter will usually be satisfied with beginning
>>>>>>>> something and
>>>>>>>> knowing where the end will be, the artist begins with no notion of
>>>>>>>> where
>>>>>>>> the end will be or even if it will be. the crafter has a clearly
>>>>>>>> defined
>>>>>>>> path to the finished product. The artist has only some inklings of
>>>>>>>> possible outcomes, but has to find them as she works.
>>>>>>>>
>>>>>>>> The other very big thing I see as a difference between them is that
>>>>>>>> the
>>>>>>>> crafter has 'rules" to follow and seldom will ever deviate from
>>>>>>>> those
>>>>>>>> rules, as they are set in stone in her mind. On the other hand, the
>>>>>>>> mature
>>>>>>>> artist has learned that there are no rules at all. They may begin
>>>>>>>> in
>>>>>>>> the
>>>>>>>> early stages by learning techniques, but eventually with the years
>>>>>>>> of
>>>>>>>> working, the light comes on in her brain when she discovers one day
>>>>>>>> - she is free of all rules when making art. Everything can be
>>>>>>>> challenged,
>>>>>>>> everything can be changed, and everything is fair game, for the
>>>>>>>> artist.
>>>>>>>> Is
>>>>>>>> there any other profession in this world where there are no rules?
>>>>>>>> It's
>>>>>>>> the most exhilerating feeling to know that there are absolutely no
>>>>>>>> rules
>>>>>>>> whatsoever for me. Wow, makes me take a deep breath just to say it.
>>>>>>>> Free,
>>>>>>>> free, free, at last!
>>>>>>>>
>>>>>>>> Laurie, the biggest difference between art and a craft is where the
>>>>>>>> person
>>>>>>>> eventually takes the techniques, I think.
>>>>>>>>
>>>>>>>> A crafter seldom takes things to a different level but is usually
>>>>>>>> content
>>>>>>>> to learn something then duplicate it endlessly, then moves on to
>>>>>>>> learn
>>>>>>>> something else and does that again with it. The artist can take
>>>>>>>> crafts
>>>>>>>> materials (which is what you and I both do) and techniques, and
>>>>>>>> then
>>>>>>>> take
>>>>>>>> them far beyond because they will combine their techniques and
>>>>>>>> materials
>>>>>>>> with the imagination. If you can teach it, it is usually a craft.
>>>>>>>> If
>>>>>>>> you
>>>>>>>> cannot teach it, it is normally art. Art can begin by learning
>>>>>>>> some
>>>>>>>> techniques, or using craft materials, but then the person begins to
>>>>>>>> ask
>>>>>>>> the "what if" questions, and takes lots of risks, failures, and
>>>>>>>> bends in
>>>>>>>> the road on the way to it becoming a work of art. It is a "mind
>>>>>>>> set"
>>>>>>>> that
>>>>>>>> is never satisfied with just the learning of something new, but one
>>>>>>>> that
>>>>>>>> constantly questions, experiments, and never knows where the "end"
>>>>>>>> will
>>>>>>>> be, or even if it will be. A "crafter" will never understand what
>>>>>>>> I
>>>>>>>> have
>>>>>>>> just said and will most likely be huffing and puffing and angry
>>>>>>>> with it.
>>>>>>>> An "artist" is standing and applauding what I have said. It is
>>>>>>>> that
>>>>>>>> simple, and that complex. The artist thrives on change and making
>>>>>>>> new
>>>>>>>> discoveries and each work leads to other querstions and more change
>>>>>>>> and
>>>>>>>> more new discoveries.
>>>>>>>>
>>>>>>>> One can see the difference when you look at work in types of
>>>>>>>> environments. One will be setting at a craft show with a table
>>>>>>>> full of
>>>>>>>> things that are basically all the same while the other will have
>>>>>>>> work
>>>>>>>> on
>>>>>>>> display in a gallery or museum. Each has decided where they "fit"
>>>>>>>> and
>>>>>>>> each is very happy with where they are. They are different animals,
>>>>>>>> with
>>>>>>>> different ideas, and different end results and outcomes. Each one
>>>>>>>> has
>>>>>>>> decided their own path and each one is comfortable with the
>>>>>>>> decision she
>>>>>>>> has made.
>>>>>>>>
>>>>>>>> Lynda
>>>>>>>>
>>>>>>>> Lynda
>>>>>>>>
>>>>>>>>
>>>>>>>>>
>>>>>>>>> ----- Original Message -----
>>>>>>>>> From: Laurie Porter
>>>>>>>>> To: Artists-making-art at nfbnet.org
>>>>>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>>>>>
>>>>>>>>> Hi Folks:
>>>>>>>>>
>>>>>>>>> I'd like to introduce myself. I'm a blind person from wisconsin
>>>>>>>>> who is
>>>>>>>>> a
>>>>>>>>> fledgling and budding beginner artist. my medium is beadwork. I
>>>>>>>>> make
>>>>>>>>> pictures and tapestries out of tiny little seed beads sewn
>>>>>>>>> together
>>>>>>>>> with
>>>>>>>>> thread. but most of my work is in making jewlry, but I have always
>>>>>>>>> looked
>>>>>>>>> upon my beadwork as an art form.
>>>>>>>>>
>>>>>>>>> so, I have a basic question. What is the difference between an art
>>>>>>>>> and
>>>>>>>>> a
>>>>>>>>> craft? I do believe that all crafts are forms of art but are all
>>>>>>>>> arts
>>>>>>>>> considered crafts? Thanks linda and all of you for getting this
>>>>>>>>> list
>>>>>>>>> going as it is something I've always dreamed of seeing in our
>>>>>>>>> efforts
>>>>>>>>> to
>>>>>>>>> bring blind people together who love to both create and appreciate
>>>>>>>>> the
>>>>>>>>> visual arts.
>>>>>>>>> ________________________________
>>>>>>>>> _______________________________________________
>>>>>>>>> Artists-making-art mailing list
>>>>>>>>> Artists-making-art at nfbnet.org
>>>>>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>>>>>> To unsubscribe, change your list options or get your account info
>>>>>>>>> for
>>>>>>>>> Artists-making-art:
>>>>>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>>>>
>>>>>>>> ________________________________
>>>>>>>> _______________________________________________
>>>>>>>> Artists-making-art mailing list
>>>>>>>> Artists-making-art at nfbnet.org
>>>>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>>>>> To unsubscribe, change your list options or get your account info
>>>>>>>> for
>>>>>>>> Artists-making-art:
>>>>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/ann%40acunningham.com
>>>>>>
>>>>>> _______________________________________________
>>>>>> Artists-making-art mailing list
>>>>>> Artists-making-art at nfbnet.org
>>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>>> To unsubscribe, change your list options or get your account info for
>>>>>> Artists-making-art:
>>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 6
>>>>> Date: Fri, 7 Feb 2014 13:26:55 -0500
>>>>> From: "Patricia C. Estes" <pece03 at gmail.com>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <95E84F42EA7F4ADFA9DF888A9D45EA90 at Wellness>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time to
>>>>> articulate
>>>>> these distinctions.
>>>>> I absolutely agree and have been an artist and crafter simultaneously.
>>>>> I am
>>>>> back to my art and love the discovery of it-but I will admit, my left
>>>>> brain
>>>>> does like rules and instructions-but my Girl Brain is winning! (no put
>>>>> down
>>>>> to Boy Brains, just a family joke).
>>>>>
>>>>> Right on! Right on, Linda!
>>>>> pece out
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I better get
>>>>> back
>>>>> to the studio before I cause a riot, but this should be a good place
>>>>> for a
>>>>> discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line between
>>>>> the
>>>>> two, it is very clear and distinct. And artist or a crafter can take
>>>>> the
>>>>> exact same materials, but the mind that works with them is quite
>>>>> different
>>>>> and the results are quite different. It's really about "ideas" and
>>>>> "concepts" and what we are thinking about as we work, and where we go
>>>>> with
>>>>> the materials in our process of working. In Pittsburgh, PA there is a
>>>>> very
>>>>> fine museum/gallery called the Society of Contemporary Crafts - now,
>>>>> what is
>>>>> done there, and shown there is high art. So there is crafts and there
>>>>> is
>>>>> CRAFT, too. There is the "crafter" and there is the "Craftsman."
>>>>> very
>>>>> distinct differences between them - and as a sculptor you would be
>>>>> very
>>>>> aware of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College, in
>>>>> western PA) where I was free to teach across disciplines, as I have
>>>>> my MFA
>>>>> in painting/printmaking, and my MA in English Literature. Because of
>>>>> this
>>>>> background, I was very marketable for a good position. I was able to
>>>>> create
>>>>> multi-discipline courses - alway a combination of literature and art,
>>>>> as
>>>>> well as studio courses in painting, fiber arts, printmaking, drawing.
>>>>> It was
>>>>> a dream of a job, working in interdisciplinary studies and doing so
>>>>> many
>>>>> projects with profs in other disciplines. I was very active in
>>>>> conferences
>>>>> on interdisciplinary studies. I created an European experience for
>>>>> art and
>>>>> literature students and we lived in Austria every summer and then
>>>>> traveled
>>>>> to other countries. I even had an art exhibition in Austria for my
>>>>> students
>>>>> every summer. They worked so hard in the studio and out on location
>>>>> every
>>>>> day, and at the end of the month they had a show - so much fun. I
>>>>> also did
>>>>> this with Puerto Rico, and students came to PR with me each spring as
>>>>> part
>>>>> of their course in Puerto Rico Culture - which I have continued to
>>>>> visit
>>>>> every March even though I am now retired. It bacame how we spent our
>>>>> spring
>>>>> time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a piece
>>>>> done
>>>>> today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is reading this
>>>>> is
>>>>> still torn I wouldn't be surprised though since there are all sorts of
>>>>> shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off on a
>>>>> tangent tangling all sorts of events together rather randomly. They
>>>>> started
>>>>> laughing and saying something akin to how do you make it from day to
>>>>> day.
>>>>> And I said you guys are pilots and for you to be a good pilot you know
>>>>> and
>>>>> follow rules. That is what they pay you for. I am an artist and I am
>>>>> paid to
>>>>> break the rules. No one wants to hear from me if it has already been
>>>>> done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group though, I am
>>>>> like
>>>>> you, I just came on to ask a question about something I needed to know
>>>>> and
>>>>> was so glad to meet Ann who helped me with my question. I am
>>>>> furiously
>>>>> working right now (oops, split that infinitive!) getting work done for
>>>>> the
>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>> _Vision
>>>>> and Revision: Two artists with limited sight, not limited vision_ It
>>>>> is my
>>>>> pottery and mixed-media fiber works, and a legally blind painter. It
>>>>> opens
>>>>> one month from today, and if I stop to think about what else has to be
>>>>> done
>>>>> yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on
>>>>> the details. The show will appear at two locations this year and will
>>>>> have a
>>>>> video that plays in the gallery with the art works, Braille labeling,
>>>>> and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for
>>>>> the Women in the Arts course at Geneva College. That is where I taught
>>>>> when
>>>>> I was a professor of fine arts and humanities, before I retired. I'll
>>>>> be
>>>>> lecturing on the historical context of my work and where the ideas
>>>>> have come
>>>>> from when creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak at a
>>>>> conference at Slippery Rock University of PA for two sessions, the day
>>>>> before we hang our show. So, I have those presentations to be working
>>>>> on
>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>> ago, but
>>>>> I am still very much involved in everything but being in the
>>>>> classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap
>>>>> between an
>>>>> artist and a crafter is like crossing the ocean, it is that wide. Some
>>>>> basic
>>>>> things may be similar between the two, but most things are very far
>>>>> apart
>>>>> philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the hands
>>>>> and
>>>>> most have done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning
>>>>> something
>>>>> and knowing where the end will be, the artist begins with no notion of
>>>>> where
>>>>> the end will be or even if it will be. the crafter has a clearly
>>>>> defined
>>>>> path to the finished product. The artist has only some inklings of
>>>>> possible
>>>>> outcomes, but has to find them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between them is
>>>>> that
>>>>> the crafter has 'rules" to follow and seldom will ever deviate from
>>>>> those
>>>>> rules, as they are set in stone in her mind. On the other hand, the
>>>>> mature
>>>>> artist has learned that there are no rules at all. They may begin in
>>>>> the
>>>>> early stages by learning techniques, but eventually with the years of
>>>>> working, the light comes on in her brain when she discovers one day -
>>>>> she is
>>>>> free of all rules when making art. Everything can be challenged,
>>>>> everything
>>>>> can be changed, and everything is fair game, for the artist. Is there
>>>>> any
>>>>> other profession in this world where there are no rules? It's the most
>>>>> exhilerating feeling to know that there are absolutely no rules
>>>>> whatsoever
>>>>> for me. Wow, makes me take a deep breath just to say it. Free, free,
>>>>> free,
>>>>> at last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is where
>>>>> the
>>>>> person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is usually
>>>>> content to learn something then duplicate it endlessly, then moves on
>>>>> to
>>>>> learn something else and does that again with it. The artist can take
>>>>> crafts
>>>>> materials (which is what you and I both do) and techniques, and then
>>>>> take
>>>>> them far beyond because they will combine their techniques and
>>>>> materials
>>>>> with the imagination. If you can teach it, it is usually a craft. If
>>>>> you
>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>> techniques, or using craft materials, but then the person begins to
>>>>> ask the
>>>>> "what if" questions, and takes lots of risks, failures, and bends in
>>>>> the
>>>>> road on the way to it becoming a work of art. It is a "mind set" that
>>>>> is
>>>>> never satisfied with just the learning of something new, but one that
>>>>> constantly questions, experiments, and never knows where the "end"
>>>>> will be,
>>>>> or even if it will be. A "crafter" will never understand what I have
>>>>> just
>>>>> said and will most likely be huffing and puffing and angry with it.
>>>>> An
>>>>> "artist" is standing and applauding what I have said. It is that
>>>>> simple, and
>>>>> that complex. The artist thrives on change and making new discoveries
>>>>> and
>>>>> each work leads to other querstions and more change and more new
>>>>> discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments. One will be setting at a craft show with a table full
>>>>> of
>>>>> things that are basically all the same while the other will have work
>>>>> on
>>>>> display in a gallery or museum. Each has decided where they "fit" and
>>>>> each
>>>>> is very happy with where they are. They are different animals, with
>>>>> different ideas, and different end results and outcomes. Each one has
>>>>> decided their own path and each one is comfortable with the decision
>>>>> she has
>>>>> made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from wisconsin
>>>>> who
>>>>> is a fledgling and budding beginner artist. my medium is beadwork. I
>>>>> make
>>>>> pictures and tapestries out of tiny little seed beads sewn together
>>>>> with
>>>>> thread. but most of my work is in making jewlry, but I have always
>>>>> looked
>>>>> upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference between an
>>>>> art
>>>>> and a craft? I do believe that all crafts are forms of art but are
>>>>> all arts
>>>>> considered crafts? Thanks linda and all of you for getting this list
>>>>> going
>>>>> as it is something I?ve always dreamed of seeing in our efforts to
>>>>> bring
>>>>> blind people together who love to both create and appreciate the
>>>>> visual
>>>>> arts.
>>>>>
>>>>> ------------------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>>
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account
>>>>> info
>>>>> for Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>> --------------------------------------------------------------------------
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/ann%40acunningham.com
>>>>>
>>>>>
>>>>> ----------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>>
>>>>> ------------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/pece03%40gmail.com
>>>>> -------------- next part --------------
>>>>> An HTML attachment was scrubbed...
>>>>> URL:
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>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 7
>>>>> Date: Fri, 7 Feb 2014 13:48:48 -0500
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <0C82603A06C14829A1FDF9CA9822F0BB at Lambert>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Patricia, I just finished reading the book "The Female Brain" by Luann
>>>>> Brizendine, and OH, HOw I wish I had this wonderful information a long
>>>>> time
>>>>> ago. Raising my brood of children would have been so much easier if I
>>>>> had
>>>>> known these things about the differences between male and female
>>>>> brains.
>>>>> And, my goodness, I would have been a much better teacher, too. I
>>>>> would have
>>>>> a better understanding of my fellow human beings - but at least I do
>>>>> understand a lot more about it now since reading this book. It was so
>>>>> enlightening to me and I was telling my husband all about it as we
>>>>> would
>>>>> ride along in the truck. One day he said to me, "I guess it is like
>>>>> this
>>>>> conversation we are having right now in this truck." This was his
>>>>> insight
>>>>> as I was rapidly sharing so much information as he sat quietly
>>>>> listening...lol I said, "Yes, now I understand this conversation here
>>>>> in
>>>>> this truck so much better." We laughed.
>>>>>
>>>>> Of course we are both crafters and artists - one feeds into the other.
>>>>> We
>>>>> all begin somewhere - and for me, it begins with my mother taking an
>>>>> afternoon to teach me how to do some embroidery stitches and to creat
>>>>> a
>>>>> picture on a linen tea towel - I was probably 8 years old. Then, it
>>>>> continues on with my precious neighbor taking an hour each morning,
>>>>> one
>>>>> summer, to teach me how to read a pattern and how to sew a blouse,
>>>>> skirt,
>>>>> and then an entire outfit - I was about 10. We learn from those around
>>>>> us,
>>>>> and how lucky we were to have them in our life. What I do today, is an
>>>>> homage to those women in my life so long ago. I celebrate them with
>>>>> every
>>>>> stitch I make in my art these days. And, I say "thank you" to them
>>>>> for
>>>>> giving me the beginnings of who I am today, and who I am becoming with
>>>>> each
>>>>> new day and each new idea I work with.
>>>>>
>>>>> Lynda
>>>>>
>>>>> http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400&sr=1-1
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:26 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time to
>>>>> articulate these distinctions.
>>>>> I absolutely agree and have been an artist and crafter
>>>>> simultaneously. I
>>>>> am back to my art and love the discovery of it-but I will admit, my
>>>>> left
>>>>> brain does like rules and instructions-but my Girl Brain is winning!
>>>>> (no put
>>>>> down to Boy Brains, just a family joke).
>>>>>
>>>>> Right on! Right on, Linda!
>>>>> pece out
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I better
>>>>> get
>>>>> back to the studio before I cause a riot, but this should be a good
>>>>> place
>>>>> for a discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line
>>>>> between the
>>>>> two, it is very clear and distinct. And artist or a crafter can take
>>>>> the
>>>>> exact same materials, but the mind that works with them is quite
>>>>> different
>>>>> and the results are quite different. It's really about "ideas" and
>>>>> "concepts" and what we are thinking about as we work, and where we go
>>>>> with
>>>>> the materials in our process of working. In Pittsburgh, PA there is a
>>>>> very
>>>>> fine museum/gallery called the Society of Contemporary Crafts - now,
>>>>> what is
>>>>> done there, and shown there is high art. So there is crafts and there
>>>>> is
>>>>> CRAFT, too. There is the "crafter" and there is the "Craftsman."
>>>>> very
>>>>> distinct differences between them - and as a sculptor you would be
>>>>> very
>>>>> aware of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College,
>>>>> in western PA) where I was free to teach across disciplines, as I
>>>>> have my
>>>>> MFA in painting/printmaking, and my MA in English Literature. Because
>>>>> of
>>>>> this background, I was very marketable for a good position. I was
>>>>> able to
>>>>> create multi-discipline courses - alway a combination of literature
>>>>> and art,
>>>>> as well as studio courses in painting, fiber arts, printmaking,
>>>>> drawing. It
>>>>> was a dream of a job, working in interdisciplinary studies and doing
>>>>> so many
>>>>> projects with profs in other disciplines. I was very active in
>>>>> conferences
>>>>> on interdisciplinary studies. I created an European experience for
>>>>> art and
>>>>> literature students and we lived in Austria every summer and then
>>>>> traveled
>>>>> to other countries. I even had an art exhibition in Austria for my
>>>>> students
>>>>> every summer. They worked so hard in the studio and out on location
>>>>> every
>>>>> day, and at the end of the month they had a show - so much fun. I
>>>>> also did
>>>>> this with Puerto Rico, and students came to PR with me each spring as
>>>>> part
>>>>> of their course in Puerto Rico Culture - which I have continued to
>>>>> visit
>>>>> every March even though I am now retired. It bacame how we spent our
>>>>> spring
>>>>> time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a piece
>>>>> done
>>>>> today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is reading
>>>>> this is
>>>>> still torn I wouldn't be surprised though since there are all sorts of
>>>>> shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off on
>>>>> a
>>>>> tangent tangling all sorts of events together rather randomly. They
>>>>> started
>>>>> laughing and saying something akin to how do you make it from day to
>>>>> day.
>>>>> And I said you guys are pilots and for you to be a good pilot you know
>>>>> and
>>>>> follow rules. That is what they pay you for. I am an artist and I am
>>>>> paid to
>>>>> break the rules. No one wants to hear from me if it has already been
>>>>> done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group though, I
>>>>> am
>>>>> like you, I just came on to ask a question about something I needed to
>>>>> know
>>>>> and was so glad to meet Ann who helped me with my question. I am
>>>>> furiously
>>>>> working right now (oops, split that infinitive!) getting work done for
>>>>> the
>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>> _Vision
>>>>> and Revision: Two artists with limited sight, not limited vision_ It
>>>>> is my
>>>>> pottery and mixed-media fiber works, and a legally blind painter. It
>>>>> opens
>>>>> one month from today, and if I stop to think about what else has to be
>>>>> done
>>>>> yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on
>>>>> the details. The show will appear at two locations this year and will
>>>>> have a
>>>>> video that plays in the gallery with the art works, Braille labeling,
>>>>> and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for
>>>>> the Women in the Arts course at Geneva College. That is where I taught
>>>>> when
>>>>> I was a professor of fine arts and humanities, before I retired. I'll
>>>>> be
>>>>> lecturing on the historical context of my work and where the ideas
>>>>> have come
>>>>> from when creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak at
>>>>> a
>>>>> conference at Slippery Rock University of PA for two sessions, the day
>>>>> before we hang our show. So, I have those presentations to be working
>>>>> on
>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>> ago, but
>>>>> I am still very much involved in everything but being in the
>>>>> classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap
>>>>> between
>>>>> an artist and a crafter is like crossing the ocean, it is that wide.
>>>>> Some
>>>>> basic things may be similar between the two, but most things are very
>>>>> far
>>>>> apart philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the hands
>>>>> and
>>>>> most have done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning
>>>>> something
>>>>> and knowing where the end will be, the artist begins with no notion of
>>>>> where
>>>>> the end will be or even if it will be. the crafter has a clearly
>>>>> defined
>>>>> path to the finished product. The artist has only some inklings of
>>>>> possible
>>>>> outcomes, but has to find them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between them is
>>>>> that
>>>>> the crafter has 'rules" to follow and seldom will ever deviate from
>>>>> those
>>>>> rules, as they are set in stone in her mind. On the other hand, the
>>>>> mature
>>>>> artist has learned that there are no rules at all. They may begin in
>>>>> the
>>>>> early stages by learning techniques, but eventually with the years of
>>>>> working, the light comes on in her brain when she discovers one day -
>>>>> she is
>>>>> free of all rules when making art. Everything can be challenged,
>>>>> everything
>>>>> can be changed, and everything is fair game, for the artist. Is there
>>>>> any
>>>>> other profession in this world where there are no rules? It's the most
>>>>> exhilerating feeling to know that there are absolutely no rules
>>>>> whatsoever
>>>>> for me. Wow, makes me take a deep breath just to say it. Free, free,
>>>>> free,
>>>>> at last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is where
>>>>> the
>>>>> person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is
>>>>> usually
>>>>> content to learn something then duplicate it endlessly, then moves on
>>>>> to
>>>>> learn something else and does that again with it. The artist can take
>>>>> crafts
>>>>> materials (which is what you and I both do) and techniques, and then
>>>>> take
>>>>> them far beyond because they will combine their techniques and
>>>>> materials
>>>>> with the imagination. If you can teach it, it is usually a craft. If
>>>>> you
>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>> techniques, or using craft materials, but then the person begins to
>>>>> ask the
>>>>> "what if" questions, and takes lots of risks, failures, and bends in
>>>>> the
>>>>> road on the way to it becoming a work of art. It is a "mind set" that
>>>>> is
>>>>> never satisfied with just the learning of something new, but one that
>>>>> constantly questions, experiments, and never knows where the "end"
>>>>> will be,
>>>>> or even if it will be. A "crafter" will never understand what I have
>>>>> just
>>>>> said and will most likely be huffing and puffing and angry with it.
>>>>> An
>>>>> "artist" is standing and applauding what I have said. It is that
>>>>> simple, and
>>>>> that complex. The artist thrives on change and making new discoveries
>>>>> and
>>>>> each work leads to other querstions and more change and more new
>>>>> discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments. One will be setting at a craft show with a table full
>>>>> of
>>>>> things that are basically all the same while the other will have work
>>>>> on
>>>>> display in a gallery or museum. Each has decided where they "fit" and
>>>>> each
>>>>> is very happy with where they are. They are different animals, with
>>>>> different ideas, and different end results and outcomes. Each one has
>>>>> decided their own path and each one is comfortable with the decision
>>>>> she has
>>>>> made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from
>>>>> wisconsin
>>>>> who is a fledgling and budding beginner artist. my medium is beadwork.
>>>>> I
>>>>> make pictures and tapestries out of tiny little seed beads sewn
>>>>> together
>>>>> with thread. but most of my work is in making jewlry, but I have
>>>>> always
>>>>> looked upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference between
>>>>> an art
>>>>> and a craft? I do believe that all crafts are forms of art but are
>>>>> all arts
>>>>> considered crafts? Thanks linda and all of you for getting this list
>>>>> going
>>>>> as it is something I?ve always dreamed of seeing in our efforts to
>>>>> bring
>>>>> blind people together who love to both create and appreciate the
>>>>> visual
>>>>> arts.
>>>>>
>>>>> ----------------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>>
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account
>>>>> info
>>>>> for Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>> ------------------------------------------------------------------------
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>>
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account
>>>>> info
>>>>> for Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/ann%40acunningham.com
>>>>>
>>>>>
>>>>> --------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
>>>>>
>>>>>
>>>>> ----------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info
>>>>> for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/pece03%40gmail.com
>>>>>
>>>>>
>>>>> ------------------------------------------------------------------------------
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
>>>>> Artists-making-art at nfbnet.org
>>>>> http://nfbnet.org/mailman/listinfo/artists-making-art_nfbnet.org
>>>>> To unsubscribe, change your list options or get your account info for
>>>>> Artists-making-art:
>>>>>
>>>>> http://nfbnet.org/mailman/options/artists-making-art_nfbnet.org/llambert%40zoominternet.net
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>>>>>
>>>>> ------------------------------
>>>>>
>>>>> Message: 8
>>>>> Date: Fri, 7 Feb 2014 20:54:43 -0500
>>>>> From: "Patricia C. Estes" <pece03 at gmail.com>
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> Message-ID: <35AF1D7D30354C14A11963A2A17E797B at Wellness>
>>>>> Content-Type: text/plain; charset="utf-8"
>>>>>
>>>>> Linda, the brain is so fascinating-or is it the mind?? My first real
>>>>> understanding of it (before I studied holistic psychology and energy
>>>>> medicine) was when our youngest was caught doing something or other
>>>>> that
>>>>> five year olds do, and he burst into tears and managed to blurt out
>>>>> emphatically, "My girl brain made me do it!"
>>>>> Yes, Luke, I know what you mean! But he didn't go to school, yet, and
>>>>> we
>>>>> didn't have a TV...I think he just *knew*.
>>>>> Dr. Christian Northrop teaches about the female brain, too. Her
>>>>> example is
>>>>> that she and her, then, husband were flying somewhere and she noticed
>>>>> that
>>>>> she was reading "Enriching the Mother/Daughter Relationship" and he
>>>>> was
>>>>> reading "How to get the most out of your Band Saw."
>>>>> To bring art into this, I am sure you are familiar with the
>>>>> book,"Drawing on
>>>>> the Right side of the Brain." Pretty fascinating, if one has time to
>>>>> complicate one's life by experimenting with drawing things upside
>>>>> down.
>>>>> Energetically, if you want to engage both hemispheres, Brain Gym says
>>>>> to
>>>>> "think of an X." And to relax the mind, think of two parallel lines.
>>>>>
>>>>> OK, I'm taking my parallel lines and heading to bed,
>>>>> Patty
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:48 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Patricia, I just finished reading the book "The Female Brain" by
>>>>> Luann
>>>>> Brizendine, and OH, HOw I wish I had this wonderful information a long
>>>>> time
>>>>> ago. Raising my brood of children would have been so much easier if I
>>>>> had
>>>>> known these things about the differences between male and female
>>>>> brains.
>>>>> And, my goodness, I would have been a much better teacher, too. I
>>>>> would have
>>>>> a better understanding of my fellow human beings - but at least I do
>>>>> understand a lot more about it now since reading this book. It was so
>>>>> enlightening to me and I was telling my husband all about it as we
>>>>> would
>>>>> ride along in the truck. One day he said to me, "I guess it is like
>>>>> this
>>>>> conversation we are having right now in this truck." This was his
>>>>> insight
>>>>> as I was rapidly sharing so much information as he sat quietly
>>>>> listening...lol I said, "Yes, now I understand this conversation here
>>>>> in
>>>>> this truck so much better." We laughed.
>>>>>
>>>>> Of course we are both crafters and artists - one feeds into the
>>>>> other. We
>>>>> all begin somewhere - and for me, it begins with my mother taking an
>>>>> afternoon to teach me how to do some embroidery stitches and to creat
>>>>> a
>>>>> picture on a linen tea towel - I was probably 8 years old. Then, it
>>>>> continues on with my precious neighbor taking an hour each morning,
>>>>> one
>>>>> summer, to teach me how to read a pattern and how to sew a blouse,
>>>>> skirt,
>>>>> and then an entire outfit - I was about 10. We learn from those around
>>>>> us,
>>>>> and how lucky we were to have them in our life. What I do today, is an
>>>>> homage to those women in my life so long ago. I celebrate them with
>>>>> every
>>>>> stitch I make in my art these days. And, I say "thank you" to them
>>>>> for
>>>>> giving me the beginnings of who I am today, and who I am becoming with
>>>>> each
>>>>> new day and each new idea I work with.
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> http://www.amazon.com/Louann-Brizendine/e/B001H6RZB8/ref=sr_ntt_srch_lnk_1?qid=1391798400&sr=1-1
>>>>> ----- Original Message -----
>>>>> From: Patricia C. Estes
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 1:26 PM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hooray for "outrageous and for all of you for taking the time to
>>>>> articulate these distinctions.
>>>>> I absolutely agree and have been an artist and crafter
>>>>> simultaneously. I
>>>>> am back to my art and love the discovery of it-but I will admit, my
>>>>> left
>>>>> brain does like rules and instructions-but my Girl Brain is winning!
>>>>> (no put
>>>>> down to Boy Brains, just a family joke).
>>>>>
>>>>> Right on! Right on, Linda!
>>>>> pece out
>>>>> ----- Original Message -----
>>>>> From: Lynda Lambert
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 11:44 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Well, this is an outrageous conversation, I know. lol I better
>>>>> get
>>>>> back to the studio before I cause a riot, but this should be a good
>>>>> place
>>>>> for a discussion like this.
>>>>>
>>>>> That is great, Ann! So true. There is really not a fine line
>>>>> between
>>>>> the two, it is very clear and distinct. And artist or a crafter can
>>>>> take the
>>>>> exact same materials, but the mind that works with them is quite
>>>>> different
>>>>> and the results are quite different. It's really about "ideas" and
>>>>> "concepts" and what we are thinking about as we work, and where we go
>>>>> with
>>>>> the materials in our process of working. In Pittsburgh, PA there is a
>>>>> very
>>>>> fine museum/gallery called the Society of Contemporary Crafts - now,
>>>>> what is
>>>>> done there, and shown there is high art. So there is crafts and there
>>>>> is
>>>>> CRAFT, too. There is the "crafter" and there is the "Craftsman."
>>>>> very
>>>>> distinct differences between them - and as a sculptor you would be
>>>>> very
>>>>> aware of this, too.
>>>>>
>>>>> I was so fortunate to teach in a small private college (Geneva
>>>>> College, in western PA) where I was free to teach across disciplines,
>>>>> as I
>>>>> have my MFA in painting/printmaking, and my MA in English Literature.
>>>>> Because of this background, I was very marketable for a good position.
>>>>> I
>>>>> was able to create multi-discipline courses - alway a combination of
>>>>> literature and art, as well as studio courses in painting, fiber arts,
>>>>> printmaking, drawing. It was a dream of a job, working in
>>>>> interdisciplinary
>>>>> studies and doing so many projects with profs in other disciplines. I
>>>>> was
>>>>> very active in conferences on interdisciplinary studies. I created
>>>>> an
>>>>> European experience for art and literature students and we lived in
>>>>> Austria
>>>>> every summer and then traveled to other countries. I even had an art
>>>>> exhibition in Austria for my students every summer. They worked so
>>>>> hard in
>>>>> the studio and out on location every day, and at the end of the month
>>>>> they
>>>>> had a show - so much fun. I also did this with Puerto Rico, and
>>>>> students
>>>>> came to PR with me each spring as part of their course in Puerto Rico
>>>>> Culture - which I have continued to visit every March even though I am
>>>>> now
>>>>> retired. It bacame how we spent our spring time.
>>>>>
>>>>> OK, back to my studio where I am working my tail off to get a
>>>>> piece
>>>>> done today!
>>>>> Lynda
>>>>> ----- Original Message -----
>>>>> From: Ann at acunningham.com
>>>>> To: An exploration of art by and for blind persons
>>>>> Sent: Friday, February 07, 2014 9:08 AM
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Lynda, Nice answer to craft and art. If someone who is reading
>>>>> this
>>>>> is still torn I wouldn't be surprised though since there are all sorts
>>>>> of
>>>>> shades in the continuum.
>>>>>
>>>>>
>>>>> I was talking to my daughter and a friend one day. I went off
>>>>> on a
>>>>> tangent tangling all sorts of events together rather randomly. They
>>>>> started
>>>>> laughing and saying something akin to how do you make it from day to
>>>>> day.
>>>>> And I said you guys are pilots and for you to be a good pilot you know
>>>>> and
>>>>> follow rules. That is what they pay you for. I am an artist and I am
>>>>> paid to
>>>>> break the rules. No one wants to hear from me if it has already been
>>>>> done.
>>>>>
>>>>>
>>>>> What did you teach before you retired? Ann
>>>>>
>>>>>
>>>>> Ann Cunningham
>>>>> Tactile Art - a creative way to see the world!
>>>>> 303 238 4760
>>>>> ann at acunningham.com
>>>>> http://www.acunningham.com
>>>>> http://www.sensationalbooks.com
>>>>>
>>>>>
>>>>>
>>>>> -------- Original Message --------
>>>>> Subject: Re: [Artists-making-art] arts or crafts new member
>>>>> From: "Lynda Lambert" <llambert at zoominternet.net>
>>>>> Date: Fri, February 07, 2014 6:03 am
>>>>> To: "An exploration of art by and for blind persons"
>>>>> <artists-making-art at nfbnet.org>
>>>>>
>>>>> ?
>>>>> Hi Laurie,
>>>>> So nice to see you here. I did not start this group though,
>>>>> I am
>>>>> like you, I just came on to ask a question about something I needed to
>>>>> know
>>>>> and was so glad to meet Ann who helped me with my question. I am
>>>>> furiously
>>>>> working right now (oops, split that infinitive!) getting work done for
>>>>> the
>>>>> opening of a two-person exhibition at a museum - the show is called
>>>>> _Vision
>>>>> and Revision: Two artists with limited sight, not limited vision_ It
>>>>> is my
>>>>> pottery and mixed-media fiber works, and a legally blind painter. It
>>>>> opens
>>>>> one month from today, and if I stop to think about what else has to be
>>>>> done
>>>>> yet, I'll get nervous. So, I won't do that, but just will keep on
>>>>> working on
>>>>> the details. The show will appear at two locations this year and will
>>>>> have a
>>>>> video that plays in the gallery with the art works, Braille labeling,
>>>>> and
>>>>> artist's talks. I will even be teaching in the gallery one afternoon,
>>>>> for
>>>>> the Women in the Arts course at Geneva College. That is where I taught
>>>>> when
>>>>> I was a professor of fine arts and humanities, before I retired. I'll
>>>>> be
>>>>> lecturing on the historical context of my work and where the ideas
>>>>> have come
>>>>> from when creating it.
>>>>>
>>>>> To make matters even more difficult, I am scheduled to speak
>>>>> at a
>>>>> conference at Slippery Rock University of PA for two sessions, the day
>>>>> before we hang our show. So, I have those presentations to be working
>>>>> on
>>>>> every day now, too. I officially retired from teaching 5 1/2 years
>>>>> ago, but
>>>>> I am still very much involved in everything but being in the
>>>>> classroom.
>>>>>
>>>>> Here is my response to the question you have asked. The gap
>>>>> between an artist and a crafter is like crossing the ocean, it is that
>>>>> wide.
>>>>> Some basic things may be similar between the two, but most things are
>>>>> very
>>>>> far apart philisophically.
>>>>>
>>>>> Both work with the hands, and both love working with the
>>>>> hands and
>>>>> most have done it all their life.
>>>>> Both love the materials, and the handling of them, and the
>>>>> satisfaction of the finished product that comes out of it.
>>>>>
>>>>> While the crafter will usually be satisfied with beginning
>>>>> something and knowing where the end will be, the artist begins with no
>>>>> notion of where the end will be or even if it will be. the crafter
>>>>> has a
>>>>> clearly defined path to the finished product. The artist has only some
>>>>> inklings of possible outcomes, but has to find them as she works.
>>>>>
>>>>> The other very big thing I see as a difference between them
>>>>> is
>>>>> that the crafter has 'rules" to follow and seldom will ever deviate
>>>>> from
>>>>> those rules, as they are set in stone in her mind. On the other hand,
>>>>> the
>>>>> mature artist has learned that there are no rules at all. They may
>>>>> begin in
>>>>> the early stages by learning techniques, but eventually with the years
>>>>> of
>>>>> working, the light comes on in her brain when she discovers one day -
>>>>> she is
>>>>> free of all rules when making art. Everything can be challenged,
>>>>> everything
>>>>> can be changed, and everything is fair game, for the artist. Is there
>>>>> any
>>>>> other profession in this world where there are no rules? It's the most
>>>>> exhilerating feeling to know that there are absolutely no rules
>>>>> whatsoever
>>>>> for me. Wow, makes me take a deep breath just to say it. Free, free,
>>>>> free,
>>>>> at last!
>>>>>
>>>>> Laurie, the biggest difference between art and a craft is
>>>>> where
>>>>> the person eventually takes the techniques, I think.
>>>>>
>>>>> A crafter seldom takes things to a different level but is
>>>>> usually
>>>>> content to learn something then duplicate it endlessly, then moves on
>>>>> to
>>>>> learn something else and does that again with it. The artist can take
>>>>> crafts
>>>>> materials (which is what you and I both do) and techniques, and then
>>>>> take
>>>>> them far beyond because they will combine their techniques and
>>>>> materials
>>>>> with the imagination. If you can teach it, it is usually a craft. If
>>>>> you
>>>>> cannot teach it, it is normally art. Art can begin by learning some
>>>>> techniques, or using craft materials, but then the person begins to
>>>>> ask the
>>>>> "what if" questions, and takes lots of risks, failures, and bends in
>>>>> the
>>>>> road on the way to it becoming a work of art. It is a "mind set" that
>>>>> is
>>>>> never satisfied with just the learning of something new, but one that
>>>>> constantly questions, experiments, and never knows where the "end"
>>>>> will be,
>>>>> or even if it will be. A "crafter" will never understand what I have
>>>>> just
>>>>> said and will most likely be huffing and puffing and angry with it.
>>>>> An
>>>>> "artist" is standing and applauding what I have said. It is that
>>>>> simple, and
>>>>> that complex. The artist thrives on change and making new discoveries
>>>>> and
>>>>> each work leads to other querstions and more change and more new
>>>>> discoveries.
>>>>>
>>>>> One can see the difference when you look at work in types of
>>>>> environments. One will be setting at a craft show with a table full
>>>>> of
>>>>> things that are basically all the same while the other will have work
>>>>> on
>>>>> display in a gallery or museum. Each has decided where they "fit" and
>>>>> each
>>>>> is very happy with where they are. They are different animals, with
>>>>> different ideas, and different end results and outcomes. Each one has
>>>>> decided their own path and each one is comfortable with the decision
>>>>> she has
>>>>> made.
>>>>>
>>>>> Lynda
>>>>>
>>>>> Lynda
>>>>>
>>>>>
>>>>> ----- Original Message -----
>>>>> From: Laurie Porter
>>>>> To: Artists-making-art at nfbnet.org
>>>>> Sent: Thursday, February 06, 2014 7:26 PM
>>>>> Subject: [Artists-making-art] arts or crafts new member
>>>>>
>>>>>
>>>>> Hi Folks:
>>>>>
>>>>> I?d like to introduce myself. I?m a blind person from
>>>>> wisconsin
>>>>> who is a fledgling and budding beginner artist. my medium is beadwork.
>>>>> I
>>>>> make pictures and tapestries out of tiny little seed beads sewn
>>>>> together
>>>>> with thread. but most of my work is in making jewlry, but I have
>>>>> always
>>>>> looked upon my beadwork as an art form.
>>>>>
>>>>> so, I have a basic question. What is the difference between
>>>>> an
>>>>> art and a craft? I do believe that all crafts are forms of art but
>>>>> are all
>>>>> arts considered crafts? Thanks linda and all of you for getting this
>>>>> list
>>>>> going as it is something I?ve always dreamed of seeing in our efforts
>>>>> to
>>>>> bring blind people together who love to both create and appreciate the
>>>>> visual arts.
>>>>>
>>>>> --------------------------------------------------------------------
>>>>>
>>>>> _______________________________________________
>>>>> Artists-making-art mailing list
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