[stylist] Story development strategy?
Brad Dunse'
lists at braddunsemusic.com
Sun Sep 25 19:32:19 UTC 2011
. At the end of an audio book I read a while back they had an
interview with the author. He was saying with his writing he develops
the storyline as he writes, puts little to no forethought in the
story and felt it to be more interesting to a reader that way. To be
honest I don't recall his name but he had a series of books out and
was signed with a book deal not self-publishing.
While his story over all in the end was pretty good, I took double
takes on some of the emotional areas of the book. Only slightly
exaggerating here he spent an inordanant amount of time with the main
character begging, gravveling, pleading and balling his eyes out over
a person he was semik-close to in the story. It kept cropping up a
number of times. It was getting to the point my wife and I were
laughing "Oh no, not again going on and on and on and on with the
girl", who wasn't even a large character in the book other than real
estate used up on her. But when his dad died, who he had a good
relationship with, it was something like "Oh yeah, and dad died. Then
I applied for a job atso and so's place..."
So my question is on large projects, do you have an outline or at
least know the big picture of the twists and turns leaving
flexibility for creative twists or improvs? Or do you just wing it as
you go and ride the keyboard to the end?
I do the latter in songwriting with my instrument but those are short
lived and one point or themed writings even if they are a story song.
It seemed to me an editor did a major booboo missing the emotional
ratio and proportion factor with some of the characters and event
emphasis in this authors project.
Brad
Brad Dunse
Music is to the soul, what water is to the body
http://www.braddunsemusic.com
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